**This pack is designed for the AQA Paper 1 - Education, Theories, Methods Paper. This pack contains a 54 slide PowerPoint presentation that covers the following:** *** Slides 1 - 11 -** Break down of the exam, types of questions students will face and discussion of marks awarded for each question Slide 12 - PEEEL - how to structure answers to 10 mark questions *** Slides 14 - 19 -** How to plan and write a ten mark response to the question: ** Outline and explain two ETHICAL problems faced by sociologists using laboratory experiments** Slides 21 - 23 break down of another 10 mark question RESEARCH METHODS question (unstructured interviews) Slides 25 - 28 - break down of another 10 marks question RESEARCH METHODS non-Participant Obervations SLIDES 35 - 54: How to answer 20 mark questions **20 mark Research Methods question: ** Applying material from ITEM A and your knowledge, evaluate how far different factors may affect sociologists’ choice of research methods [20 marks] **20 mark Research Methods in Context question: ** Applying material from ITEM B and your knowledge of research methods, evaluate the strengths and limitations of using written questionnaires to investigate working-class educational achievement. [20 marks] Both 20 mark questions have slides that explain: how to read and interpret the item structure of 20 mark responses Exemplar responses ** The pack also contains a 20 page booklet containing 10 exemplar 10-mark questions (with P.E.E.E.L planning activities for each question.) ** The booklet also contains 10 20-mark questions with space for essay planning. ** An additional booklet is also attached - this booklet contains a sample response with assessment notes for the questio**n Applying material from ITEM B and your knowledge of research methods, evaluate the strengths and limitations of using written questionnaires to investigate working-class educational achievement. [20 marks] **The additional booklet also contains 2 additional RESEARCH METHODS IN CONTEXT questions with planning a tasks. **

This pack has been designed for the updated EDUQAS Film Studies specification; first teaching SEPTEMBER 2023 ** This pack contains 1 52-slide PowerPoint presentation, and an accompanying 23-page student booklet This lesson has been designed to cover the key social and political contexts surrounding the production of *Alien. * 1 - starter task - students to discuss then share/debate their own readings of the film **2 - Starter Task 2 **- Students to review their own knowledge of 1970s America - feedback **CONTEXT: 1970s USA was a time of immense upheaval across all levels of society ** Major social/political issues are listed and discussed Key social issues relating to the study of the film are highlighted and reinforced here Discussion about the use of CORPORATIONS as antagonist in 70s/80s ‘liberal science fiction films’ - establishes that Alien was part of larger trend that tapped in to social issues of the time CONTEXT continued: GLOBALISATION - defined and discussed Consequence of GLOBALISATION on the US workforce/economy Rise of corporations Union busting / anti-union sentiment and action Strikes and calls for workers rights dominate the era Rise of NEOLIBERALISM as a formative force in US society FILM ANALYSIS Task - students reflect on their new contextual knowledge; create mind-map of all elements of Alien that link to, comment up or reflect these social issues Analysis - Part 1 - The Nostromo - Workplace of the Future Analysis of the film’s opening sequences Student analysis task Feedback with students - detailed notes are included in the PowerPoint to help students develop and consolidate their learning What do the academics say? - a series of quotes from academic papers that reinforce and support our reading of the film Analysis - Part 2 - Character introduction - Student scene anlaysis - Breakfast / roles within the organisation **Identify key themes that are established: **workers pay, exploitation, bonuses, working conditions! Feedback with students - detailed notes are included in the PowerPoint to help students develop and consolidate their learning **Character types/roles - ** Several short scenes are chosen and analysed. Extracts from the screenplay are highlighted, with specific links between character dialogue/characterisation and contextual issues studied earlier Discussion of each crew member; their role and what they represent within the NEOLIBERAL structure of the CORPORATION Analysis Part 3 - Character types A discussion and break down of each character’s role on The Nostromo - a look at how each crew member represents a different type of worker Ripley as ‘the perfect worker’ Analysis Part 4 - The Xenmorph Xenomorph - scene analysis Representation of ‘physical emodiment of the Corporation’s greed’ Analysis Part 5 - Ripley Detailed analysis of Ripley from a feminist perspective - all points linked to contextual issues re: 2nd wave feminism

