Baghdad Early Islamic Civilization Assembly Cast size: 30 - easily adaptable up or down as, besides the Narrator, the speaking parts are just numbered 1 - 29. Duration: Around 15 minutes reading time (not including music suggestions) This assembly is intended as a celebration of learning and toleration. And it is to this end that the focus is on the work of the individual scholars, working in unison in Baghdad, during this Golden Age. Included is a brief comparison of ‘East and West’– comparing London and Baghdad. Also available from Sue Russell: • Baghdad Early Islamic Civilisation Guided Reading Scripts 5 scripts, 6 speakers each, plus quiz for each script. Approximately 5 minutes reading time for each (not including the quiz) 1. When? 2. Where? 3. The Story of Muhammed 4. Beliefs of Islam 5. World Religions And • An Assembly on Islam which tells the story of Muhammed and gives a brief outline of Islamic beliefs Sample Text: Music 1 Golden Years – David Bowie; or Imagine – John Lennon (Children file in, taking places along two rows of 15, facing the audience) Narrator: Good morning and welcome to our assembly on Whole cast: (Together) Baghdad and Early Islamic Civilisation (Child 1, 2 and 3 stand up with 3 banners: Golden Age, Learning and Tolerance) Narrator: Aha! And when was this Golden Age? Child 1: It was between the seventh and thirteenth centuries. That is, around six to twelve hundred A.D. Narrator: That’s a long time (looking towards Child 2 and 3) to be learned and tolerant! Child 4: Oh. You’d be surprised what mankind is capable of when the conditions are right! Narrator: (Looking at cast) Well. I think we need to find out what these ‘conditions’ were, don’t you? (Narrator ushers Child 2 and 3 with banners Learning and Tolerance to front of ‘stage’) After all, aren’t Learning (Child 2 waves banner) And Tolerance Child 3 waves banner) Two of the most important ingredients to a happy and stable society? Child 4: And a happy and stable school! Child 5: Yes, we (gesturing to cast) have all learned a huge amount about the importance of Learning and Tolerance Child 6: Just by doing this assembly! Narrator: How so? Child 7: Well, we’ve learned all about this amazing civilisation that we knew nothing about before Child 8: And we’ve learned how it actually was, and is, possible to work together for the greater good.

Stone Age to Iron Age Class Play Cast of 30 – easily adjustable up or down Duration: 15 to 20 minutes not including music suggestions This is one of two scripts written by Sue Russell and was written for upper Key Stage II (9 – 11 year olds). The second, Changes in Britain from the Stone Age to the Iron Age - also available off this website - was written as a simplified version of this one, for lower Key Stage II i.e. 7 – 9 year olds. This script has a truly wide-ranging cast that includes a hunter gatherer, a farmer, some guys with ropes from Stonehenge, a 'Rolling Stone', a caveman, ape, cast of Ice Age, a Celt, Iron Man ... and a Narrator and Archaeologist that just can't seem to get on! Starting 9 million years ago and running through all three 'ages': Stone, Bronze and Iron (yes, the play does take 'ages'!) this is an informative but, as usual, fun romp through history - with one long-suffering narrator! I chose to try to explain a little about evolution and how Stone Age Man 'came about' so as to put the aforementioned Ages into context. There is a phenomenal amount of information to cover in this 'Unit' but I hope I have covered the most important changes in this class play. The guided reading scripts, which can be read in the classroom, to accompany this class play, will I hope offer a more comprehensive coverage of the subject, with the usual quizzes to assess knowledge gained. Sample Text: Whole Cast: (Together) The Stone Age! Narrator: Ah! There we are! Now, that’s progress for you! (Enter Hunter Gatherer) (Narrator looks him up and down) Narrator: Hmm. Well, maybe not that much progress! (Exit Hunter Gatherer, shrugging his shoulders) Child 9: (To Narrator, angrily) Patience! Evolution takes time! It doesn’t just happen overnight, you know! Narrator: (Looking at his watch) I’m beginning to realise that. Now, where are we on that timeline? Child 8: (To Narrator, impatiently) Around 2 and a half million years ago! Weren’t you listening? When man starting using stone tools! That’s why it’s called Whole cast: (Together) The Stone Age! Narrator: OK! We got that! But how do we know that’s when stone tools were used? (Enter Archaeologist) Archaeologist: (To Narrator) You asking more questions again? Narrator: Well, Archaeologist: (Interrupting) That’s OK! That’s why I’m hired to do my job! To give people like you evidence!

