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Melissa Victoria is a former English teacher with over 15 years' experience in a variety of secondary school settings, including comprehensive and grammar schools. She provides English resources mainly for high-ability students studying for GCSE and A level (AQA). Melissa Victoria has an MA in English from the University of Birmingham, UK.

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Melissa Victoria is a former English teacher with over 15 years' experience in a variety of secondary school settings, including comprehensive and grammar schools. She provides English resources mainly for high-ability students studying for GCSE and A level (AQA). Melissa Victoria has an MA in English from the University of Birmingham, UK.
An Inspector Calls Shelia and Mrs Birling Act Two
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An Inspector Calls Shelia and Mrs Birling Act Two

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A fully-adapatble PowerPoint for mid-high GCSE English Literature students on the contrasting language and characterisation of Shelia and Mrs Birling. Slides include: LOs and Outcomes A slide-prompt to read pp. 27-33 with a focus question A table with the contrasting language of Shelia and Mrs Birling; in the notes section, ideas for teachers on how to tackle a question on contrasting language as a written task A sample response (five paragraphs) on Shelia’s language focusing on Priestley’s method and message A sample response (five paragraphs) on Mrs Birling’s language focusing on Priestley’s method and message A reflective plenary task in which students are asked to sort various adjectives into two groups to reflect the contrasting characterisations of Shelia and Mrs Birling and their links to the play’s wider themes and ideas. Best wishes, Englbee x
A Inspector Calls Shelia Act 1
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A Inspector Calls Shelia Act 1

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A fully-adaptable PowerPoint on Sheila’s involvement with Eva Smith in Act One of An Inspector Calls. The resource is suitable for a mid-high level group studying the text for GCSE Literature. The resource contains: LOs/Skills slide A quick exploration of the Inspector’s sardonic language and why Priestley uses this method to characterise him (might be done prior to lesson as a homework; could be done as a separate lesson prior to the ‘Sheila’ lesson; answer slide could be given as handout if pushed for time) A slide to briefly note down Sheila’s involvement with Eva Smith A slide to explore Sheila’s characterisation and role in the play at this point An exemplar answer slide to previous An exploration of the play’s structure and its symbolic significance (parts making the whole) A plenary in which students reflect on Sheila’s role and the skills of noticing, analysing and making links made today to further understand Priestley’s methods. As well as answer slides, other slides have teacher notes underneath with sample ideas and answers. Best wishes, Englbee x
An Inspector Calls Sheila and Eric Act 3
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An Inspector Calls Sheila and Eric Act 3

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A fully-adaptable PowerPoint which explores the changes in Sheila and Eric from the start of the play for mid-high level GCSE groups. Resource includes: LOs and outcomes A prompt slide to read pp.57-61 with focus question A blank table to complete comparing language choices from Act 1 and Act 3 A completed table of ideas with a prompt question A short sample response exploring the changes in Sheila and Eric, and their juxtaposition to Gerald in Act 3. A plenary slide Best wishes, Englbee x
An Inspector Calls: Eric and Eva
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An Inspector Calls: Eric and Eva

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A fully-adaptable PowerPoint which explores Eric’s involvement with Eva and the Inspector’s final speech Resource includes: LOs and Outcomes A prompt-slide to read pp.50-56 with focus questions A slide to complete the ‘chain of events’ (with a following completed slide) An exploration of Birling and Eric’s relationship (with sample ideas for teacher in notes) An exploration of the Inspector’s commanding use of language (with sample ideas for teacher in notes) A prompt slide for discussion regarding what or who the Inspector actually is (with ideas in notes for teacher) A Word cloud of key language ideas to explore in the Inspector’s final speech A two-slide exemplar essay exploring and analysing the Inspector’s final speech Plenary slide The PowerPoint is likely to take two lesson so split between focus on Eric followed by focus on the Inspector if necessary. Best wishes, Englbee x
English Language GCSE Writing
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English Language GCSE Writing

5 Resources
Literary Nonfiction writing exemplars for AQA English Language GCSE Paper 2 question 5. The Bundle contains the following: *A article to argue a point-of-view *An essay to explain a point-of-view *A leaflet to advise *A letter to persuade All exemplars are based around the theme of homework. These allows for easy cross-reference in order for students to see that a similar topic can be written about in varied ways in order to achieve differences in form and style. The exemplars are for higher-level students, grades 6-9. There is also an extra writing-to-persuade exemplar in the form of a speech on the topic of giving to charities. Best wishes, Englbee x
Writing to Persuade
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Writing to Persuade