This pack contains a 36 slide PowerPoint presentation and an accompanying 12-page student booklet The lesson covers: Starter - most common crimes in the UK** ** Task: Pick ONE of these crimes and develop strategies to reduce instances of it **Starter 2 - discussion: what can be done to prevent crimes?** ** Situational Crime Prevention** Three features of SCP Ron Clarke Case study: New York Port Authority Bus Terminal Displacement Spatial Temporal Target Tactical Functional ** Evaluation of Displacement ** Environmental Crime Prevention Wilson and Kelling: Broken Windows case study - reading task ** Social and Community Crime Prevention** Perry Pre-School Report Evaluation of Social and Community Crime Prevention Surveillance Defintion Two type of surveillance Sovereign Power Disciplinary Power The Panopticon Evaluation of Michel Foucault CCTV Cameras Synopticon **Acurial Justice and Risk Management ** Feely and Simon Risk Factors **Punishment** Task - pick and crime and discussion 1 - existing punishments, 2 - additional punishments students think are appropriate - this can be developed in to a larger debate about the role of punishment/rehabilitation in society Two justifications for punishment: Crime reduction Retribution ** Funcitonalist view of punishment [overview] Marxist view of punishment [overview]** ** Imprisonment Today** Recidivism ** Imprisonment today** Mass Incarcertation in ther USA ** Transcarceration Alterantives to prison **

This pack contains a 44 slide PowerPoint presentation and accompanying student booklet. These lesson is a different style than the other BELIEFS lessons on this shop. However, the content is to the same quality (These are older versions of the lessons - the price is reduced to reflect this) Lesson 1- What is Globalisation? re-cap Task - make a list of all the ways religion has been impacted by globalisation Religious Fundamentalism Examples Characteristics of Religious Fundamentalism Reading / comprehension activity Research / potential presentation activity Students to pick ONE Religious Fundamentalist group and then research the group using the criteria covered on previous slides Cosmopolitanism Pilgrims Converts Responses to Post Modernity Resistant Identity Project identity Criticism of these view points ASSESSMENT 10 mark question included Teacher led planning activity Peer assessment- Students in pairs to share their responses. Students will then develop/critique/re-write their partners work in an attempt to improve it The second part of the lesson covers: Monotheism Steve Bruce: Fundamentalists: Fundamentalists in the West Fundamentalists in the Third World Secular fundamentalism Huntington: Religions and the ‘clash of Civilisations’ Evaluation/Critiques of Huntington Cultural Defence - examples Poland Iran Religion and Development God and Globalisation in India Hinduism Ultra-nationalism

This pack contains a 32-slide PowerPoint presentation that covers Quentin Tarantino’s experimental Auteur status [using Pulp Fiction as primary text] The lesson covers: Hyper-Real nature of QT’s work Starter Task: revisit Auteur theory Discuss exam questions - then introduce exam question this PowerPoint will answer Group task - mind-map everything you know about QT and his signature style Feedback - mind-map included within the PowerPoint - run through this with students after their task optional research task How to write an introduction to this question The following signature features of QT’s ouevre are covered: Subversion of genre / influences Post Modern approach / narrative French New Wave - influences (with scene analysis/comparison task) ‘Subversion of realities of social structures’ aka QT’s approach to representation (essay to be read by students then discussed) More technical features and interior meaning - foot fetishism and representation of women in his films mise-en-scene Music Essay planning acticity Pack also includes: Essay discussing QT’s approach to representation sample essay

