This is a three-part resource for students undertaking the NSW HSC Common Module Texts and Human Experience. A generic essay plan shows students how to compose an essay suitable for Stage 6, progressing them from the simpler PEEL/TEAL models of Stage 4 and 5. A sample essay for the prescribed text, The Merchant of Venice, answers a sample question for this module. There is also a second copy of the essay, marked up to show how it follows the plan, and with five short questions which require students to engage critically with the essay and its form.

This is a three-part resource for students undertaking the NSW HSC Advanced English Module A: Textual Conversations. A generic essay plan shows students how to compose an essay suitable for Stage 6, progressing them from the simpler PEEL/TEAL models of Stage 4 and 5. A sample essay for the prescribed text-pairing The Tempest and Hag-Seed, answers the 2019 HSC question: Everything is being dismantled, reconstructed, recycled. To what end? For what purpose? To what extent is this true of the texts you have studied for this module? There is also a second copy of the essay, marked up to show how it follows the plan, and with five short questions which require students to engage critically with the essay and its form.

Lois Lowry’s novel about the value of memory and individuality in a sinister dystopia is an established favourite for late primary school / junior high school. This 31-page unit of work has been tested successfully with a mixed-ability class of 11-12 year olds. This unit focuses on close textual analysis. There is a mixture of tasks which gets students writing analytically, personally, and creatively, helping them to build up their own unique interpretation of the work, and eventually to express this in a formal essay. There is a contextual introduction to historical ideas of utopia, and a short research task where students find out about a utopian vision from another culture or time. Chapters are grouped into five sections, with each section comprising comprehsion questions, an analytical response, a personal response, and a creative response. Five age-appropriate essay questions ask students about the themes and characters in the novel.

A close reading of Eliot’s famous poem, giving analysis of the work and a discussion of the culture and context from which Eliot wrote.

This unit of work brings John Wyndham’s vivid novel to life for students of all abilities, aimed at Year 9-10/Stage 5 students. The program provides clear differentiation for three levels of student: higher ability, lower ability, and Gifted and Talented, and clearly indicates core and differentiated tasks. Activities accompany each chapter, and relevant secondary texts such as Edwin Muir’s ‘The Horses’ are included. There are a selection of news articles on genetic mutation and ‘post-human’ or far-future people which will engage students of different levels and persuasions. Brief and cogent discussions of how societies have treated difference develop students’ general and historical knowledge and sharpen their critical thinking.

Fitzgerald’s novel about ‘careless people’ and avarice in the modern era is an established favourite for senior students. Ten senior-level essay questions offer a choice of arguments about character, theme, language, and context, and a sample essay discusses whether we can think of the novel as a tragedy.

Bundle Description TALKING POINTS: Memorized essays betray a lack of confidence and an unwillingness to commit to authentic answers. Examiners have always advised students to prepare ‘talking points’ instead - a selection of ideas that they can draw on and which convey solid analysis and interpretation of the text. These talking points can be used by teachers, to focus discussion on higher-level or less-noticed features of the text and context. They also form effective student revision materials for formal assessment. Each point is supported by a piece of evidence from the text, and there are sufficient points to generate solid responses to almost any essay question. The Talking Points also model how students can articulate more complex thoughts about the text, and adduce evidence in natural and well-integrated writing. SAMPLE ESSAY: This is a three-part resource for students undertaking the NSW HSC Standard English Module A: Language, Identity, and Culture A generic essay plan shows students how to compose an essay suitable for Stage 6, progressing them from the simpler PEEL/TEAL models of Stage 4 and 5. A sample essay for the prescribed text, The Castle answers the 2019 HSC question: Film relies on dialogue to create cultural tension. To what extent do you agree with this statement? There is also a second copy of the essay, marked up to show how it follows the plan, and with five short questions which require students to engage critically with the essay and its form.