International Children's Book Day Assembly or Class Play This script was written in celebration of International Children's Book Day April 2nd 2017 including characters from Horrid Henry, Peter Pan, The Gruffalo, Charlotte's Web, Captain Underpants, Matilda, The Tales of Narnia, Alice in Wonderland and The Very Hungry Caterpillar. NB This is the same script as World Book Day Assembly but adapted to International Children's Book Day. Cast of 30 (easily adapted up or down) Duration: Around 20 minutes not including music suggestions Sample Text: Narrator: Thank you! Of course there is so much to celebrate in the world of literature! All those wonderful inspirational characters! (Enter Horrid Henry, scowling) Horrid Henry: Dah! I suppose you’ve got a whole line up of squeaky clean characters for us today? Just got one word to say to that – BORING! Narrator: And you are? (Pauses) Oh, don’t tell me – Horrid Henry! (Aside to Audience) A shame he had to start us off today! Definitely not one of our more likeable characters! (To Henry) Now, if you don’t mind, I do have a lot of other, shall we say ‘more wholesome characters’ to introduce! Horrid Henry: (Scowling) Please yourself! (Exit Horrid Henry, giving exaggerated ‘yawns’) Narrator: (To Audience) Oh dear! Sorry about that! Let’s see if we can ‘raise the bar’ a little! (Peter Pan ‘flies’ onto the stage) Narrator: Ah! Peter Pan! How nice to meet you! Peter Pan: The pleasure is all mine! (Enter Wendy and Tinkerbell) Peter Pan: I’d like you to meet Wendy: (Curtseying) Wendy (looking at Peter Pan adoringly) Darling! Tinkerbell: (Trying to ‘swoosh’ Wendy out of the way) And Peter’s favourite, Tinkerbell! Peter Pan: (Laughing) Now, now Tinkerbell! We have spoken about that jealousy thing! (Tinkerbell pulls a face, sulking) Wendy: Oh but she’s so adorable! You can’t be cross with her for long! (Enter Horrid Henry) Horrid Henry: What was I saying about those yukky sugary-sweet characters? Time to introduce some more interesting ones! (Horrid Henry beckons to Captain Cook and Crocodile) (Enter Captain Cook and Crocodile, snapping at Narrator’s heels) Narrator: (Angrily) Who let this beast on here? (Glaring at Horrid Henry) Oh I might have known you’d be up to no good!

Superheroes Assembly for Key Stage I Duration: Around 10 – 15 minutes depending on how many ‘superhero demonstrations’ there are. The first ‘speaking’ part of the assembly is around 5 minutes reading time. The rest of the assembly is down to the teacher in charge as explained in Production Notes. Cast: Written for cast of 30 but easily adaptable up or down. The cast comprises class teacher as narrator plus children 1 – 30. This assembly or class play is in roughly two parts - the first deals with the qualities of a superhero and how a superhero would change the world; the second is a demonstration of 'superpowers' by different 'superheroes'. It is very much a 'movable feast' - the children can make their own choices re: how they'd change the world; and likewise choose which superheroes they'd like to portray - they can even make up their own. I have thus provided a 'template' which can be adapted according to class numbers and 'members'. Sample Text: Narrator: Good morning and welcome to our assembly on Whole cast: (Together) Superheroes! Narrator: So, for the benefit of our audience, what makes a superhero? Or maybe I should ask the question, what makes a hero super? Child 1: Super powers, of course! Child 2: You can’t do much without them! Child 3: Especially against those horrible baddies! Narrator: So. Let me get this straight. Heroes are always good? Child 4: Right. They fight for what is good in the world Child 5: Against all that is bad! Narrator: That must take a lot of courage! Child 6: That’s why they’re superheroes! Child 7: Brave! Child 8: Strong! Child 9: And determined! Child 10: It’s not always easy being a superhero! Narrator: (To cast) So. If you had the powers of a superhero, what would you do to make the world a better place? Child 11: I would take food to everyone who was hungry. Child 12: I would give shelter to everyone without a home. Child 13: I would hug everyone who feels unloved. Child 14: I would drive around in a Ferrari! Narrator: (Snorting) Oh really! And how is that going to improve the world? Child 14: Well, it would certainly improve mine!

Second World War School Assembly or Class Play What was the Blitz? What was it like to be an evacuee? What did Morrisons have to do with bomb shelters? Why did Americans call the first 6 months the ‘phoney war’? (Also available, set of 5 guided reading play scripts, with quizzes - Background/Beginnings of War, The Course of the War, Evacuation, the Blitz and War-time Life/Rationing; plus a collection of First World War scripts - Remembrance Day Assembly, First World War Assembly and First World War Poets Assembly) SAMPLE TEXT Second World War or World War II Assembly Evacuee 5: I was lucky. Although I got separated from my brother, I was looked after by a very kind couple .. and didn’t want to go back to the grimy old city I’d left. Evacuee 1:I was so home sick. But my Mum said she could only visit once a month. Evacuee 2: I wanted to go home too. But it was for our own safety. (All walk off. Sound of bombs and air raid siren. Air Raid Warden rushes on). Warden: (grabbing child): Quick! It’s an air raid! If you’re not quick, you’re dead! Get yourself into a shelter now! Narrator: Yes, once those sirens went on, you really didn’t want to be out in the open. Best be (pointing at 2 adults and 2 children under table) snuggled together, indoors, under your Morrisons Shelter. Mum (brandishing Morrisons bag). Two for one, this week only! ________________________________________ TEACHING ‘COVERAGE’ 6. Unit 9 Second World War Assembly (i) Whose was to blame? (ii) Timeline: 1914 – 1945 - Origins in First World War - Chamberlain’s Appeasement Policy - Fates of different countries - Battle of Britain - Blitz - V.E. Day - Hiroshima/Nagasaki - V.J. Day (iii) Who was involved (location on map) (iv) Evacuees (v) Air Raids/Shelters (vi) Recreation (vii) Rationing (viii) Role of Army, RAF and Navy (ix) Women’s role (x) Anne Frank (xi) Remembrance Sunday (In Flanders Fields) (xii) Today’s World Situation (United Nations) (xiii) Lessons learnt. MUSIC 1. Land of Hope and Glory 2. Run rabbit, run rabbit, run run run 3. Dad's Army theme 4. Pack up your troubles 5. Imagine -John Lennon