**This pack is designed for the Eduqas Film A Level, but it suitable for any one teaching/studying Non-Linear narratives/Pulp Fiction and narrative. The pack contains a 26-slide PowerPoint presentation that covers: Pulp Fiction: Experimental Narrativ**e [Specialist Study Area] starter - recap key narrative terms intro discussion: how does Pulp Fiction subvert traditional approaches to narrative? Section 1 - Goal Orientated Narratives - study of how PF’s approach to goal orientation is experimental Section 2 - Narrative resolutions - study of how PF’s approach to narrative resolution is experimental Section 3 - Binary Oppositions - study of how PF’s approach to binary oppostions is experimental Dialogue - how dialgue is used in place of cause and effect Themes - how themes drive the narrative and give coherence Final scene - analysis Plenary activities Assessement activities - essay planning and writing Additional resources: 11-page gapped handout for students to complete in the lesson A3 sized print out of film’s non-linear structure Breakdown of the three chapters and how themes are used

This pack contains a 20 slide PowerPoint and an accompanying 14-page handout/booklet that students complete during the lesson and for consolidation The lesson covers: IDEOLOGIES - Paper 2 - Beliefs in Society Starter: - Define ‘ideology’ -What is the FUNCTION of IDEOLOGIES in society? - How do IDEOLOGIES BENEFIT people/society? - How do IDEOLOGIES HARM people/society? Four functions of Ideology Problems presented by Ideologies Re-cap Marxism Ideology and Marx Ruiling class ideology Reinforces Class Conscioiusness Gramsci - - Hegemony Dual Consciousness Organic Intellectuals Nationalism Define the term, examples included Claims of nationalism Reading and summative task KARL MANNHEIM: IDEOLOGY & UTOPIA PARTIAL or ONE-SIDED WORLDVIEWS ideological Thought vs Utopian Thought Free Flowing Intelligencia Total World View Feminism and Ideology Reading and summative task Summary Slide Assessment is included in the booklet Sample answer/essay included in the booklet Final consolidation and mind-mapping activities also included in the booklet

This pack covers Dark Side of the Family: Domestic Abuse - Radical Feminist, Materialist perspectives The PowerPoint covers: Definition: domestic violence What do sociologists say? Kathryn Coleman What does Domestic Violence occur? Radical Feminist Explanation Materialist Explanation Plenary - 10 mark assessment This pack also contains: Handout/booklet to accompany the PowerPoint - students use this in class, it contains all info they need Assessment handout

This pack contains a 17 page PowerPoint and accompanying student booklet This PowerPoint offers a basic introduction to the Paper 3 Crime & Deviance paper. The lesson covers: Break down of Paper 3 this looks at question types, structure of the paper, past paper is included in the PowerPoint and booklet Past paper activity can be used to drive a Q&A or a ‘deep dive’ with students discussing potential answers to questions so the teacher can assess pre-existing knowledge Key terms defined: CRIME / DEVIANCE (with examples of each) Discussion of the distinction between Crime and Deviance Student led activity / debate - students are presened with SIX questions and are asked to discuss and feedback - this task could be used to guide a debate between groups of students Consolidation task students to research, define and provide examples for a list of key terms that will be used througout the module Booklet - gapped handout, areas to fill in, space for note, all key information is recorded in the booklet

This pack contains a 22 slide PowerPoint, and an accompanying 16-page student booklet. The lesson covers: Starter - students review the cinematography of Alien - feedback Explain past questions - exemplar question included; this will be returned to at the end of the session ** Style and approach of Scott / how to start the analysis:** Scott wanted a grimy sense of realism Short reading activity - Scott explains how he rejected ‘traditional’ cinematographers in favor of new, unknowns - all to increase the realism of the film ** Analysis Part 1 - The Nostromo (Exterior)** Dicsussion of techniques used, their effect Links to social/political contexts are made Analysis Part 2 - The Nostromo (interior) - workplace of the future Dicsussion of techniques used, their effect Analysis of = The Ship, the sleeping/living quarters Links to social/political contexts are made Analysis Part 3 - The Death of Brett - in-depth /deep dive analysis [this task has been designed to help students develop SKILLS, as well as their knowledge and understanding of Alien) This section will break down each shot of this sequence Screen the extract Students (in groups) analyse the camera Powerpoint then goes through each shot in detail (6 slides of focused analysis) Assessment: Exam question Planning activity (Optional - set assessment)

