pptx, 2.62 MB
pptx, 2.62 MB
pptx, 664.18 KB
pptx, 664.18 KB

A practical and theory-based Year 8 lesson introducing perfect and imperfect cadences. Students explore how chord progressions create “punctuation” in music and perform both types of cadence using the Ode to Joy melody.

This lesson helps students understand how harmony shapes musical structure.
Through guided practice using Ode to Joy, learners explore the two most common cadences. perfect (V–I) and imperfect (I–V), discovering how each creates a sense of completion or continuation.

Students listen analytically to identify cadences in short excerpts, then perform them on keyboards, alternating between melody and chord parts in pairs.
The lesson develops students’ fluency in chord building, scale degrees, and harmonic function, while linking directly to their ongoing orchestral work.

What’s Included

Editable PowerPoint (ready to teach)
Practical Do Now: recall Ode to Joy melody by ear
Knowledge Check: major tonality, scale formula, tonic & dominant recognition
Mini reading passage: “Harmony as punctuation”, how cadences structure musical phrases
Performance task: play and identify perfect and imperfect cadences
Pair activity: one student plays melody, the other plays chords
Reflection prompt: which cadence feels “finished” or “unfinished”?

Why Teachers Will Love It

Clear, visual explanation of cadences, no theory-heavy overload
Practical and accessible, students hear, see, and perform each cadence
Fits perfectly into orchestral and harmony units
Builds vocabulary: tonic, dominant, perfect cadence, imperfect cadence
Works across keyboard, ukulele, or any harmonic instrument setup
Supports retrieval of previous learning from melody and texture lessons

Get this resource as part of a bundle and save up to 17%

A bundle is a package of resources grouped together to teach a particular topic, or a series of lessons, in one place.

Bundle

Year 8 Music – Instruments of the Orchestra | Form, Cadence & Composition | Full Unit

A six-lesson practical and theory-based unit exploring the orchestra, structure, and harmony through Beethoven’s Ode to Joy. Students learn about instrument families, texture, cadences, and ternary form before composing and performing their own re-imagined version of this iconic melody This engaging Year 8 scheme of work introduces students to orchestral sound, musical form, and harmonic language. Using Ode to Joy as the anchor piece, learners explore how melody, texture, and structure combine to create contrast and expression. Each lesson gradually builds from performance into analysis and composition. Students first learn to play the melody and chords, then explore how cadences and contrasting sections provide musical punctuation. The unit culminates in students composing and performing their own ternary-form piece using learned harmonic progressions. Lessons follow a consistent, evidence-based structure: Retrieval / “Do Now”: recall notation, chords, and pitch reading. Knowledge Checks: reinforce tonality, scale degrees, and terminology. Guided Practice: modelled keyboard or ensemble tasks with step-by-step scaffolds. Independent Work: composition and rehearsal with reflection. What’s Included 6 fully editable PowerPoints: 1️ Instruments of the Orchestra – Introduce instrument families, texture, and tonality (D major). 2️ Tutti – Explore orchestral unity, SATB voices, and ensemble texture. 3️ Cadences – Learn perfect and imperfect cadences using tonic & dominant chords. 4️ Contrasting Sections – Add variation and contrast through new chords and phrase development. 5️ Composition – Plan and compose original melodic phrases following the “Ode to Joy” model. 6️ Ternary Form – Combine A–B–A sections and perform or record final compositions. Why Teachers Will Love It Zero-prep, clear sequencing with retrieval and reflection built in Connects theory to practice through Ode to Joy performance tasks Develops listening, performing, and composing in equal measure Builds vocabulary: cadence, texture, tutti, contrast, ternary form Differentiated challenges for mixed-ability groups Fully aligned with Ofsted’s 3 I’s (Intent–Implementation–Impact) Supported by research-informed pedagogy Who It’s For KS3 Music | Year 8 Perfect for whole-class keyboards, small ensembles, or mixed-instrument groups Ideal for a 6-week half-term (or extendable to 8 weeks with composition rehearsals)

£15.00

Reviews

Something went wrong, please try again later.

This resource hasn't been reviewed yet

To ensure quality for our reviews, only customers who have purchased this resource can review it

Report this resourceto let us know if it violates our terms and conditions.
Our customer service team will review your report and will be in touch.