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It’s hard work finding quality GCSE model writing answers for AQA English Language Paper 2, and even harder work writing them yourself, especially at a high level. Here, you will find a high-level model answer: a letter to persuade. The topic is homework. Pupils are asked to reflect on the significance of style and genre at the end as a self-reflection exercise. Please note the preview shows only a section of the sheet. Best wishes, Englbee x
Before You Were Mine
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Before You Were Mine

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A fully-adaptable PowerPoint which explores ‘Before You Were Mine’ in preparation for the AQA Literature Examination The PowerPoint and accompanying teacher notes are aimed at high-level GCSE candidates aiming for grades 6-9 The resource contains the following: AQA Assessment objectives for the poetry anthology examination paper Warm-up activity A brief biography of Carol Ann Duffy A link to an audio of a reading of the poem A link to a copy of the poem (due to copyright; you can easily copy and paste into PowerPoint) A list of high-level terminology for this particular poem as required for higher grades A pyramid of questions which moves from knowledge to evaluation as a way of stretching students’ thinking A student sheet which can be printed off or projected onto the board to record ideas whilst working through questions A short plenary Followed by: Teacher notes -three slides containing ideas for understanding the poem and its methods at a high level which you should likely read before the lesson as preparation for discussion and teaching. How much you ‘teacher-lead’ using these notes, or how much you use them to aid independent learning is up to you. Notes are not definitive, but offer good-grounding in understanding Duffy’s use of method in the poem, with detail on structure and form as well as language in order to reach higher grades (e.g. time shifts, enjambment, use of tableau, verbs, symbolism etc.) NEW: THREE PAGE LESSON PLAN ON HOW TO USE EACH SLIDE INCLUDING KEY QUESTIONS, LEARNING AND OUTCOMES The lesson presumes that some previous learning has taken place on what language, form and structure mean, and that students have a good level of understanding of what questions they should ask of poems in order to explore them (e.g. when was it written? how might that influence language choices? is there a specific form? what relevance is the form? how is the poem’s narrative structured? Is there a clear structure? etc.) Kind regards, Englbee x
Walking Away Revision
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Walking Away Revision

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A high-level revision sheet (PDF) of Cecil Day-Lewis’ ‘Walking Away’ for students aiming for levels, 6-9 in the new GCSE Literature Paper 2 The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method. Ideas are written in a brief format rather than being too text/colour heavy to aid key learning and memory The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades. There are suggested links to ‘Follower’ and evaluative questions to consider in a potential essay conclusion. The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory. Please note the preview shows only a small section of the revision sheet. Best wishes, Englbee x
Walking Away
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Walking Away

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A fully-adaptable PowerPoint which explores ‘Walking Away’ in preparation for the AQA Literature Examination The PowerPoint and accompanying teacher notes are aimed at high-level GCSE candidates aiming for grades 6-9 The resource contains the following: AQA Assessment objectives for the poetry anthology examination paper Warm-up activity A brief biography of Cecil Day-Lewis A link to an audio of a reading of the poem A link to a copy of the poem (due to copyright; you can easily copy and paste into PowerPoint) A list of high-level terminology for this particular poem as required for higher grades A pyramid of questions which moves from knowledge to evaluation as a way of stretching students’ thinking A student sheet which can be printed off or projected onto the board to record ideas whilst working through questions A short plenary Followed by: Teacher notes -two slides containing ideas for understanding the poem and its methods at a high level which you should likely read before the lesson as preparation for discussion and teaching. How much you ‘teacher-lead’ using these notes, or how much you use them to aid independent learning is up to you. Notes are not definitive, but offer good-grounding in understanding Day-Lewis’ use of method in the poem, with detail on structure and form as well as language in order to reach higher grades (e.g. time, enjambment, verbs, unusual collective nouns and collocations etc.) NEW: THREE PAGE LESSON PLAN ON HOW TO USE EACH SLIDE INCLUDING KEY QUESTIONS, LEARNING AND OUTCOMES The lesson presumes that some previous learning has taken place on what language, form and structure mean, and that students have a good level of understanding of what questions they should ask of poems in order to explore them (e.g. when was it written? how might that influence language choices? is there a specific form? what relevance is the form? how is the poem’s narrative structured? Is there a clear structure? etc.) Kind regards, Englbee x
Porphyria's Lover Revision
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Porphyria's Lover Revision

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This is high-level revision sheet of Robert Browning’s ‘Porphyria’s Lover’ for students aiming for grades 6-9 in the new GCSE Literature Paper 2 The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method. Ideas are written in a brief format rather than being too text/colour heavy to aid key learning and memory The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades. There are suggested links to ‘The Farmer’s Bride’ and evaluative questions to consider in a potential essay conclusion. The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory. Please note the preview shows only a small section of the revision sheet. Kind regards, Englbee x
Porphyria's Lover
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Porphyria's Lover

