Download a free Drama Resource pack containg examples of some of our popular Drama resources! View all of our resources at Subject Resources.

Introduce your students to Berkoff’s Kvetch with this set of ‘moan’ cards. Simply cut them out, laminate and give to students to act out. Students will have loads of fun working on these cards either in pairs or small groups.

This is a digital high-quality copy of our Bertolt Brecht poster. Your purchase permits you to print your own copies for pupils as an excellent revision tool. High-quality prints are available order in sizes A4, A3 and A2. Please contact info@subjectresources.com if you would like to place an order.

This is a digital high-quality copy of our Stanislavski poster. Your purchase permits you to print your own copies for pupils as an excellent revision tool.

Looking for more great practice questions to help your student studying Find Me for their exam? Look no further! I have created a bank of 16 questions split across 4, 6 and 8 marks responses to help students with their revision. Some questions also include exemplar answers to share with your students.

This pack contains techniques and methodologies from 12 leading theatre practitioners. This guide is perfect to help students with their GCSE and A Level Drama course content for devising and general revision. Each practitioner section contains a quick reference table of their most popular techniques for students to learn and apply to their own practice. Practitioners included Stanislavski, Artaud, Brecht, Meisner, Littlewood, Hagen, Grotowski, Berkoff, Kneehigh, Complicité, Frantic Assembly & Punchdrunk.

This pack contains techniques and methodologies from 12 leading theatre practitioners. This guide is perfect to help students with their GCSE and A Level Drama course content for devising and general revision. Each practitioner section contains a quick reference table of their most popular techniques for students to learn and apply to their own practice. Practitioners included: Stanislavski, Artaud, Brecht, Meisner, Littlewood, Hagen, Grotowski, Berkoff, Kneehigh, Complicité, Frantic Assembly & Punchdrunk.

‘Shakers’ by John Godber & Jane Thornton challenges students to develop a deep understanding of character development and multi-role playing. The actors not only play the waitresses but also a variety of bar patrons, requiring versatility and a nuanced approach to differentiating between multiple characters. This demands a high level of skill in voice modulation, physicality, and emotional range, making it an excellent study for aspiring actors. Contents Include: (40 pages) Introduction, John Godber & Jane Thornton, Nightlife in 1985 & Sexism in 1985 Character Analysis - Carol, Adele, Nicky & Mel Themes - Gender Roles, Social Class, Workplace Dynamics, Self-worth & Friendship Key Moments with Practical Explorations - Waitress Introductions, Introduction Circles, The Busy Friday Night, Bar Rush, Troublesome Customer, Forum Theatre, Closing Time & Reflections. Performance Techniques - Episodic Structure, Multi-Role, Physical Theatre, Minimalism, Direct Address, Rapid Transitions, Vocal Variety & Improvisation. Lesson Plans/Activities - Multi-Role Exploration, Customer Improvisation, Quick Character Switch, Impromptu Monologues & Silent Scene Improvisation. View more Drama resources by searching for Subject Resources on Google!

Studying Jacques Lecoq’s methods provides drama students with a comprehensive approach to physical theatre that emphasizes body movement and expressive potential. Lecoq’s teachings encourage creativity and improvisation, essential for developing a unique artistic voice. His focus on physical expression helps actors become more versatile and dynamic, capable of conveying complex emotions and stories through their bodies alone. **Contents Include: **Biography, Influences, École Internationale, Neutral Mask, Le Jeu, Elements & Materials, Larval Masks, Character Masks, Seven Levels of Tension, Dynamics of Movement, Mime, Movement Analysis, Chorus, Space & Tempo, Clowning, Animal Study, Animal Study - Exploration, Collective Creation, Expression & Key Quotes.

Exploring improvisation offers many invaluable skills and benefits. It serves as a playground where spontaneity, creativity, and adaptability thrive, allowing actors to hone their craft in a dynamic and immersive way. Improv enhances the ability to think on one’s feet, fostering quick thinking and the capacity to embrace unexpected challenges with confidence. It nurtures the art of active listening, collaboration, and the courage to take risks, amplifying an actor’s versatility and depth in portraying characters. In this resource pack, we take a closer look at some key techniques and exercises to develop your actors in the classroom. Contents Include Why Improvise?, Spontaneity, Listening, Creativity, Adaptability, Teamwork, Emotional Agility, Storytelling, Blocking, Breaking Character, Physicality, Improvisation Exercises, Word-at-a-time, “Yes, And…”, Props Relay, Genre Switch, Character Walk, Story Circle, Freeze Tag, Press Conference, The Expert, Lesson Plan & Key Quotes. For more of our popular Drama resources, visit Subject Resources.

