A 30-minute activity for students to understand what makes a great story opening. Students analyse some of the world's most renown story openings, they identify what's effective about them and then they use their new-found knowledge to craft their own enticing story opening. There are 13 story openings including The Lovely Bones, Orwell's 1984, Jane Eyre and The Curious Incident of the Dog in the Night-time - a real mix for students to get their teeth into. I dare say this activity may encourage some students to read the books after being drawn in by some of the openings.

This resource takes students through the process of reading and understanding an exam question. It encourages students to look closely at the wording and dissect the question before they even consider answering it. All too often students glance at the question and make a start on the answer. This resource helps students see why it's so important to really engage with the question. You can swap the questions on the PPT and activity with exam questions that are relevant to what your class is studying.

Issue the worksheet to students and ask them to identify whether the line comes from Shakespeare or a contemporary singer. After 5-10 minutes, go through the answers using the soundtrack to show which lines are from contemporary singers. The exercise proves to students that contemporary singers use similes, metaphors and other poetic techniques in the same way Shakespeare did.

A fun, accessible resource for students to revise the key tips for questions 1-4 in Section A of the AQA Non-fiction Higher paper.

Ask students to create a social network for the characters using this user-friendly sheet. On the characters' connecting lines write how the characters are connected. Around each character's face write key quotes and characteristics. An example is shown.

A printable classroom aid for students to use to remember the necessary language skills for writing to describe - SIMPLES, with each letter standing for a different language skill. I used this with my GCSE classes and it proved really helpful for the writing section of the AQA non-fiction exam - the meerkat helped!

This is a 6-7 week scheme of work that can be adapted to suit your needs, but it basically leads students up to pitching their idea for a new type of fast food restaurant. Essentially, it leads up to a very engaging speaking and listening assessment. Students must learn to work in a team with different roles. They must learn to delegate tasks based on students' differing abilities. The SOW involves mind mapping, problem-solving and decision-making. Having done this SOW with students before, it really does get their creative juices flowing. They end up taking it very seriously and really do think about their restaurant's brand name, slogan, logo, target audience, USP, appropriate location etc. The competitive element of the SOW really engages boys as well. Not only do students hone their speaking and listening skills, but they gain a basic understanding of how to create a business that will be successful when considering several different factors. The SOW is all included within the PowerPoint with 'notes' added to most slides to be completely self-explanatory. The PowerPoint contains 31 slides, which are very easy to follow and tell students exactly what they need to do.

GREAT 10-MINUTE STARTER TO CEMENT THE FOLLOWING KEY TERMS AND THEIR DEFINITIONS: Accent Adjacency pairs Back-channel features Blend word Contraction Deixis / deictics Dialect Discourse markers Elision Ellipsis False start Fillers Hedge Idiolect Interactional talk Initialism Jargon Micropause Non-fluency features Overt prestige Paralinguistic features Phatic talk Prosodic features Received Pronunciation Repairs Slang Sociolect Standard English Tag question Transactional talk Transcript Turn taking Utterance Vague language INSTRUCTIONS FOR ACTIVITY: Cut out these dominoes and laminate them (optional). Give individuals or pairs one domino, including you, the teacher. You begin by reading out the definition on the yellow side of your card. The student who has the term on the blue side of their card that matches with your definition then puts up their hand and says their term out loud. They then read aloud the definition on the yellow side of their card. All class members will have to listen carefully to see if their term matches with the definition they’ve just heard, and so the game continues until it goes full circle, every student has spoken, and you eventually hear the definition that matches with the term on the blue side of your card. Essentially, you’re playing a large game of dominoes, where students have to match key terms with definitions they hear. Depending on your group’s knowledge/ability, you may work altogether to match up the terms with definitions, or, alternatively, you may decide to play this as an actual dominoes game on the floor. This is a great 10-minute starter that really helps students to remember key terms and their definitions.

GREAT 10-MINUTE STARTER TO CEMENT THE FOLLOWING KEY TERMS AND THEIR DEFINITIONS: Alliteration Emotive language Tag line Left side third Cover line Imperative Superlative Sky line Pun Masthead Second person pronoun Interrogative Hyperbole Central image Use of numbers Connotation INSTRUCTIONS FOR ACTIVITY: Cut out these dominoes and laminate them (optional). Give individuals or pairs one domino, including you, the teacher. You begin by reading out the definition on the yellow side of your card. The student who has the term on the blue side of their card that matches with your definition then puts up their hand and says their term out loud. They then read aloud the definition on the yellow side of their card. All class members will have to listen carefully to see if their term matches with the definition they’ve just heard, and so the game continues until it goes full circle, every student has spoken, and you eventually hear the definition that matches with the term on the blue side of your card. Essentially, you’re playing a large game of dominoes, where students have to match key terms with definitions they hear. Depending on your group’s knowledge/ability, you may work altogether to match up the terms with definitions, or, alternatively, you may decide to play this as an actual dominoes game on the floor. This is a great 10-minute starter that really helps students to remember key terms and their definitions.