Awe and Wonder Assembly This KS II class play is on awe and wonder – and there’s plenty of that about in the awesome world of nature! Scoring a ‘WOW!’ proves a bit of a challenge for this particular set of children – it seems to take a lot to impress the ‘awe-full-not’ teacher who is taking the assembly! Cast of 30 (easily adaptable up or down) Duration - around 15 minutes not including music suggestions This script is the first in a series of Awe and Wonder Assemblies – the second one being on Man Made Wonders – loosely based on the Seven Wonders of the World but probably with a lot more thrown in! There will be ‘parallel’ simpler scripts for Key Stage I children on this theme. Sample Text Narrator: So. Let us make sure this assembly is (pauses) awesome! What have you got for me? Child 12: Well, we thought we’d start with all the most awesome places in the world. Child 13: Aside from our school, of course! Narrator: (Smiling) Of course! Child 14: So, what about (Each child in turn holds up a picture of the place they are describing) Child 14: This great lump of rock! Narrator: Great lump of rock? What’s so awesome about that? Child 14: (Indignantly, to Child 10) What were you saying about adults? This lump of rock just happens to be Uluru – otherwise known as Ayer’s Rock, in Australia. Narrator: Well, it does have a pretty amazing colour. Child 14: Red sandstone! Formed six hundred million years ago! Narrator: Wow! (Whole cast cheers) Child 10: Wow! We got a wow! Narrator: Well, I’m not that hard to impress! Child 14: Difficult not to be impressed by the world’s biggest monolith – that’s a single rock, by the way! Narrator: Yes, yes. I knew that! Child 14: And that it’s some nine kilometres in circumference? Narrator: Hmm. Of course! I am a teacher, you know! Child 15: Well. What about this. The Grand Canyon! Narrator: More rocks? Child 15: (Indignantly) Yes but these rocks form one of the deepest gorges on Earth!

Lent Assembly or Class Play So, what are you giving up this Lent? As usual, our poor narrator has dubious task of coaxing sensible - make that, any - sort of response out of his reluctant cast! And as for even thinking about giving up chocolate - well, let's just say, the devil knows better! Although there is the usual high quotient of humour in this play, the subject matter is serious - and there is a clear explanation covering what Lent is all about. Duration: approximately 10 minutes reading time - longer with inclusion of mixture of beautiful and comical music. Written for cast of 30 - easily adaptable up or down. Sample Text Child 5: Lent covers a period of forty weekdays – that’s approximately six weeks but not including Sundays. Child 6: During this time Christians traditionally devoted themselves to fasting, abstinence and penitence. Child 7: In other words, leading a less extravagant lifestyle and reflecting on how they could improve themselves. Child 8: You mean, recognising their faults and doing something about it? Child 7: That’s right. Child 9: Hmm. Fair enough. But going without food for forty days? I’m not sure about that one! Child 6: Nah! You remember I used the word ‘traditionally’? Well, Christians have become a lot more relaxed about fasting these days. Most people today just give up something like, well, chocolate for example! Child 10: (Exclaiming indignantly) Chocolate? Going without chocolate for forty days? Are you serious? Narrator: Oh come on! Surely you could survive without chocolate for forty days? Child 10: (Emphatically) I don’t think so! Narrator: Forty hours? Child 10: No! Narrator: Forty minutes! Child 10: (Hesitantly) Hmm, maybe Narrator: (Impatiently) Forty seconds? Child 10: (Triumphantly) Done! Narrator: So let’s talk about what this Lent is all about. (To Child 10) And then we might have some ideas about what to do with you! Why, for example, does Lent last for forty days? Child 11: This was the period of time Jesus spent in the wilderness, fasting and praying, before beginning his public ministry. Child 12: The wilderness? Sounds like a pretty scary place to be! Child 13: It was! Let’s see just how scary it was and how Jesus dealt with it!

Nelson Mandela Guided Reading Play (or Readers Theater). 6 speakers plus quiz. An in-depth discussion amongst the key 'players' in Mandela's life, raising many issues for further discussion among students. This is one of a collection of 5 plays - Unit 20 Famous People of the 20th Century: 1. Martin Luther King 2. Nelson Mandela 3. Mahatma Gandhi 4. John Lennon 5. Prominent Women (Helen Keller, Anne Frank, Marie Curie, Mother Theresa, Margaret Thatcher and Princess Diana) Speakers: Nelson Mandela Winnie (second wife) Desmond Tutu P.W. Botha (Nationalist Party - hardliner) F.W. de Klerk (Nationalist Party - moderate) Nobel Peace Committee Sample Text: Mandela: 1994! What a year in South African history! Winnie: The year you became South Africa's first black President! Botha: The year the African National Congress won the election. De Klerk: The year millions lined up to vote with Nelson Mandela for the first time. Winnie: The year my husband said "We are moving from an era of resistance, division, oppression, turmoil and conflict and starting a new era of hope, reconciliation and nation-building. I sincerely hope that the mere casting of a vote ... will give hope to all South Africans." Tutu: And it did that all right! After all those years of injustice and suffering. At last the battle was won! Also written by Sue Russell: Black History: • The Slave Trade • Heroes of the Underground Railroad • Amazing Women in the American Civil Rights Movement • Martin Luther King • Nelson Mandela And American Heroes: • Heroes of the American War of Independence • Heroes of the Underground Railroad • Native American Heroes • Heroes in Science and Space Exploration • Heroes from Different Walks of Life (incl. children) And Amazing Women: • From across the world 15th – 20th century • From across the world 20th century • In the American Women’s Suffrage Movement • In the American Civil Rights Movement • And First Ladies 31-35 (taken from First Ladies collection)