Uta Hagen was a pioneering figure in the acting world, and her insights have had a profound impact on the craft. Her emphasis on deep character exploration, authenticity, and using exercises like the Object Exercise helps actors develop a richer, more nuanced understanding of their characters. By studying Hagen’s techniques, students can improve their acting skills, better connect with the emotions and motivations of their characters, and ultimately deliver more compelling and genuine performances on stage or screen. Her teachings remain highly relevant and valuable for aspiring actors looking to hone their craft. Contents Include: Biography, Substitution, Given Circumstances, Object Exercise, Emotional Preparation, Concentration, Relaxation, Moment Before, Sense Memory, Through-line of Action, Listening, Key Quotes & Lesson Plan. View more popular Drama resources, visit Subject Resources.

“That Face” by Polly Stenham explores complex themes, rich character development, emotional depth, and poignant social commentary. The play’s portrayal of addiction, dysfunctional families, and adolescent struggles offers a valuable opportunity for students to analyze human behaviour, connect with characters emotionally, and engage in discussions about relevant societal issues. Polly Stenham’s thought-provoking writing provides a compelling and relatable backdrop for literary and dramatic exploration in the classroom. Contents Include: Plot Summary, Polly Stenham, Character Analysis, Martha, Mia, Izzy, Henry, Key Moments, Mia & Martha’s Confrontation, Mia’s Drug Overdose, Martha’s Emotional Breakdown, Mia’s Intervention, Final Confrontation, Dramatic Techniques, Realism & Naturalism, Monologues, Symbolism, Non-linear Narrative, Repetition, Tension & Conflict, Physicality & Movement, Subtext, Foreshadowing & Emotional Intensity. Plus, two 60-minute lesson plans! Lesson Plan 1 - Exploring “That Face” and Dramatic Techniques of Physicality and Movement Lesson Plan 2 - Exploring “That Face” through Hot Seating For more Drama resources, visit Subject Resources.

Studying Greek theatre is vital for drama students as it provides a historical and artistic foundation for their craft. By exploring the works of ancient Greek playwrights and understanding the structure, themes, and techniques employed, students gain invaluable insights into character development, plot construction, and the power of ensemble work. Greek theatre serves as a wellspring of inspiration, nurturing creativity and deepening students’ understanding of the theatrical art form they pursue. Contents Include: Origins of Greek Theatre, Greek Theatre in Society, Greek Theatre in Modern Times, Greek Tragedies, Oedipus, Medea, The Bacchae, Greek Comedies, Lysistrata, The Frogs, Open-air Theatres, Greek Theatre Dramatic Techniques, Chorus, Dialogue & Monologues, Masks, The Three Unities, Catharsis, Dramatic Irony, Stichomythia, Deus ex Machina, Symbolsim, Physicality & Movement, Satire & Parody. Greek Theatre Lesson Plans Lesson 1 - Exploring Greek Theatre: An Introduction Lesson 2 – Creating your own Greek Theatre piece Lesson 3 – Exploring Greek Theatre Chorus Check out more of our Drama resource by visiting, Subject Resources.

This practitioner pack explores the techniques and methodologies of Stephen Berkoff. The intention of this pack is to provide students with valuable and revision friendly information to aid their practical work. Areas covered: Total Theatre, Levels of Exaggeration, Greek Theatre, Grotesque, Kvetch, Essence Machine, Mie, Burdens, Punch & Judy, Jo-Ha-Kyu, Mime, Mask, Biography & Key Quotes. The pack is sent as a digital PDF document to your email after purchase. For A4 printed pack copies, please visit Subject Resources via Google search.

This pack provides a deeper look at the techniques and methodologies of Konstantin Stanislavski (1863-1938). This pack is perfect for independent student learning or can be used as a valuable resource whilst teaching. Areas covered: The First Acquaintance, Three Core Elements, Given Circumstances, Actioning, Subtext, Tempo Rhythm, Circles of Attention, Units & Objectives, Method of Physical Actions, Emotion Memory, Imagination, Circles of Attention, Before-time, Public Solitude, Endowment, Magic If, Active Analysis, Relaxation, Influences, The Fourth Wall, Key Quotes, The Moscow Art Theatre, The American Tour, The Method (overview), The Young Stanislavski, Principle Terms Glossary.