Memorized essays betray a lack of confidence and an unwillingness to commit to authentic answers. Examiners have always advised students to prepare ‘talking points’ instead - a selection of ideas that they can draw on and which convey solid analysis and interpretation of the text. These talking points can be used by teachers, to focus discussion on higher-level or less-noticed features of the text and context. They also form effective student revision materials for formal assessment. Each point is supported by a piece of evidence from the text, and there are sufficient points to generate solid responses to almost any essay question. The Talking Points also model how students can articulate more complex thoughts about the text, and adduce evidence in natural and well-integrated writing.

A close reading of Eliot’s famous poem, giving analysis of the work and a discussion of the culture and context from which Eliot wrote.

This is a three-part resource for students undertaking the NSW HSC Standard English Module B: Close Study of a Text. A generic essay plan shows students how to compose an essay suitable for Stage 6, progressing them from the simpler PEEL/TEAL models of Stage 4 and 5. A sample essay for the prescribed text, The Truman Show, answers the 2019 HSC question: Literature reinforces or challenges our understanding of ordinary situations. Discuss this statement, making detailed reference to your prescribed text. There is also a second copy of the essay, marked up to show how it follows the plan, and with five short questions which require students to engage critically with the essay and its form.

HSC Module C: The Craft of Writing offers students complex texts from which to draw for their own writing. Because of their complex construction and ideas, students can be at a loss for ‘ways in’ to the text, and teachers can often struggle to break down these complex texts in the time available. This teacher’s version of Diving Bell’s ‘Ways Into’ for Module C provides the answers to the student worksheet (also available). These comprehensive answers help teachers to lead classes through complex texts in the brief time available. With the ‘Ways Into’ Module C both teachers and students should be clear on the content, meaning, construction-strategies, and ways to use George Orwell’s famous and fabulous essay ‘Politics and the English Language’. NOTE: the final question, addressing ways to appropriate the text for the student’s own work, is undone since it invites an individual, creative response.

Fitzgerald’s novel about ‘careless people’ and avarice in the modern era is an established favourite for senior students. These pre-reading research tasks introduce students to the Roaring 20s, and can be given as homework or group work. The four task sheets cover Long Island life; Prohibition; Cars; and Americans in WWI. They involve a link to useful online reading and knowledge-building questions which engage students briefly before they go on to close textual study of the novel. Teachers can differentiate the tasks for students of varying ability.

Victorian poetry regularly makes the top ten poems in public surveys, and much of our conception of what makes ‘good’ poetry was shaped by poets like Tennyson, Browning, Rossetti, and Arnold. This period formed the emotional and social attitudes which linger today – even in post-modern texts which claim to have moved beyond them. While the Romantics were read by the literati, the Victorian poets in this unit formed the core of public poetry consumption. An understanding of this period is essential for students who will read Edwardian and Modernist literature in later terms, by showing them what these writers and artists reacted against. The unit is designed to be taught over an 8-10 week term, and contains: Introduction to Victorian Britain – an easy research task which students can do together or individually, drawing on readily-available online resources about the nineteenth century. Seven poetry-focused modules: o The Poet Laureate: Alfred, Lord Tennyson o The Pre-Raphaelites: Dante Gabriel and Christina Rossetti o Celebrity Marriages: Elizabeth Barrett and Robert Browning o Personal Piety: Matthew Arnold and Gerald Manley Hopkins o Nonsense Poetry: Edward Lear and Lewis Carroll o The Poetry of Empire: Rudyard Kipling and Thomas Hardy o America: Walt Whitman and Emily Dickinson A short list of films, documentaries, and series which students can watch for context. An essay-based assessment task suitable for students aged 15-16

This middle school unit is a great combination of rhetoric, literature, and historical knowledge, and introduces Year 9/Early Stage 5 (13-15 years) students to public speaking in the modern day - and how it continues classical traditions of oratory. Students work through five topics, studying a famous speech in each one, culminating in an essay which asks them to consider the effectiveness of speeches which move the emotions rather than the intelligence. All speeches are paragraph-numbered for ease of use, and are accompanied by questions and activities - with lots of room for written responses. Unit content: An introduction to the Art of Speaking Speeches of Praise Speeches of Condemnation Hortatory Speeches Maiden Speeches Graduation Speeches Farewell Speeches Assessment essay question Visit our site at www.divingbelleducation.com for more fantastic teaching units at lower prices.