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A fully-adaptable PowerPoint which explores ‘Porphyria’s Lover’ in preparation for the AQA Literature Examination The PowerPoint and accompanying teacher notes are aimed at high-level GCSE candidates aiming for grades 7, 8 & 9 The resource contains the following: AQA Assessment objectives for the poetry anthology examination paper Warm-up activity A brief biography of Robert Browning A link to an audio of a reading of the poem A list of high-level terminology for this particular poem as required for higher grades A pyramid of questions which moves from knowledge to evaluation as a way of stretching students’ thinking A copy of the poem A student sheet which can be printed off or projected onto the board to record ideas whilst working through questions A short plenary Followed by: Teacher notes - three slides containing ideas for understanding the poem and its methods at a high level which you should likely read before the lesson as preparation for discussion and teaching. How much you ‘teacher-lead’ using these notes, or how much you use them to aid independent learning is up to you. Notes are not definitive, but offer good-grounding in understanding Browning’s use of method in the poem, with detail on structure and form as well as language in order to reach higher grades (e.g. Mirroring of structure/tableau, dramatic monologue, pathetic fallacy, caesura and enjambment, ambiguous language and moral questions etc…) NEW: THREE PAGE LESSON PLAN ON HOW TO USE EACH SLIDE INCLUDING KEY QUESTIONS, LEARNING AND OUTCOMES The lesson presumes that some previous learning has taken place on what language, form and structure mean, and that students have a good level of understanding of what questions they should ask of poems in order to explore them (e.g. when was it written? how might that influence language choices? is there a specific form? what relevance is the form? how is the poem’s narrative structured? Is there a clear structure? etc.) Best wishes, Englbee x
The Farmer's Bride Revision
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The Farmer's Bride Revision

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This is high-level revision sheet of Charlotte Mew’s ‘The Farmer’s Bride’ for students aiming for grades 6- 9 in the new GCSE Literature Paper 2 The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method. Ideas are written in a easy format rather than being too colour-heavy to aid key learning and memory The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades. There are suggested links to ‘Porphyria’s Lover’ and evaluative questions to consider in a potential essay conclusion. The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory. Please note the preview shows only a small section of the revision sheet. Kind regards, Englbee x
Much Ado about Nothing
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Much Ado about Nothing

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A high-level GCSE essay for those studying Much Ado about Nothing for AQA English Literature Paper 1 The resource offers an extract from Act 3 scene 2 with an AQA-style examination question on attitudes towards Hero. There follows an essay which focuses on the question. The essay is written to a high-level for those aiming for grades 7-9 (although might help aspiring grade 6 also). The essay is around a side-and-a-half typed, meaning handwritten it would be about four sides (in keeping with high-level candidate expectations). After the essay, there is discussion as to: how the essay’s approach fits AQA’s ‘extract to whole’ further insight booklet on GCSE English Literature how the essay hits AO1, AO2 and AO3. how the essay covers higher band criteria The resource is fully-adapatable for you to change as needed for your OWN classroom use. Best wishes, Englbee x
Much Ado about Nothing
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Much Ado about Nothing

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A high-ability knowledge organiser for Much Ado about Nothing for AQA GCSE English Literature Offered as a PDF This is a high-ability revision tool (aspiring grades 7-9) which presumes students are competent already with the basic structure of the plot and basic character roles. The knowledge organiser has two sides which can be copied back-to-to-back on A3 or simply put on your school’s intranet . Side one offers analysis on the following four sections: Characters as concepts (11 characters) with significant key quotations and act/scene Significant Elizabethan contextual factors including: legitimacy, marriage, religion, humanism and patriarchal hegemony Significant themes including: constructive/destructive/self deception, love and marriage, transformation and gender (with act/scenes as relevant) High-level key vocabulary to help discuss the play conceptually Side two offers analysis of method specifically dramatic comedy devices: Metadrama, deception and artifice Self-reflexive language / metalanguage Pairs and Parallels (structure) ‘Happy’ endings Green World If you are new to teaching Much Ado about Nothing at a high-level, this would be a great tool for you as a teacher also to use as a planning aid and way into the text before giving to students for revision. I hope you find it useful. Best wishes, Englbee x
Much Ado about Nothing
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Much Ado about Nothing