This pack explores the techniques, influences and methodology of influential theatre practitioner Bertolt Brecht. Areas covered: Spass, Alienation, Gestus, Haltung, Stage Directions, Lehrstücke, Placards, Inductive Rehearsal, Narration, Direct Address, Montage, Music, The Silent Scream, Set Design, Split Role, Not-But, Multi-rolling, Historification, Lighting, Caspar Neher, Expressionism, Biography, Buchner, Marxism & The Everyman.

This pack provides a deeper look at the techniques and methodologies of Lee Strasberg (1901-1982). This pack is perfect for independent student learning or can be used as a valuable resource whilst teaching. Areas covered: Biography, Group Theatre 1931, Relaxation, Concentration, Sense Memory, Breakfast Drink, Daily Activity, Private Moment, Private Moment Exercise, Improvisation, Animal Study, Anticipation, Director, Creating Character, Given Circumstances, Word & Lines & Key Quotes. More Drama resources are available from Subject Resources.

This resource pack provides practitioner techniques specifically to help pupils explore character development. The resource offers a starting point from which they can delve deeper into new ideas and methods through wider reading. Exploring character development techniques and enhancing awareness of ideas nurtures creativity, critical thinking, and problem-solving skills as students navigate the nuances of character relationships, conflicts, and transformations. Ultimately, this exploration empowers drama pupils to become more proficient actors and storytellers, enabling them to communicate and connect with audiences on a more profound level. Contents Include: Stanislavski���s Method, Michael Chekhov’s “Psychological Gesture”, Augusto Boal’s “Theatre of the Oppressed”, Anne Bogart’s “Viewpoints”, Jerzy Grotowski’s “Physical Actions”, Jacques Lecoq’s “Corporeal Mime”, Uta Hagen’s “Object Exercises”, Meisner’s “Repetition”, Suzuki Method, Laban Movement Analysis, Jerzy Grotowski’s “Ritual & Poor Theatre”, Brecht’s “Alienation Effect”, Brecht-Weill’s “Song & Music”, Antonin Artaud’s “Theatre of Cruelty”, Peter Brook’s “Empty Space”, Linklater Technique, Fitzmaurice Voicework, Patsy Rodenburg’s “Speaking Shakespeare”, Cicely Berry’s “Vocal Method” & Key Quotes. For more Drama resources, visit Subject Resources.

At GCSE and A Level, students are required to have a strong understanding of technical elements. This resource pack guides students through each function and definition to enable them to produce more sophisticated responses across their group discussions, coursework and the final written examination. Contents Include: Writing about Set Design, Scale, Era/Time Period, Materials, Location, Texture, Transitions, Set Design Styles, Fantasy, Realism, Symbolism, Minimalism, Staging Conventions, Proscenium Arch / End-on, Trust, In-the-round, Traverse, Promenade, Multi-focus Environments, Black Box, Created or Found Spaces, Promenade (2), Site-specific, Street Theatre, Technical Features, Revolve, Hydraulics & Trucks, Rostra, Flies, Projection, Gauze, Practitioners & Process, Jocelyn Herbert, Bunny Christie, Scale Models, Antigone & Stage Design Task. Visit Subject Resources for more Drama resources.

Our Find Me resource pack is perfect for anyone studying this play for their GCSE or A Levels. In this pack, we explore key moments, performance characteristics and a large collection of practice questions. *Ideal for OCR’s Drama GCSE. Contents Include: Summary, Olwyn Wymark, Key Themes, Inspiration, Parent-Child Relationships, Treatment of Mental Illness, Seeking Safety, Performance Characteristics, Genre, Multi-role, Minimal Props & Scenery, Episodic Structure, SCHP, 1970s Fashion, Social Stigma, Key Moments, Building Blocks Scene, Edward & The Interviewer, French Restaurant, Swimming Fantasy Scene, Flooring the Bathroom, Jean’s Monologue, Jean’s Monologue (Task), Practice Exam Questions, Exemplar Answers. For more Drama resources, visit Subject Resources.