Set up a debate with your class as a speaking & listening assessment/activity to run alongside the reading of David Almond's Skellig. This debate springs from the character Mina, who is home schooled. Having done this debate several times with classes, it usually elicits some passionate opinions. Divide your class as necessary into two teams - 'for home schooling' and 'against home schooling' and then issue the cards to the opposing teams. The cards will give students starting points to develop their arguments further. This is a flexible activity to manage and adapt however you wish to suit the abilities of your students.

L.O. To identify and understand emotive language, and its effect on readers. The PowerPoint begins by asking students to look at two different headlines at a time and to decide which one is most emotive, and why. They then focus on two particular headlines and translate their ideas to paper by writing a PEE paragraph. In the next activity, they then have a go at editing a series of headlines by replacing words with more emotive words. Students should share ideas as an entire class. Students then look at a newspaper article and underline/highlight the emotive words. They then complete a table whereby they think about 'more emotive' and 'less emotive' words than the ones in the article. As a final activity, or as homework, students answer the following question about the newspaper article in PEE paragraphs: How does the writer’s choice of emotive language make us (the readers) feel about the dog and its previous owners?

Here's a fun plurals starter with a competitive element - bound to engage the boys! In 'Who Wants to be a Millionaire?' style, this activity asks students to pluralise different words. As the monetary amount increases, the words get more and more difficult. For example, the £100 word is 'face', the £16,000 is 'goose', the £125,000 word is 'quiz' and the £1,000,000 is 'ox'. There are two versions of the game to play on two separate occasions; the second round takes students from 'house' (£100) to 'stimulus' (£1,000,000). This is a fun, competitive starter that engages students in plurals - incredible!

This SOW focuses on persuasive techniques, language techniques, non-language devices and presentational features used in advertising to have an effect on the reader. Students develop their analytical skills before creating their own advert with commentary for their assessment. Although this may sound dull, students had real fun with this scheme and found it genuinely interesting. They thoroughly enjoyed the 'speed dating' to learn about different advertising techniques. The SOW uses the following learning objectives in its lessons: LESSON 1 To understand how images are composed, and how to read figure signs. LESSON 2 To understand how images use colour, texture and viewpoint. LESSON 3 To understand how persuasive language techniques as used in adverts. LESSON 4: To describe the effect of persuasive (language) techniques used in adverts. LESSON 5 To analyse language techniques and presentational features in an advert. LESSON 6 To create own advert using knowledge and skills gained from analysis. LESSON 7 To create own advert using knowledge and skills gained from analysis. INDEPENDENT TASK TIME LESSON 8 To create own advert using knowledge and skills gained from analysis. INDEPENDENT TASK TIME

This will ultimately be a revision aid for students studying texts through a narrative lense. They are asked to break a text down into its narrative building blocks and create a summary for each narrative block. On the actual resource there are prompts for each building block to help elicit a response. THE 7 NARRATIVE BUILDING BLOCKS: SCENES AND PLACES TIME AND SEQUENCE CHARACTERS VOICES IN THE STORY POINT OF VIEW DESTINATION

This is a fun, dynamic lesson in which students are creative right from the start. They do a shared writing activity as a class before analysing an extract from John McGregor's If Nobody Speaks of Remarkable Things. This is an exemplary piece of descriptive writing entirely based on sounds. Students then start to plan their own piece of descriptive writing about a most loved or hated placed based entirely on sound. This then leads into students writing a descriptive piece about three paragraphs long that could be used as a writing assessment.

Students get into pairs. One partner must face the board, the other partner must face the back wall. The partner facing the board must try to describe the poetic device without actually saying what it is. The partner must guess what that poetic device is before their facing partner can move onto the next word. Students then swap places to swap roles. This starter activity lasts approximately 10 minutes. Students, especially boys, enjoy the competitive element. I've also enclosed a poetic device glossary which you may wish to hand out to students before or after the activity, depending on your group's ability, to recap some of the poetic devices.

Students are issued with a scenario and asked to represent/show the story from the perspective of any of the people numbered 1-9. They must consider their perspective carefully. Ask themselves what can they see and hear? Write a short account; write in as much detail as your perspective allows. This activity is a hands-on way of finding out how narrative perspective can alter the narration of a story. This will lend itself well to leading into a discussion about a narrator's point of view and reliability of narrators.

As part of students' study of Anne Fine's play Flour Babies, they can adopt an egg to look after during the holidays. You will need as many hard boiled eggs as you have students in the class to do this activity. Students are talked through the adoption process before signing an official adoption certificate. Students are required to complete a 'baby book' to record their experiences. This obviously emulates what the characters have to do with a bag of flour in the play.

Issue Characteristics of a Shakespearean Hero to pairs. Read through. Students are to find evidence for the characteristics; some have been done for them. After this activity, ask students: What is your personal response to Macbeth? Is he a likeable character? Do you feel sorry for him? Or do you think he deserves everything he gets? This resource is taken from my KS3 Macbeth SOW which you can buy from my shop.

Explain to students that Macbeth is going to write a letter to Lady Macbeth explaining the decision he’s arrived at. He should either persuade Lady Macbeth to give up on her ideas, or concede that Lady Macbeth might have a point, and he wants to go through with it. This could be written up in full as a writing assessment. This resource is taken from my KS3 Macbeth SOW which you can buy from my shop.