Resources designed for the senior Modern History syllabus (implemented in QLD in 2019). The syllabus objectives would also be useful more broadly for students in other states and countries with an interest in The Scramble for Africa. Context: My school runs this program in Alternative Sequence (yr 11 and 12s in together) due to the small size of the school. This lesson was delivered as a 2 hour block during the term 4 exam block to introduce the unit for the following year and to allow year 10s and 11s who would be studying the subject together to meet each other. This resource includes: 1 x PowerPoint 1 x worksheet A collection of political cartoons from 2022 for students to analyse in a group work task The PPT structures the lesson which is more skills based than the previous lesson. it begins by defining ‘sources’ and explaining the difference between primary and secondary sources. This is followed by some things students should keep in mind when evaluating sources. 2 rounds of trivia 20 Q’s per round (as a bonding activity). Round 1 2022 Events. Round 2 – Modern History. There are some revision questions about terms like ideologies, paternalism, hegemonic. Then the lesson turns to the major skill for the day: how to analyse and evaluate visual sources. A list of common visual sources is provided along with why each of those types can be useful to historians. There is a viewing activity so that students can Learn about how photographers can influence their viewers by how they frame the subjects in their photographs. There are some photos from the Scramble for Africa that students can discuss. From here, we turned our attention to political cartoons. Students learned about common techniques used in political cartoons. They were taught the PICTURE acronym to help them unpack visual sources. I included images of common symbols used in the sources we will encounter e.g. Uncle Sam, Marianne, Britannia, the Statue of Liberty, Bear (Russia), Bald Eagle (USA), Lion (England), chains (oppression) etc. information was also provided about other techniques which they use including analogy, caricature, exaggeration, irony, juxtaposition, idioms. Students then view a 3 minute video about the power of political cartoons (and answer 4 questions). They have a go at unpacking some political cartoons from the Age of Imperialism. To conclude the lesson each group is given 2 contemporary political cartoons. They create posters where they annotate the features – techniques, people, events – before sharing their results with the group.

Context: My school runs this program in Alternative Sequence (yr 11 and 12s in together) due to the small size of the school. The lesson begins with some teaching that both grades can do together before the year 12s are assigned some independent work and the year 11s are given some more focused teaching. Then the year 11’s do independent work while the year 12s share their answers and receive feedback. This lesson includes: 1 x PowerPoint 1 x Source Booklet – containing 8 sources (a mixture of types) for analysis 1 x Handout containing a graphic organiser for analysing sources 1 x Handout explaining CAMPORUM acronym with tips for what to look for when analysing sources The lesson begins with a discussion where students need to recall the 7 features of evidence we look for when analysing sources. This is followed by a definition of ‘analyse’ and a 9 step process for analysing. The C.A.M.P.O.R.U.M acronym is included which hits both the analysing and evaluating criteria. Students are shown the A standard criteria for analysing and they are unpacked. The year 12 students then begin independently analysing sources in the source booklet and filling in the handout (CAMPORUM tables). The year 11’s then receive focused teaching about the difference between primary and secondary sources, things to keep in mind when discussing the source origins in a written analysis, how the origins of the source may impact its reliability and tips for evaluating the reliability of different source types. There is some information about historical context and why it is crucial to understand the creator’s motive when engaging with a source. This is followed by an explanation of what the sources will look like in the exam (i.e. a context statement, an excerpt from a source and an APA reference). Following this, the gradual release method is used to engage with the first few sources in the booklet. (I have done the first one on the slides to show how to complete the table, we do the second one together, they do the third one in pairs and they do the fourth one independently). The sources in the booklet were chosen to deliver content at the same time as teaching the analysis skill. The types of sources in the booklet: Information about Leopold II – King of Belgium, Information about the Belgian Congo, A photograph capturing the atrocities committed in the Congo Free State, An alternative viewpoint (Edward Morel), An online news article from 2020, a political cartoon depicting Leopold II at the Berlin Conference of 1884, an opinion piece published in 2021 & an extract from a history textbook. Resources designed for the senior Modern History syllabus (implemented in QLD in 2019). The syllabus objectives would also be useful more broadly for students in other states and countries with an interest in The Scramble for Africa.