**This pack contains one 23-slide PowerPoint that teaches how to answer this question using Pulp Fiction as the chosen film. One 12-page booklet - note taking, fill in the gaps, analysis, detailed slides and essay planning document. ** Explore how far cinematography contributes to the experimental nature of your chosen film or films. [20] every analysis task comes with multiple slides breaking down the scenes and provide guidane for essay writing Lesson covers: Starter - Re-cap of conventional/mainstream American cinema approach to camera Short Martin Scorsese/ history of the Hollywood style - documentary extract and tasks Explanation of the ‘formal’ approach to cinematography - with examples Discussion of Tarantino’s most common ‘experimental’ uses of camera - with examples from the film How to write an introduction to the question - writing task Part 1 - 'using the camera to restrict information and create active spectators. The ‘Trunk shot’ Part 2 - Subversion of conventional approach / experimenting with scene construction Analysis of scene from Fast and Furious 7 - Comparative analysis of the ‘Marcellus meets Butch’ scene from the film Part 3 - French New Wave: camera in service of the characters, not narrative Analysis - scene from Breathless Analysis - comparison to final scene from the film Detailed visual breakdown of the final sequence Plenary/assessment: Read exemplar essay Review and re-write activity optional research task Essay planning activity [with booklet] Mark scheme

This pack contains TWO lessons designed for the EDUQAS Film Studies course: Component 2 - Section B- DOCUMENTARY. Focus film: Amy The lessons cover: What does ‘filmmakers’ theories’ mean? Introduction to Kapadia and his style Analysis task - watch first 15 mins of Senna, and first 15 mins of Amy - what conventions does Kapadia adopt/reject in his approach to documentary? Kapadia’s narrative film background and his ‘true-fiction’ approach Research task Article review to consolidation learning of Kapadia’s ‘filmmakers’ theory’ Lesson 2- Michael Moore Who is Moore? How does Moore define his style? Criticisms of Moore’s style Analysis - watch first 30 mins (or entire film) of Bowling for Columbine Students to analyse his film and identify what conventions of documentary he uses/rejects Detailed PowerPoint slides that explicitly explain each filmmakers unqiue approach, conventions of documentary they use and the ideological nature of their work. plenary - essay planning and setting activity Also included: articles about Moore and Kapadia’s style Sample responses Filmmaker profiles for each filmmaker and more…

This pack contains a 56-slide PowerPoint and accompanying 25-page student booklet The pack also contains a 2-page condensed overview of this topic - great exam planning resource! This lesson covers: Starter task - questions design to engage debate and dicussion of the topic Starter task 2 - video short videos that lay out arguments explaining ethnic differences in crime (Akala, Secret Policeman: Racism in the Police) Ethnicity and Crime - Victim surveys types of data produced / limitations Self-Report Studies types of data produced / limitations - Intra-ethnic crimes Evaluation of both Self Report / Victim surveys Ethnicity , Racism and the Justice System Reading tasks - students read short paragraphs and make notes on issues within the Criminal Justice System: Policing Stop and Search Arrests and Cautions Prosecution and Trials Convictions and Sentencing Prisons Explaining the differences in Offending Overview of differneces in ethnic offending Left Realist view Relative Deprivation Marginalisation Subcultures Critiques of Left Realist View Neo-Marxist view: Paul Willis, Paul Gilroy Gilory - Crimes of Resistance / criminalisation of certain crimes Stuart Hall - Policing the Crisis Failure of British Capitalism in the 1970s - ruling class response and criminalisation of certain groups MOral Panics Evaluation and critique of Hall's ideas More Recent Approaches Neighbourhoods Ethnicity and Victimisation Racial victimisation Case study: Stephen Lawrence Case study: Anthony Walker Detail of statistics that show racial victimisation is a significant issues in Britain Assessment: 30-mark assessment question The booklet contains gapped sections, note taking and other activities. There is space in the handout for the assessment; planning activity, copy of moderators report for this question.