Wind in the Willows Play or Set of Guided Reading Scripts This script is suitable for use as Guided Reading (Readers Theater) or for performance. Instead of being sold as two separate products, it is in effect 2 for the price of 1 – as the customer can use it for either purpose. Guided Reading: The 5 scenes can be used by 5 groups of 6 children i.e. a total of 30 altogether and simply read in the classroom, ‘around the table’. In this format, the music suggestions and ‘extra cast’ would obviously be dropped. Duration Around 25 to 30 minutes (about 5 minutes for each script) Play - for Performance Purposes: Use of the entire cast of 30: 6 speakers plus Woodland Creatures and Law Force, along with music suggestions. The length of performance can be reduced from 45 minutes plus to around 20 minutes by less use of music and the omission of one or more scenes. · Play/Performance: 30 minutes plus time for inclusion of music/routines – of around 15 minutes. Total: around 45 minutes – probably a bit longer. · Assembly or Class Play. The length of the play could be reduced to around 20 minutes by omitting one or more of the scenes. Sample Text: Badger: (Exploding) Toad learn his lesson? I don’t think so! Not with his Mole: (Interrupting hurriedly) More sandwiches, anyone? Badger: (To Mole) You’re way too soft on him, Mole. Toad: (Indignantly) Hello! I am still here you know! (Toad continues to fill his mouth with food) Badger: Taking advantage of your friends, as usual! (Badger helps himself to some sandwiches) Toad: Well, you don’t seem to be doing so badly, yourself! Good sandwiches? Badger: Indeed they are! You certainly know how to put together a fine picnic, Ratty! Ratty: Well, thank you. This ol’ brain of mine does have its uses! Mole: Such a clever animal! Badger: And just as well, some of the scrapes you lot got yourselves into! Gaoler: Oh, we know all about those! Stealing a car and driving it with no thought for the safety of others! Badger: That’s Toad, to a T! Toad: (Indignantly) Whatever do you mean? Badger: Just that, nine times of ten, you think of number one first! Toad: (Scratching head) Woah! Wait a minute! That’s way too many numbers! Badger: OK. Let me put it to you simply. (Pauses) You are one selfish, conceited creature! (Everyone gasps) Mole: Oh Badger! Must you? It’s such a lovely day and we were having such a fine time here by the river

A Collection of Seven Fairy Tales, adapted to Reader’s Theater, originally written by Brothers Grimm, and given a wee twist by Sue Russell. *As explained below, these scripts are available separately – but together, this collection offers a 60% discount. Rumpelstiltskin Rapunzel Little Red Riding Hood Hansel and Gretel Cinderella Sleeping Beauty Snow White These plays each have a cast of 6. Reading time varies between 10 – 15/20 minutes. With synopsis, teaching input, discussion and suggestions for further activities. *These scripts are available as separate plays (without Readers Theater adaption i.e. with music suggestions and stage directions). Sample Text from Rumpelstilskin: Narrator: Good morning. And welcome to one of our favourite fairy tales Rumpelstiltskin: Rumpelstiltskin! That’s me! Narrator: A veritable fiend! Villain! Crook! Rumpelstiltskin: (Interrupting) Er, wait a minute! Are we talking about the same fairy tale? Narrator: Well, I think so. Weren’t you the horrible little Rumpelstiltskin: (Interrupting) Could you be just a tiny bit less offensive? I mean, ‘horrible’, ‘little’. Aren’t there any rules on political correctness here? Narrator: (Apologetically) Oh I’m sorry. You’re right. I’ll try not to follow this script I have here, quite so much Rumpelstiltskin: Here! Let me take a look at that! (Snorting) Pah! As I thought! Those Brothers Grimm! The way they described their characters! They’d never get away with it today! ‘Little man’ indeed! How would they like to be vertically challenged? Narrator: You know, I do sympathise with you. I think you have a right to feel the way you do! Rumpelstiltskin: Well, thank you Narrator: But that doesn’t completely excuse your behaviour. Rumpelstiltskin: (Exploding) My behaviour? What about that of the king and the girl’s own father?

