This presentation provides a detailed analytical account of the first movement of Clara Schumann’s Piano Trio in G minor. The presentation covers analytical points of interest within the piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within the music to help prepare students to answer listening questions on this work. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of this presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of movements one, two, and eight of J. S Bach’s ‘Ein Feste Burg’ BWV 80. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching.

This presentation provides a detailed analytical account of Debussy’s La Soiree dans Grenade and Pagodes from Estampes. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of Petals by Kaija Saariaho. The presentation covers analytical points of interest within the piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within the music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of The Introduction, The Augars of Spring, and the Ritual from Abduction from Stravinsky’s The Rite of Spring. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of Eleanor Rigby, Here there and everywhere, I want to tell you, and Tomorrow never knows from the album Revolver by The Beatles. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of Cloudbusting, Dream of Sheep, and Under Ice from Kate Bush’s album Hounds of Love. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of The Duchess and End Titles, Mistake of Your Life, Six Years Later, and Never See Your Children again from Rachel Portman’s score to the film, The Duchess. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of the first dance from Three Dances for Two Prepared Pianos by John Cage. The presentation covers analytical points of interest within the piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on this work. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of Excerpts of Act 1 - no. 4 Queen of the Night Aria, and no. 5 Quintet, from Mozart’s singspiel ‘The Magic Flute’. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of numbers 1, 3 and 5 from Ralph Vaughan-Williams’ On Wenlock Edge: On Weblock Edge, Is my team plowing?, and Bredon Hill. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of the first movement to Hector Berlioz’ Symphonie Fantastique. The presentation covers analytical points of interest within the work regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within the music to help prepare students to answer listening questions on this works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching.

This presentation covers key analytical content for Anouska Shankar’s Burn, Breathing Under Water, and Easy. The presentation focuses on addressing analytical points of interest within the melody, harmony, texture, tonality, articulation, dynamics, instrumentation, rhythm, metre, and tempo for each piece. Also provided is an a chronological account of analytical points of interest. This resource would be ideal for assisting students in their analytical understanding of the works, aiding with their revision, score annotations, and understanding of the works. Information is given regarding the contextual background of the work.

This presentation provides a detailed analytical account of Se Quema la Chumbamba and Alla va Candela from Familia Valeria Miranda’s album Cana Quema. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This resource is detailed fact sheets covering the key historical aspects of the Weimar Constitution 1919 - 1924 and key events the Weimar government endured in the years 1919 - 1924. Example content included within this resource is: a description of the constitution, discussion of the revolutions of above and below, the Treaty of Versailles, Spartacist Uprising, Munich Putsch, amongst others. This resource includes an extensive amount of specific factual detail. The fact sheet could either be used for teaching, as a concise but detailed account of the Weimar Constitution to be read or it could be used as a revision tool. The layout of the resource means there is scope to convert the fact sheets into flashcards.

A collection of 6 fact file writing frames - one for each of the key brass instruments: violin, viola, cello, double bass, guitar, and harp. Writing frames include 6 prompter questions with lines underneath to help students structure and focus their fact file. There is space to provide an image. Prompter questions focus around key features of the instruments and their sound, history of the instruments, description of the instruments, then finish with more reflective questions, encouraging children to think creatively and form opinions. This resource is a great example of cross-curricular working, allowing students to develop knowledge on a specific topic whilst furthering their literacy skills in a proactive fashion. It combines student’s critical thinking with creative thinking and knowledge-based learning.

Worksheet combining music and times tables. Solve the times table problems to crack the code and spell out the names of brass instruments. 2 worksheets involved. Answers provided on a separate sheet. Worksheet presented in an appealing way with a musical border.

A collection of 6 fact file writing frames - one for each of the key brass instruments: trumpet, trombone, tuba, euphonium, baritone, and french horn. Writing frames include 6 prompter questions with lines underneath to help students structure and focus their factfile. There is space to provide an image. Prompter questions focus around key features of the instruments and their sound, history of the instruments, description of the instruments, then finish with more reflective questions, encouraging children to think creatively and form opinions.

A collection of five fact file writing frames based on woodwind instruments. Fact file writing frame for each of the following woodwind instruments: flute, oboe, bassoon, clarinet, saxophone. Prompt questions asked to help children construct their fact file including: description of the instrument why the instrument is woodwind how the instrument makes a sound key features of the instrument history of the instrument a question about the instrument There is also space for students to draw an image and label the different parts of the instrument. Great activity for developing student’s writing, encouraging independent research, and as a way of producing a revision resource or consolidating student’s knowledge.

This presentation provides a detailed analytical account of Vivaldi’s Concerto in D minor Op.3, No.11. The presentation covers analytical points of interest within the piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within the music to help prepare students to answer listening questions on this works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.