This pack contains a 23-slide PowerPoint and a 27-page student booklet. The lesson covers: Starter: Labelling task - students add ‘labels’ to different groups in society Feedback and discussion Introducing: Labelling Theory of C&D Case study: David Lammy: Hoodies - short video of MP D. Lammy discussing the different labels that are applied to him Who Gets Labelled? Cicourel [86] - The Negotiation of Justice / Class Bias examples of class and ethnic bias are presented and can be discussed The Negotiation of Justice / Class Bias Case study - discussion of the Racial Disparity In Sentencing study Students are presented with the findings of the report and are given time to discuss Effects of Labelling Primary Deviance Secondary Deviance Jock Young - discussion and critique Deviance Amplification Spiral 'Mods and Rockers' video and feedback task Reading/consolidation task Jon Ronson - "So, You've Been Publically Shamed" video and dicusssion John Braithwaite Degenerative Shaming Reinterogative Shaming Evaluation of Labelling Theory Booklet - contains several articles, tasks and assessment tasks. 30-mark exam question included and could be set to as homework / used as the basic for a planning/exam skills session.

This pack contains a 31-slide PowerPoint Presentaiton and accompanying 29 page student booklet The lesson covers: Starter task: In pairs, students discuss and reflect upon the design aspects of the film, specifically the Nostromo, and the Alien Introduce exemplar question that can be set as assingment Aethetics of Alien Introduce ‘Metal Hurlant’ magazine and its influence on Scott Introduce two main designers and their different design philosophies: Ron Cobb (Ship), H.R. Giger (Alien) Task - what is the function of ‘the monster’ in horror/sci fi films? - example provided, points consolidated Quick Re-cap of context session task Establish the aesthetic of Sci-Fi films in the 1970s and show how Alien broke away from establishes tropes Analysis - The Nostromo Link mise-en-scene of the ship to meaning/contextual issues Detailed analysis of the ship Doors - designed to evoke the Alien’s mouth Analysis H.R. Giger Introduction to him/his style Biomechanical nature of the Alien - “fusion of man and machine” Case study - the Xenomorth - 1 - phallic symbol, 2 - psycho-sexual imagery of the film - linked to meaning and response Analysis - The Derelict ship Vaginal imagery of the film Analysis - The Chestburster scene Link to meaning - fear of feminine power, fear and anxieities surrounding gender roles in society at the time Analysis The Xenomorph - discussion of *Vagina dentata* Reading - article then reflection SUmmary Plenary - Essay question set / essay plan included in PowerPoint/booklet

This lesson is an introduction to the Nature Vs. Nurture debate and has been designed for the AQA specification. The lessons covers: Gender Socialisation starter quiz **Starter tasks **- questions about nature/nuture. This is designed to foster debate and talking point before we explore the debate in more detail What are genes? Defining: Nature/Nurture Student task to expand upon understanding Arguments in favour of nature: Darwin, Watson Sociological evidence: Feral Children Documentary / video links included - tasks to follow screening of short documentary about feral children [Oxana Malaya] Genetic Evidence: separated twins: The Jim Twins Nature/Nurture ‘evidence’ task Essay question - includes question, item and an essay plan.

This pack contains: 49 slide PowerPoint 2 part student booklet Essay planning booklet / assessment materials The PowerPoint has been designed to answer the question: “How far does your chosen films reflect its production context? [20/40]” The PP covers: Explanation of ‘Production context’ Starter: students reflect on ‘classica era’ films they have seen Introduce exam / essay question for this module Introductions Case study: The Classical Era Studio system / The Big Five & Little Three Vertical Integration / Studio heads control everything! Scorsese explains the Studio approach (video and task) The Key signifers of the classical approach: macro and micro elements Narrative in the Classical era Protagonists of the CLassical Era The Hays Code Analysis task: Angels with Dirty Faces Analysis of Vertigo: How does it reflect the production context? Analysis of Ernie’s: Narrative Contunity editing Star System Orchestral Score Shooting on a sound stage Hays Code & Veritgo The Studio’s attempt to enforce an alternative ending Hitchcock’s refusal to attach the ending Decline of the studios / rise of the auteur director as signified by the ending of Vertigo PLenary: Detailed essay planning activities Assessment: students to write a 20-mark response using their plans.