A resource designed for use with Year 12 Essential English students (Australian curriculum). Students are preparing to sit a response to stimulus exam with one seen source and one unseen source (1 x written and 1 x visual). The document includes a list of language features and text structures commonly found in written stimulus texts (along with definitions and examples). How I used this in my teaching: I printed a class set of the LF on one colour and the TS on another colour and had them laminated. I hand them out in each lesson when students are analysing texts. I also printed one set in A3 and put them up as posters in the classroom.

A student work booklet for use while reading the novel Deadly Unna? It includes: a synopsis, a list of the key themes, a retrieval chart for recording language features they encounter, a retrieval chart for recording the most effective textual structures within the novel, a table for recording key details about the characters (character names pre-filled), a set of post reading questions (for once they have finished reading the novel), some information about an event which inspired the novel & some activities to help students gather their ideas for their essay under exam conditions. Resources designed for 10 English in Queensland, Australia. It is part of a novel study unit which culminates in a 90-minute examination (500 to 800-word essay). Students had 1 week notice of the question and could bring 100 words of notes in with them. Within this unit students explored how an author’s use of language features, images and vocabulary contributed to the representation of themes in the novel. They also gained a deeper understanding of key literary techniques, including (but not limited to) characterisation, plot, and setting.

This lesson is designed to help students revise for their upcoming exam by reviewing the major settings in Phillip Gwynne’s 1998 novel Deadly Unna? It begins by explaining what ‘setting’ means. An example structure for a paragraph about setting is provided (check boxes). An overview of the following settings is provided (including significant quotes from the novel). The Jetty The Beach The Pub The oval and sports facilities The cemetery The Point (mission) The question we used in this year was “To what extent is Deadly Unna by Phillip Gwynne a realistic representation of modern-day Australia?” Resources designed for 10 English in Queensland, Australia. It is part of a novel study unit which culminates in a 90-minute examination (500 to 800-word essay). Students had 1 week notice of the question and could bring 100 words of notes in with them. Within this unit students explored how an author’s use of language features, images and vocabulary contributed to the representation of themes in the novel. They also gained a deeper understanding of key literary techniques, including (but not limited to) characterisation, plot, and setting.

A PowerPoint which provides an image and summary for the following characters from Deadly Unna? (pictures taken from the film Aussie Rules). Bob Black aka The Old Man Gwen Black (Blacky’s mum) Gary Black Dumby Red Pickles Coach Robertson aka Arks Tim Black aka Best Team-Man Darcy I printed these up and used them as posters in the classroom.

Two resources: A unit plan which includes: a unit description, key questions for the unit, a breakdown of the learning intentions & success criteria, some planning resources, key details about the assessment, scaffolding notes for the assessment {cognitive verbs, a structure, evaluative language, other expected language features}. A list of the themes in the novel. Questions for a self/peer review (student reflection). Reflection questions to be used at the end of the unit (teacher reflection prompts). A Scope and Sequence which outlines how I taught the unit. (My school has 4 x 70 minute lessons a week). Resources designed for 10 English in Queensland, Australia. It is part of a novel study unit which culminates in a 90-minute examination (500 to 800-word essay). Students had 1 week notice of the question and could bring 100 words of notes in with them. Within this unit students explored how an author’s use of language features, images and vocabulary contributed to the representation of themes in the novel. They also gained a deeper understanding of key literary techniques, including (but not limited to) characterisation, plot, and setting.

Teaching about 'parts of speech' and how action words vary depending on what tense you are using. This includes creative writing activities based on visual stimuli. It also includes scanned sections from worksheets with activities for students to work through independently or as a class depending on their level.