Grammar and Punctuation Assembly Two camps: Grammys and Punks! Cast of 30 - easily adaptable up or down Duration: around 10 - 15 minutes This class play attempts to cover at least the basics of our great English Language - a pretty tough challenge! 'Coverage' includes: Punctuation: Capital Letters Full Stops Exclamation Marks Question Marks Commas Colons Semicolons Brackets Hyphens Quotation Marks Apostrophes Grammar: Nouns Proper Common Collective Abstract Pronouns Adjectives; Verbs Present Past Future Active and Passive Regular and Irregular Adverb; Preposition Conjunction Sample Text Narrator: (Growing increasingly impatient) Yes! Yes! Do please say what you’ve got to say! We do have a few more parts of speech apart from yourself to get through, you know! Grammy 2: (Huffily) Oh very well. I’ll keep it brief! (Punks all cheer) Grammy 2: Well, proper nouns are really just names. (Pauses) There! Is that brief enough for you? Narrator: Excellent! Thank you for that! (To audience) Phew! I thought for one awful moment we were going to be stuck with proper nouns until the end of the assembly! Next! Grammy 3: (Bashfully) Me? Oh I’m just a common noun! Narrator: Oh! Nothing remotely common about you I’m sure! Grammy 3: But that’s what I’m called! Grammy 2: That’s right! I’m proper! And he’s common! Word: Well, there are quite a few other types, like Grammy 4: Collective nouns – for example, a swarm of bees, a herd of sheep Grammy 5: And abstract nouns – things you can’t hold in your hand - like anger, time Narrator: (Looking at watch) Speaking of which, yes, I think that’s enough on nouns! Grammy 6: (Squeaking) But hey! I might be small, but don’t forget me! Narrator: And you are? Grammy 6: I’m a pronoun! Very important I am! Narrator: (To audience) Just like the rest of them! State your business, briefly if you can!

School's Out Leavers' Assembly The cast size (30) can easily be adapted up (for a year group) or down, if necessary, to suit class size of less than 30. Duration: Reading time is only about 5 minutes. However, if all 12 songs are used, and say 2 minutes of each are performed, then this takes performance up to around 30 minutes. This is a rough figure depending heavily on how much of each song is used. What does it take to put a smile on those Year 6 faces? Maybe a large dose of great music and some equally great performances .... by the staff?! The lengths teachers will go to - or are we all really just frustrated rock stars underneath?! Easy to produce, great fun to do! Sample Text: Music 1 Yesterday – Beatles (Children file into places, singing as they come in and become seated; at the end of the song, all sit disconsolately, hanging heads in misery; group of teachers stand to one side, listening to their students) Teacher 1: What a beautiful song! Teacher 2: But why the long faces? Teacher 3: Why so sad? Teacher 4: What have you got to feel sad about? Teacher 5: This is your last day at school! Wouldn’t a better choice of music be …? Music 2 School’s Out – Alice Cooper (Teachers sing and perform really ‘over the top’ version of song; students look on in horror) Child 1: And they called us ‘sad’? Child 2: ‘Sad’ has to be the understatement of the year! Child 3: I’d say more like – ‘tragedy’! Teacher 6: (Beaming from ear to ear) Now you’re talking! Music 3 Tragedy – Steps or Bee Gees (Teachers again sing and perform totally ‘over the top’ version of the song; students increasingly alarmed) Child 4: Stop! Stop! Have you all taken leave of your senses? Teacher 7: Well, this is supposed to be a leavers’ assembly, isn’t it? (All teachers fall about laughing) Child 5: But guess what? It’s supposed to be our leavers’ assembly, not yours! Child 6: Yeah! You’ll all still be here this time next year! Child 7: Not like us! Child 8: We’re the ones leaving! Child 9: Not you! Teacher 8: So, why aren’t you celebrating? Other Leavers Assemblies by Sue Russell: It’s Good to be Me Leavers Assembly Leavers Assembly for Year 6s Our School’s Got Talent Leavers Assembly Olympics Leavers Assembly

Australian Assembly In celebration of Australia Day - joint narration by Pom and Swagman - an interesting mix of language and culture! tapping into this great country's history, geography and culture. Cast Size 24 but easily adjustable up or down (information can be split up between several more children taking cast size to 30) Duration Around 10 minutes reading time – this does not include music suggestions and ‘song performances’ Following is a review from publisher contact: A short play giving a lot of information about the land down under: some history, some wildlife, some music and some facts and figures to round it all out. This is another well-presented assembly from Sue Russell. There is the usual large cast size to accommodate a class group, with the many, small parts offset by having the two main characters who are onstage for the majority of the production. There are regular musical interludes to add interest, and any passages that contain recitation of facts, figures or histories are balanced by changing the speakers or having the characters react – I particularly liked the Swagman complaining there was too much dry information. To conclude: a bright, fast overview of a big, big country and a good introduction to a school topic. Sample Text Narrator: Good morning and welcome to our assembly on Australia. (Swagman strolls nonchalantly onto stage, looking around and ‘sizing' everyone up, before going over to Narrator, who is eyeing him cautiously) Swagman: G'day, mate! So what's all this about? Narrator: (Politely) Begging your pardon .. Swagman: (Interrupting) Ah! A Pom! Now how did I guess? Narrator: (Defensively) Something to do with me speaking the Queen's English? And as one of her loyal servants Swagman: (Interrupting) Don't tell me! You're gonna tell all these good folks about life ‘Down Under'? Well, allow me to help out a little. (Turning to Cast) What says you to us livening things up a little around here? (Whole cast nods enthusiastically, relaxing former ‘standing on ceremony' posture) (Swagman walks over to CD player and turns on ‘Down Under' - chorus, children singing and dancing, whilst Narrator looks on in horror) Music 2 - Down Under by Men at Work Narrator: (To Cast) Cut! (To Swagman, irately) Hey! Just what do you think you are doing? I'm in charge here! Swagman: No worries, mate! No need to chuck a wobbly! I was only trying to help. (Pointing to Cast) These guys and Sheilas just looked like they'd enjoy a little taste of the real Oz. Narrator: What? As delivered by a .. by a ... Swagman: Swagman, that's me! And here (taking off bag from his back) .. Meet Matilda!

