A very user-friendly 30-page workbook for your KS3 students (aimed at Year 7) to introduce “Pitch and Notes of the Stave.” Includes ESP exercises, RAG-style resources for stretch and challenge, fun homework tasks, peer feedback forms for performing and an end-of-topic test for assessment. Now features a GLOSSARY to encourage and support the use of subject specific vocabulary. There are activities to span five lessons - these are not designed to last for a whole lesson but are intended to support additional listening / practical work.

A very accessible keyboard resource for your KS3 students, or as an introduction to Music for Stage & Screen. Can also be used as INTERVALS practice! Features two differentiated versions: **EASY (EASY LH), ** and STANDARD with and without note names. Both versions are the first and second sections of this work only. Ideal for solo and small ensemble performance!

A very accessible keyboard resource for your KS3 students, or as an introduction to Music for Stage & Screen. Can also be used as INTERVALS practice! (MORE DIFFICULT) Features three differentiated versions: INTERMEDIATE (EASY LH), INTERMEDIATE (MORE DIFFICULT LH), and MORE DIFFICULT with and without note names. Both versions are the first section of this work only. Ideal for solo and small ensemble performance!

Three differentiated fun and accessible music quizzes from Ragtime Resources (Red/Amber/Green difficulty levels): Crossword (inc. answer sheet) ’Match the Emoji’ (inc. answer sheet) and ’Spot the Christmas Carol’ word search Go on - treat yourself…

A very user-friendly 30-page workbook for your KS3 students (aimed at Year 7/8) to introduce “BRITPOP.” Includes ESP exercises, RAG-style resources for stretch and challenge, fun homework tasks, peer feedback forms for performing and an end-of-topic test for assessment. Now features a GLOSSARY to encourage and support the use of subject specific vocabulary. There are activities to span five lessons - these are not designed to last for a whole lesson but are intended to support additional listening / practical work. BONUS FEATURES: Now includes differentiated versions of “She’s The One” (Robbie Williams) and “Don’t Look Back in Anger” (Oasis) as both Sib. 7 & PDF files to support practical activities!

A very accessible keyboard resource for your KS3 students to get them into the festive spirit! Can also be used as INTERVALS practice! (INTERMEDIATE) Features three differentiated versions: EASY, INTERMEDIATE (EASY LH), INTERMEDIATE (MORE DIFFICULT LH), with and without note names. Also includes chord symbols and therefore ideal for solo and small ensemble performance!

A very accessible keyboard resource for your KS3 students to get them into the festive spitit! Can also be used as INTERVALS practice! (MORE DIFFICULT) Features one standard version, with and without note names. Ideal to create as alaminated resource for your keyboard students. Ideal for solo and small ensemble performance!

A very user-friendly 25-page workbook for your KS3 students (aimed at Year 9) to introduce a “MUSICAL HISTORY TIMELINE.” Includes ESP exercises, RAG-style resources for stretch and challenge, extended writing tasks, peer feedback forms for performing and an end-of-topic test for assessment. Now features a GLOSSARY to encourage and support the use of subject specific vocabulary. There are activities to span five lessons - these are not designed to last for a whole lesson but are intended to support additional listening / practical work. BONUS FEATURES: Now includes differentiated versions of “Greensleeves,” “Winter” from the Four Seasons, “Moonlight Sonata” and “Etude No.3” for keyboard practice as both Sib. 7 & PDF files to support practical activities!

A brilliant resource to give your students the experience to practice a specifically tailored exam-style question in preparation for the the Edexcel 9-1 exam. Features three listening questions including an unfamiliar listening question, Samba Em Preludio and a rhythm & melody dictation question, as well as a KEY WORDS / VOCABULARY question to link to the extended writing question! Includes: Question paper, teacher’s mark scheme, YouTube links* to suggested recordings and an mp3 for question 3 *An mp3 of all recordings has not been included for copyright reasons *

A brilliant resource to give your students the experience to practice a specifically tailored exam-style question in preparation for the the Edexcel 9-1 exam. Features three listening questions including an unfamiliar listening question, “Release” and a rhythm & melody dictation question, as well as a KEY WORDS / VOCABULARY question to link to the extended writing question! Includes: Question paper, teacher’s mark scheme, YouTube links* to suggested recordings and an mp3 for question 3 *An mp3 of all recordings has not been included for copyright reasons *

Original piece for jazz combo including lead sheets for: Alto, Tenor, Trumpet & Trombone (Bass clef & Treble Clef), Piano, Guitar, Bass & Drums, & FULL SCORE (transposed)* A fun and lively piece to develop and structure within your ensemble, for solo practice and ensemble rehearsal (includes chord changes on all parts to develop improvisation). Also works as a classroom activity - variation on the structure of the 12-Bar Blues (8-Bar Blues) good for demonstrating BLUES & JAZZ STYLES, STRUCTURE, MELODY, HARMONY and IMPROVISATION. Written in concert C - transpositions available upon request. Presented as PDF booklet for easy printing

A great resource to practice unfamiliar listening with your students - UNFAMILIAR LISTENING #1 relates to musical theatre, or AoS3: Music for Stage & Screen in the Edexcel GCSE Specification. Includes: Student’s question paper and skeleton score and teacher’s comprehensive mark scheme as handy printable PDF’s as well as YouTube link* (inc. exact timing). Can be used as a starter, a significant part of a lesson (20-30 mins inc. discussion time), as a homework or even set for cover work. *** YouTube link included instead of MP3 recording for copyright purposes. ** (YouTube video for illustration purposes only - I do not own the recording or the channel)