A useful resource for an introduction to Science Fiction and key terms. In addition to definitions taken from a cinema subject I completed at university, there are a series of viewing activities (trailers for various films which illustrate the key features of these subgenres of science-fiction.) Most of these slides also come with questions designed to get students to think about our focus: TECHNOLOGY and the role of technology in these imagined worlds. These questions challenge students to consider how filmmakers position and influence their viewers regarding the discourse of technology in texts and whether these representations work to naturalise, reinforce or challenge prevailing beliefs and attitudes about the role of technology in society.

Includes 6 weeks worth of homework activities including chapter questions, a vocabulary list (and activities) and tips for creative writing. It steps students through an assessment task which requires students to write a short story (a transformation of a section of the novel and a preface justifying their creative decisions). Specific task details are below. Mode/Medium: Imaginative Written short story (fiction). Subject Matter: Throughout time short stories have captured the imaginations of both readers and listeners. A good short story will capture the interest of its audience and hold it to the end. Purpose: To entertain and demonstrate your knowledge of the short story genre. Task: For this task you have a choice: 1. Write an imaginative short story that creates a character or “gives voice” to a silenced or marginalised character in the novel that you have studied in class. 2. Place the character into the novel which you have studied in class. This can be at the beginning, the middle or end of a scene. For example, you might write from the perspective of someone who observed an event, assisted the protagonist or befriended them. Or you may create a new character. E.g. A new best friend for the protagonist. Your teacher will explain what it means to “give voice” to a character in a novel. Your character must interact with the novel’s protagonist. You may change the storyline and plot to accommodate your character if you desire, however, your story must remain true to the themes and setting of the novel. (E.g. you can’t turn it into a comedy or change the country where the novel is set). Requirements: Length is to be 400-500 words plus a 100 word preface explaining how the story is both original and imaginative. You must demonstrate that you have a sound knowledge of short story conventions and adhere to the short story structure. You can make your story both original and imaginative in the following ways: • Creative use of the conventions of a short story, for example a twist at the end. • Create non-stereotyped characters that make unpredictable choices. • Juxtapose related texts. • Promote alternative beliefs and values through your writing.

A PowerPoint explaining the assessment task (students are to write a monologue from the perspective of a character of their choosing). This resource includes: planning steps, the structure of a monologue, the language features that should go in a monologue, a list of character choices and example monologues written by year 10 students in Australia. This also includes a word document version of the planning booklet which can be printed for students or shared electronically. Part of a set of resources created for a year 10 English class in Australia (ACARA syllabus). The other resources are also available in my store - lrigb4. Designed for use in 50 minute lessons (with extra activities as a back up if the class is advanced).

A multifaceted lesson (PowerPoint) which encourages students to speculate about the opinions of the nurse, Juliet and Lord Capulet about events we have read thus far (in preparation for a monologue task). This has key questions to prompt this discussion. It also introduces some new terms that are important for understanding the ‘arranged marriage’ which Juliet is faced with (patriarchy, social class, feminism, liberalism). it includes a youtube clip of Baz Luhrmann’s version of the party scene which could be compared with the 2013 film. Slides also discuss language clues and how the writing style changes when the characters are feeling loving vs angry. This PPT also includes a summary of all the scenes in Act 2. It includes a video clip of the Baz Luhrmann balcony scene. It includes quotes and prompts which help students to analyse Juliet’s speech and behaviour in the “balcony scene” to better understand the pressures on her and the way they make her act. An updated PowerPoint about Act Two which includes more key quotes and questions to check for understanding. It is designed for a unit where the only assessment is an exam at the end of the term. It includes images and clips to cater to visual learners. It focuses on key language (aesthetic) features within the play which students may like to refer to in their exam responses. A handout - revision activity - a list of jumbled up events from this act which students have to reorganise into chronological order. A script for the balcony scene which has been translated into modern language (more accessible for students). Part of a set of resources created for a year 10 English class in Australia (ACARA syllabus). The other resources are also available in my store - lrigb4. Designed for use in 70 minute lessons (with extra activities as a back up if the class is advanced).