Midsummer Night’s Dream Assembly This version of A Midsummer Night's Dream is directed, as a school assembly, by William Shakespeare's own son, Hamnet. Written for cast of 16-30, running time approx. 40 minutes, this play follows the original plot, but has some interesting twists along the way - to say nothing of how the 'play within a play' players are treated: a heroic Pyramus played by a 'large butt' Bottom; the lovely Thisby by a bushy bearded Flute; a wall by red-nosed sniffing Snout; Moonshine by 'starving' Starveling and not forgetting Snug's all important part - that of an asthmatic lion! And as if four confused lovers isn't enough to contend with on stage plus some very non-cooperative fairies - our poor director, Hamnet also has his playwright father to deal with! Also available: an alternative Midsummer Nights Dream - entitled Midsummer Nightmare, with Michael Jackson's Thriller taking us through the 'transitions'! There are three versions of this, with differing cast sizes and performance times. Sample Text Hamnet: Scene II Elsewhere in the wood (Group of very ‘out of tune/tone-deaf' fairies sing their idea of a lullaby to Titania, lying with her hands over her ears) Music 3 - All I Ever Do is Dream by the Everly Brothers Hamnet: Cut! Thank you! Can't you see the poor woman is trying to get to sleep? (Fairies exit, sulkily; Titania gives a sigh of relief and falls asleep) (Enter Oberon, sprinkling herb drops on sleeping Titania's eyelids) Oberon: There we go. Sleep tight, my dear. And wake when some vile thing is near. (Exit Oberon) (Enter Lysander and Hermia; Lysander struggling with a huge suitcase, Hermia limping along behind) Hermia: (Irritably) I told you we should have bought a map! Just look at my feet, all covered in blisters! Lysander: Ah quit complaining! At least you haven't been lugging this great case along behind you. So much for traveling light! Hermia: (Snatching suitcase) Well, let me relieve you of it! (Pulls out teddy bear and flings it at Lysander) There you go! Teddy can be your companion for the night! See you in the morning! (Hermia stalks off, with suitcase, to opposite side of stage. Proceeds to take out sleeping bag, pillow, and rugs - all of which make for a comfortable night's sleep; leaving Lysander to ‘cuddle up' with just the teddy. Both drift off to sleep)

Macbeth - Villain or Victim? Shakespeare tragedy turned comedy? With a little help from McBinny, McGinnie and McNinnie (3 witches) Sue Russell 'turns things around' - following the original plot, but with countless laughs along the way! Duration: Around 15 minutes (not including music suggestions) Cast size: 27 Sample text: (Enter Lady Macbeth, reading a letter, letting out intermittent exclamations of joy and shock) Lady Macbeth: (Reading from letter) “they vanisht” … (Pauses) Witches, eh? My husband always did keep questionable company! (Reads) “missives from the king” … “Thane of Cawdor” .. “Hail, king that shalt be!” … (Pauses to reflect on what she’s just read) Well, well, well! It seems my husband has more going for him than I thought! Thane of Cawdor now, and soon to be king, no less! How’s that for quick promotion! Just as well he has an ‘iron maiden’ at his side! One who, unlike him, is not burdened with ‘human kindness’.(Aside) I shall make it my business to move matters along, as I see fit! (Enter messenger) Messenger: Excuse me, Ma’am. I am sent to inform you - The king comes here tonight. Lady Macbeth: At such short notice? And my lord? Messenger: He comes too! Lady Macbeth: (Dismissing messenger with a flick of her hand) Fair enough! And fare you well! (Exit messenger, bowing) Lady Macbeth: The raven himself is hoarse that croaks the fatal entrance of Duncan under my battlements. (Adopts warrior ‘posture’, bracing muscles and performing pretend sword fight) Farewell, Lady Macbeth! Hello warrior woman! (Macbeth enters, interrupting Lady Macbeth ‘in action’. Lady Macbeth ‘recollects’ herself, returning to former graceful ‘lady’) Macbeth: (Bowing) My lady? Lady Macbeth: (Spluttering) Who? What? Ah, tis you, my love! Fancy creeping up on me like that! You gave me quite a turn! Macbeth: It looked like you were having ‘a bit of a turn’ yourself! Are you sure you’re all right? You look a little … agitated!