This pack contains a 59-slide PowerPoitnt presentation and accompanying student booklet This PowerPoint will take approx 3 lessons / hours and ends with an in class, timed assessment activity The lessons covers: Starter - How do students interpret the term ‘experimental’ cinema? - discussion and feedback Introduce Pulp Fiction as our focus text, reinforce student areas, etc Show past paper questions - student read questions - Q&A session to address student’s initial concerns Read and evaluate the ‘Indicative Content’ provided by EDUQAS Define: Mainstream cinema Task - students to outline conventions of ‘mainstream’ cinema Define: Experimental Cinema Discussion task after definition provided Students discuss the ways a filmmaker can experiment with film form, approach to ideology and representation Conventions of Experimental / Post-modern cinema Intertextuality Self-referential Fragmentation of Time and Space Homage Pastiche Parody Hyper-reality Non-sequitors Consoidation task - screen fist 5 minutes from Une Chien Andalou (this can obviously be swapped out for your own examples/texts) Part II - Starter - re-cap conventions of EXP cinema Students to work in pairs/groups to find their own examples of the Experimental conventions used in Pulp Fiction (could be set as a homework task) ** Analysis of Pulp Fiction** Part 1 - introductions - students are provided with a question ‘In What Ways Can Your Chosen Film be Considered Experimental’? Key points to include in the introduction to the answer are provided to students/ Explain HIGH ART vs/ LOW ART as a convention of Post modern cinema Compare a scene from The Wire with a scene from Superfly* - analysis task and feedback *** This point links to the title card used to open the film Discussion of ‘Pulp Fiction novels’ and how *Pulp Fiction the film reflects the post-modern approach Part II - Experimental Techniques Comparison between ‘Road Wars’ scene from Fast and Furious 7, and the ‘Royale With Cheese’ sequence from PF Student’s analyse in groups then feedback Analysis of Butch and Marcellus’ first meeting - task: analysis and feedback - breakdown of all experimental approaches used the in the scene Part III - Representation Students asks to discuss their views on representation of race and gender in PF feedback Introduce the view that Tarantino’s films subvert industry standard approaches to gender and racial representation Reading task - read section from book to refinforce and develop this argument students are encouraged to respond to this view and share their own thoughts on Tarantino’s approach Examples from PF provided to support student understanding Assessment - timed assessment. Mark scheme included.

This pack addresses the PRODUCTION CONTEXT of Alien, and it contains: TWO POWERPOINT lessons: **POWERPOINT 1 - New Hollywood (31 slides) POWERPOINT 2 - EMERGENCE OF THE BLOCKBUSTER (16 slides) Both PowerPoint are accompanied by a detailed student booklet Both PowerPoints are full of images, are animated and have been designed with student engagement in mind (see screenshots for examples) NEW HOLLYWOOD PowerPoint:** Starter - Vertigo production context starter task (optional) KEY TERMS defined Q&A - Why did the studio system fail? - test student knowledge NEW World = New Hollywood - history of post-war USA, studios failed to resonate with the public NEW HOLLYWOOD How did America change in the 50s/60s? Counterculture Studio productions in the 60s - films that failed to resonate with the boomer generation Rise of New Hollywood Easy Rider - analysis and feedback task [detailed notes included on slides] NARRATIVE CONVENTIONS of New Hollywood What is an ANTI HERO? THEMEATIC & STYLISTIC conventions of New Hollywood Bonnie and Clyde: case study -analysis tasks [detailed notes included on slides] CONSOLIDATION: Short writing task Suggested: further reading/viewing for students POWERPOINT 2 - Blockbuster era STARTER task: re-cap the ways Alien DOES and DOES NOT reflect the New Hollywood of filmmaking RE=CAP@ contextual issues addressed by Alien THE RISE OF THE BLOCKBUSTER Student discussion: view, opinion and thoughts on ‘80s’ cinema Conventions of the Blockbuster task: watch several trailers; students to identify and discuss conventions of the BLOCKBUSTER [detailed noted provided] HIGH CONCEPT cinema Alien: A film between production modes: Assessment: detailed essay planning activity Assessment: Question and essay plan provided