A group of resources: a handout which includes the questions on the slide (to be given to students to answer / shared electronically.) The PowerPoint. Some information pertaining to the historical context of the play. A summary of each scene with key quotes and questions. Viewing a film of Juliet’s monologue in Act Four, Scene Three. Important things to note from Act 4. Revision questions. An updated PowerPoint which features all of Act 4 (Scenes 1-5). This lesson is designed to run over a couple of lessons. It includes more quotes from the play, checking for understanding questions (some to answer in books and some to discuss as a class) & some brain breaks (viewing activities - two excerpts of the play being staged in The Globe Theatre). This lesson is designed to fit into a unit where students must complete an exam where they respond to an essay which argues that Friar Laurence is solely to blame for the deaths of Romeo and Juliet. Through studying each scene in depth, students should begin to see that a range of other characters could be referenced in their counter argument. A handout - revision activity - a list of jumbled up events from this act which students have to reorganise into chronological order. Part of a set of resources created for a year 10 English class in Australia (ACARA syllabus). The other resources are also available in my store - lrigb4. Designed for use in 70 minute lessons (with extra activities as a back up if the class is advanced).

Two assessment tasks written for a Macbeth Unit and the unit plan showing the lesson outlines for an 8 week unit. This English unit has been developed for a year twelve class (in Australia) studying William Shakespeare’s tragedy, Macbeth. The focus for this eight week unit has been taken from the Queensland Studies Authorities suggested work program “The human condition – Shakespeare.” Within this unit, the student’s engagement with Macbeth will emphasise “the aspects of the human condition evident in the play through the representations of central characters and their relationships and motivations.” As part of this focus, “students will consider such aspects as the impact or role of power, fear and violence in the play and their relevance to contemporary times.” Included are two summative assessment pieces – a spoken ‘persuasive text’ (summation speech) and a written ‘reflective text’ (feature article) and marking rubrics.

24 spelling words for 6 weeks. A few weeks of context-specific words followed by conjunctions, verbs, emotive language.

Two PowerPoints for a 10 English class. defines satire, introduces key terms that students need to know including hyperbole, irony and parody. Introduces Daria as an example satirical text.An example clip and viewing questions. Defining mockumentaries. How mockumentaries use satirical elements to reflect human experience. View excerpts an example mockumentary (Summer Heights High). 3 clips and responding questions.

Defining each theme and posing questions for students to consider e.g. Why do human beings have a basic need and desire to be in a group? What are the consequences of being an outcast from main groups? (both physically and mentally). Can groups affect your behavior and encourage you to engage in behaviors you might not otherwise? A list of texts which feature this theme. Clips from various teen films (mostly trailers) with questions for students to respond to post-viewing. It also explains how popular teens and unpopular teens are commonly shown.

1) A PPT: to facilitate learning about the use of poison gas in WW1 and the gas masks which were provided to soldiers. Some context about the poet (Wilfred Owen). Students read and annotate Dulce et Decorum Est. This is followed by questions about the tone of the poem and its intended reading. Following this, students will identify the poetic devices within the poem and evaluate their effectiveness. This is followed by a series of questions for students to answer in their books (to help them expand their analysis). This is followed by a discussion to compare this text with other WW1 poems we have already explored and a reflection activity (KWL). 2) A handout for students to complete their analysis in (which also includes the details for their homework -- to write a mini essay about Owen’s representation of war in comparison to Seeger’s)

A document with over 300 trivia questions (and answers) useful for class competitions, homeroom, school fundraisers etc. Questions include those about Australia, other nations, celebrities, popular culture texts, inventors and scientific discoveries, historical events, true or false etc

This booklet has been designed as part of a unit of work on Catching Fire (the second book in the Hunger Games trilogy). It includes activities about characters, the setting and language features which students are to complete as they read the novel. There are also questions about the events/themes/character's perspectives et cetera for each chapter. This is all in preparation for a creative writing assessment where students take what they have learned to create two or three diary entries which provide insight into a minor character from the novel. In doing so they must reveal the personality of their character through what they see, think, feel, hope for and fear. Students were assessed on how purposefully they shaped their representations of people, places, events and concepts in the novel.