Anglo-Saxon School Assembly or Class Play Cast Size - 30 - easily adapted up or down. Approximate duration: Around 15 to 20 minutes. Ever wondered about the origins of your birth place? Why is it something-ton and not something-ham? Or why archaeologists get so excited over some old clay pots …or nails? Also available set of 5 guided reading play scripts plus quizzes - Introduction, Anglo-Saxon Life, Sutton Hoo Discovery, Beowulf, and Arthur and the Knights of the Round Table SAMPLE TEXT Arch 1: Look at this! Phosphate remains. That means there must have been a body here when the ship was buried…so this was actually a grave! Arch 2: And with all this treasure we’ve found, the person buried here must have been important! 4. GHOSTBUSTERS THEME MUSIC (Ghosthunters team rush on, searching for ghost) Narrator: Wait a minute! Wait a minute! Who called you lot? Ghosthunter 1: Haven’t you heard? There’s a ghost on the loose! Goes by the name of Raewald, King of East Anglia. Died about 625 AD but forgot to take his Kwells (holds up packet of sea sickness tablets) before being buried with his ship. Ghosthunter 2: Yes, it’s all very fine having all this gold and silver …but not much good to you if you’re prone to a bit of the ol’ sea sickness. Ghosthunter 3: We’re here to give him his tablets so he can at last …Rest In Peace. Narrator: Could I suggest you’d stand a better chance of catching this sea-sick ghost if you were a little quieter (beckoning them all off stage). Wait here! TEACHING ‘COVERAGE’ Unit 6B Anglo-Saxon Assembly (i) Where Anglo-Saxons came from (ii) Timeline: 410 AD – 1066 (iii) Alfred the Great (iv) Runic’ alphabet (v) Origins of our days of the week (vi) Place names – Anglo Saxon origins (vii) Living conditions (viii) Sutton Hoo: archaeological finds and background

Ancient Greek Myths Odysseus and the Cyclops Assembly or Class Play Cast of 30 - easily adaptable up or down Duration - around 10 to 15 minutes reading time (around 20 with addition of music) One of several Ancient Greek scripts written by Sue Russell. A set of 5 Ancient Greek Myths is also available in Guided Reading format, each with 6 speakers, and its own quiz. Sample Text: Poseidon: Oh I’m sure it is! So you stopped off at my son’s island for a bit of a holiday? (To audience) I’ve heard the Greek islands are a favourite holiday destination. Island hopping, I believe you call it? Odysseus: Well, that was hardly our intention. We wanted to get home. Ancient Greek 6: But stopping off for a bit of a rest did make sense. Ancient Greek 7: Though it didn’t turn out to be quite the holiday we expected! Ancient Greek 8: Stuck in the back of that cave (Enter Polyphemus, finding his way to the group, with the aid of a white stick) Polyphemus: (Bellowing loudly) My home! Ancient Greek 9: Hardly the best that Airbnb have to offer! Polyphemus: (Bellowing angrily) Pardon? There’s nothing wrong with my cave I’ll have you know! Ancient Greek 10: Nothing at all – until you get your head bashed against one of the walls! I was the first to suffer at your hands Ancient Greek 11: And I the second! Ancient Greek 1: And I the third! Ancient Greek 2: And I the fourth Ancient Greek 3: And I the fifth Ancient Greek 4: And I the sixth! Poseidon: (Tutting) Son! Really! That was rather greedy, even by your standards! Polyphemus: (Muttering sulkily) But I didn’t eat them all in one go! Odysseus: (Sarcastically) Oh that was very good of you! Polyphemus: Well, thank you! Poseidon: No, I think he’s being sarcastic, son! The lowest form of wit. But something tells me, not quite low enough for you! Odysseus: (To Polyphemus) So come on! What have you got to say in your defence? Surely you don’t want your old man thinking you have the table manners of a monster? Polyphemus: (Spluttering) Well, I er, Ancient Greek 5: You just fancied a change from lamb stew, right? Polyphemus: (Beaming) Oh that’s right! Indeed I did! Ancient Greek 6: I expect lamb gets pretty boring night after night? Polyphemus: Oh you’re right! Ancient Greek 7: So we made a pleasant change to your diet? Polyphemus: (Slapping his large belly, fondly) Well, I’d hardly call it a diet!

Ancient Greeks Theseus and the Minotaur Assembly or Class Play Cast of 30 - easily adaptable up or down Duration: 10 - 15 minutes reading (this does not include music suggestions) Monsters and heroes - not the easiest cast to deal with! But then Poseidon is more than man - sorry, make that - god enough to take this lot on! Also available (as separate purchase): This assembly plus Guided Reading Script plus Quiz (one of large collection of Ancient Greek scripts written by Sue Russell) Sample Text: Music 1 – El Matador Music (Cast file into hall, in order of speaking, taking seats along two rows of fifteen facing the audience) Poseidon: Welcome to this tale about (Enter Theseus) Music 2 Holding Out for a Hero – Bonnie Tyler (chorus) (Theseus strides up and down, bracing his muscles and striking various ‘heroic postures’) Theseus: A hero! That’s me, Theseus! (Theseus gestures to cast to cheer) (Whole cast cheers) Poseidon: And (Enter Minotaur) Music 3 Deeper Underground – Jamiroquai (chorus) (Minotaur ‘skulks’ up and down, glaring at both cast and audience) Minotaur: Me! The Minotaur! (Minotaur ‘paws the ground’, snorts in anger and glares at cast who all boo) Poseidon: Hmm. Quite a split! In fact Theseus: (Interrupting) You could say, Good versus Evil! Poseidon: (Glaring at Theseus) I could! But I’m not going to, if it’s all the same to you! (To audience, aside) These heroes! Think they’re God’s Gift! Theseus: Well, you may not have regarded me as a gift (pauses) Dad! (Pauses) But my other father did! (Enter Aegeus) Aegeus: Ah Theseus, my son! There you are! (To audience) I hope you haven’t been listening too much to this god, here (pointing at Poseidon). Gods! Way too much time on their hands and far too many off spring to show for it! Poseidon: What was that? Aegeus: Oh nothing, Poseidon! Just commenting on how creatively you fill your time. Truly awesome! Poseidon: Well, as God of the Seas I guess I am rather (pauses) what did you say? Oh, awesome, that’s right! A shame not everyone was in such awe of me as you! (Enter Minos) (Whole cast hisses and boos) Minos: (Angrily) Hey! That’s no way to greet the King of Crete! Aegeus: (Contemptuously) Pah! Some king you were! Minos: (Laughing) Huh! And you were any better, oh great King of Athens? (Pauses) Now, just remind me. Who had to send human sacrifices to who? Aegeus: (Exclaiming) Why, you evil, wicked, cruel, vindictive .. Poseidon: (Interrupting) Yes, yes. I think we get it. You two didn’t like each other much, did you? Aegeus: Oh I’ve barely started.