Shakespeare’s play about madness and family is an established favourite for senior students. This 48-page unit of work has been tested successfully with a mixed-ability class and provides material for a full 10-week school term. This unit focuses on close textual analysis. There is a mixture of tasks which gets students writing analytically, personally, and creatively, helping them to build up their own unique interpretation of the work, and eventually to express this in a formal essay. There is a brief, student-friendly explanation of what a close reading actually is and how to perform it, followed by a sample close reading of the opening passage. Each scene has a single-page task sheet comprising three higher-order tasks: a close reading of a nominated passage, an extended response to develop interpretative thinking, and a choice of creative writing tasks which springboard from the language and ideas in the chapter. Ten senior-level essay questions offer a choice of arguments about character, theme, language, and context, and a sample essay discusses the following question: King Lear is enduringly relevant because it shows us that when we suffer from distorted perception we need others’ care, not their exploitation. Does this satisfactorily explain the relevance of the play?

The poetry of W.B. Yeats is a great choice for higher interest/ability senior students. This worksheet will take 1-2 lessons to complete. It provides: a copy of the poem a comprehensive series of questions structured according to Bloom’s Taxonomy for easier differentiation a creative writing task which students can complete as homework

Ray Bradbury’s seminal novel is a perennial favourite for middle schoolers. This 49-page unit of work has been tested successfully with a mixed-ability Year 9 (age 13-15) class and provides material for a full school term. This unit focuses on close textual analysis. There is a mixture of tasks which gets students writing analytically, personally, and creatively, helping them to build up their own unique interpretation of the work, and eventually to express this in a formal essay. Commentary of each overarching section is given, and 70+ writing tasks cover the whole novel. The tasks cover a variety of levels from comprehension to complex inference and personal response. There is a brief, student-friendly explanation of what a close reading actually is and how to perform it, followed by a sample close reading of a short passage. Texts of Blake’s poem, ‘The Tyger’ and Matthew Arnold, ‘Dover Beach’. Practice assessment task based on short-answer questions, a close reading of a passage, and a creative question Five research tasksheets which can be done by groups during the novel study, as extension work for Gifted and Talented students, or as closure to a unit of study. The Atomic Bomb Memory Phoenix Railroads Rivers Each task comprises four sections, following Bloom’s taxonomy, and requires students to complete: a piece of contextual research, a close reading of a nominated passage, a free-form writing at length, and a creative piece. Five middle-school appropriate essay questions. There is also a presentation on book-burning which can be used with this unit.

The poetry of W.B. Yeats is a great choice for higher interest/ability senior students. This worksheet will take 1-2 lessons to complete. It provides: a copy of the poem a comprehensive series of questions structured according to Bloom’s Taxonomy for easier differentiation a creative writing task which students can complete as homework

‘Ecopoetry is nature poetry that has designs on us, that imagines changing the ways we think, feel about, and live and act in the world.’ This unit introduces students to ecopoetry and illustrates the difference between traditional nature poetry and poetry which responds to the Climate Crisis. It contains activities on: Pollution The Anthropocene Deforestation Flood Drought Species extinction Post-Human Worlds Each section comprises an introductory discussion, a selected poem about the issue with questions and creative writing activities, a list of poems to use as companion pieces, and links to further information about the issue which can be used for comprehension and discussion. This unit has been tested with a mixed-ability Year 10 group (age 15).

A two-page handout introduction to the modern short story, which can be given to students with one of Diving Bell’s Short Story Study texts, or used separately.