pptx, 2.62 MB
pptx, 2.62 MB
pptx, 470.04 KB
pptx, 470.04 KB

A practical Year 8 lesson exploring how composers create contrast in melody, harmony, and texture. Students perform and analyse new sections of Ode to Joy, discovering how changes in key, chord, and instrumentation add variety and musical interest.

This lesson helps students understand the importance of contrast in musical structure, a key element in all forms of composition. Building on their understanding of melody and cadences, learners revisit Ode to Joy and identify how Beethoven used new chords, phrase variations, and instrumentation to maintain listener interest.

Students perform phrase three of Ode to Joy, which introduces additional chords beyond the tonic and dominant, and discuss how new harmonic colours and textures transform the mood.
They also explore how changes in instrument family, dynamics, and register can create contrast, linking this to later work on composition and ternary form.

The lesson follows Rosenshine’s “I Do – We Do – You Do” model, using small-step guidance, retrieval, and reflection to build secure understanding.

What’s Included

Editable PowerPoint (ready to teach)
Practical Do Now: recall the previous phrase and identify melodic leaps
Knowledge Check: cadence recognition, bass clef recall, and key signatures
Listening task: identify contrasting instrument families (duet, trio, quartet, quintet)
Performance task: play phrase 3 of Ode to Joy with extended chords (D, A, F#, Bm, E)
Reflection prompt: How does Beethoven create contrast between phrases?

Why Teachers Will Love It

Clear, structured approach to teaching contrast in music
Seamlessly integrates listening, performance, and theory
Reinforces prior learning on cadences and harmony
Encourages creativity and analytical discussion
Perfect preparation for the upcoming composition and ternary form lessons
Works for keyboard, ukulele, or ensemble setups

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Year 8 Music – Instruments of the Orchestra | Form, Cadence & Composition | Full Unit

A six-lesson practical and theory-based unit exploring the orchestra, structure, and harmony through Beethoven’s Ode to Joy. Students learn about instrument families, texture, cadences, and ternary form before composing and performing their own re-imagined version of this iconic melody This engaging Year 8 scheme of work introduces students to orchestral sound, musical form, and harmonic language. Using Ode to Joy as the anchor piece, learners explore how melody, texture, and structure combine to create contrast and expression. Each lesson gradually builds from performance into analysis and composition. Students first learn to play the melody and chords, then explore how cadences and contrasting sections provide musical punctuation. The unit culminates in students composing and performing their own ternary-form piece using learned harmonic progressions. Lessons follow a consistent, evidence-based structure: Retrieval / “Do Now”: recall notation, chords, and pitch reading. Knowledge Checks: reinforce tonality, scale degrees, and terminology. Guided Practice: modelled keyboard or ensemble tasks with step-by-step scaffolds. Independent Work: composition and rehearsal with reflection. What’s Included 6 fully editable PowerPoints: 1️ Instruments of the Orchestra – Introduce instrument families, texture, and tonality (D major). 2️ Tutti – Explore orchestral unity, SATB voices, and ensemble texture. 3️ Cadences – Learn perfect and imperfect cadences using tonic & dominant chords. 4️ Contrasting Sections – Add variation and contrast through new chords and phrase development. 5️ Composition – Plan and compose original melodic phrases following the “Ode to Joy” model. 6️ Ternary Form – Combine A–B–A sections and perform or record final compositions. Why Teachers Will Love It Zero-prep, clear sequencing with retrieval and reflection built in Connects theory to practice through Ode to Joy performance tasks Develops listening, performing, and composing in equal measure Builds vocabulary: cadence, texture, tutti, contrast, ternary form Differentiated challenges for mixed-ability groups Fully aligned with Ofsted’s 3 I’s (Intent–Implementation–Impact) Supported by research-informed pedagogy Who It’s For KS3 Music | Year 8 Perfect for whole-class keyboards, small ensembles, or mixed-instrument groups Ideal for a 6-week half-term (or extendable to 8 weeks with composition rehearsals)

£15.00

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