Pinocchio Pantomime A story of redemption and self-discovery – with one small twist – well, maybe not so small when the whole plot hinges on it! NB: This script is the Pinocchio class play adapted as a pantomime i.e. with addition of jokes, a larger than life Fairy as the Dame; and the script adjusted accordingly. Music: there is quite an extensive playlist – 15! The choice of these numbers is totally discretionary. Cast of 24 plus Duration Reading time – around 30 minutes not including music or jokes at the end. 4 scenes of approximately 5 - 10 minutes each – more with addition of jokes at the end. Total performance time: around 40 – 50 minutes plus, depending on how much music is used and how many jokes told. The performance could be reduced substantially with omission of both music and jokes. Sample Text: Narrator: Ah! There you are! At last! The good fairy! We’ve been waiting for you! Fairy: Oh, you mean this script needs something good in it? Well, I couldn’t agree with you more! (To audience) What a load of rubbish, eh? I’ve been sitting out in the wings (Twirling, showing off her wings) Beautiful, aren’t they? About time you all had a treat! This has to rate as one of the worst pantos Narrator: (Interrupting furiously) Hey! Wait a minute! Wait a minute! So where have you been, all this time we have been performing our ‘oh so terrible pantomime’? Fairy: Where have I been, darling? (Twirling) Do you really need to ask? (Pauses) Well, getting ready of course! A fairy must always look her absolute best at all times, especially this time of year! Narrator: (Aside to audience) Strikes me this fairy could spend a little more time down the gym! Fairy: (Exploding) I beg your pardon! I trust you are not suggesting I lose any of (pauses as she tries to find her waist) this exquisite figure? Narrator: Well, it might have helped you get here a bit quicker! Things have just been going from bad to worse, here on stage! Fairy: Oh, you mean the Pinocchio thing? Narrator: Er yes, it is his story we are telling here today! Fairy: Ah well, then. My timing is perfect (pauses as she minces over to the audience) … as ever! Here I am! Narrator: Just in the nick of time! We so need you – or rather, Pinocchio does! Fairy: Yes, I have been watching this rather sad story unravel. That puppet certainly needs all the help he can get! Narrator: But it has to be the right kind of help. He’s been receiving an unfortunate amount of the wrong type. Fairy: What do you mean? Narrator: Well, I’m afraid we have a slight glitch in the plot. You see, one of the good guys has turned bad! Fairy: Oh no! That is bad news! And who might that be?

If by Rudyard Kipling Assembly or Class Play Cast of 30 - easily adaptable up or down. Duration - around 10 minutes not including music suggestions. Unlikely as this may seem but this classic poem by Rudyard Kipling manages to bring together 20 readers and 8 rappers - along with one somewhat incredulous Narrator and poet! This assembly includes both original material and ... well, who can argue that the rappers aren't themselves a pretty original lot - to say nothing of the material they produce! If the language of the original If seems a little dated now, take heart from what can still be gleaned from it, in the right enthusiastic hands! Sample Text Rapper 4: So I think it’s fair to say Rapper 5: It’s all a bit iffy! (All rappers laugh) Narrator: Now, now people! A little respect for our great poet here, if you please! Rapper 6: Oh! Absolutely no disrespect intended, bro! Rapper 7: No, we were just making the point that none of what we are about to say is a given! Narrator: Pardon? Rapper 8: It’s all about making your own choices. Rapper 1: Nobody can make you good! Rapper 2: That has to come from you! Rapper 3: And that’s not always easy! Rapper 4: Take that first couple of lines (Narrator points to Reader 1) Reader 1: If you can keep your head when all about you Are losing theirs and blaming it on you Rapper 4: Sound familiar? Rapper 5: In this crazy world where everything has to be ‘now’, how many people do you know who can stay calm under pressure? Other poems converted into plays by Sue Russell: • Smugglers Song – Rudyard Kipling • The Highwayman – Alfred Noyes Also available – a large collection of alternative Shakespeare and fairy tale scripts plus • Take a Book – Different Genres of Writing Assembly • Great British Writers Assembly. This short small cast assembly - 6 speakers (with adaptations for whole class) focuses on the writers *Roald Dahl, C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling and their books. • Roald Dahl Assembly