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A high-level GCSE essay for those studying Much Ado about Nothing for AQA English Literature Paper 1 The resource offers an extract from Act 2 scene 2 with an AQA-style examination question on attitudes towards Deception There follows an essay which focuses on the question. The essay is written to a high-level for those aiming for grades 7-9 (although might help aspiring grade 6 also). The essay is around a side-and-a-half typed, meaning handwritten it would be about four sides (in keeping with high-level candidate expectations). After the essay, there is discussion as to: how the essay’s approach fits AQA’s ‘extract to whole’ further insight booklet on GCSE English Literature how the essay hits AO1, AO2 and AO3. how the essay covers higher band criteria The resource is fully-adapatable for you to change as needed for your OWN classroom use. Best wishes, Englbee x
Enduring Love
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Enduring Love

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A scheme of work for Enduring Love by Ian McEwan. Written originally for an outgoing specification for AQA A Level English Literature B. 25 PowerPoints in total covering each chapter. It offers a strong starting point for fine-grained analysis of literary method , whilst also focusing upon complex philosophical questions explored in the text. Included in each lesson: Five narrative method slides, one each on - narrative voice, setting, structure, form and language. Some slides more detailed than others depending on importance of method to each chapter. There are prompts for discussion and exploration of significance of each method with quotations if relevant. Advanced Level students will benefit from the prompts without being ‘spoonfed’. Teachers new to Enduring Love will find studying the slides for each chapter in advance, before reading, will help them focus upon the methods McEwan uses in the novel and aid teaching preparation. Later slides focus on debate questions, focusing less on method, and more on the philosophical ideas raised by the text within each chapter. The PowerPoints should be used as starting points for further discussion and analysis by advanced level students. Could be used for undergraduate also. Free prereading lesson here: https://www.tes.com/teaching-resource/enduring-love-by-ian-mcewan-pre-reading-lesson-11916185s Best wishes, Englbee
Writing to Describe
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Writing to Describe

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10 AQA Writing to Describe GCSE English Language Question 5 Writing Tasks with both a descriptive and a narrative question for all pictures. Variety of pictures included. Could also be used with KS3 or any creative writing class despite being specifically designed for the new AQA English Language GCSE. Best wishes, Englbee x
Writing to Argue
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Writing to Argue

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It’s hard work finding quality GCSE model writing answers for AQA English Language Paper 2, and even harder work writing them yourself, especially at a high level. Here, you will find a high-level model answer: an article to argue a point of view. The topic is homework. Pupils are asked to reflect on the significance of style and genre at the end as a self-reflection exercise. Please note the preview shows only a section of the sheet. Best wishes, Englbee x
Dramatic Comedy & Tragedy Genres: An Introduction
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Dramatic Comedy & Tragedy Genres: An Introduction

2 Resources
This bundle contains two PowerPoints, one focusing upon the dramatic comedy genre, and the other the dramatic tragedy genre. Both PowerPoints follow a similar format: *students are introduced to the terms ‘comedy’ or ‘tragedy’ *critical interpretations *revision of dramatic method *paired exploration of genre-specific method *a didactic commentary of characterisation language and structure Best wishes, Englbee
English Language GCSE
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English Language GCSE

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This resource offers two comprehensive PowerPoints for English Language GCSE AQA: one for you to teach to your class, and the second with exemplar responses for you to share with your class as you see fit. The resource is most suitable for introducing a strong summer Year 9 class to GCSE skills needed next year, or as an introduction to a high-ability autumn Year 10 class just starting GCSE. The resource allows students to consider the GCSE as a whole, and the AOs as overlapping, before dividing them between the two papers later on in their GCSE studies How the PowerPoint works: The Learning Objectives and AOs are colour-coded to link with AQA’s symmetry grid (hyperlink provided in PowerPoint) Resources out of copyright are provided within the PowerPoint Resources in copyright are hyperlinked for you. You can copy and paste into the PowerPoint onto new slides should you wish, or you can continue to use the hyperlinks (I have had to hyperlink to avoid copyright breach) Questions are curriculum-aligned The PowerPoint works through AO1, AO2, AO4, AO3, AO5/6 The second PowerPoint contains high-level exemplar answers for AO1-4 questions, and detailed exemplar paragraphs for writing tasks covering AO5/6. If exemplars are too difficult for your class, you can adapt downwards as needed, but showing good quality ‘top’ answers may benefit most pupils aiming for 5+. I have used this myself with high-ability classes who have found it useful as an introduction to their GCSE English Language. The texts are: the opening two/three pages of On Her Majesty’s Secret Service; two linked 19th century letters on hanging; and a Guardian article on capital punishment. Links to 20th/21st Century articles necessary due to copyright. Please note the links to On Her Majesty’s Secret Service are sometimes temperamental. There is a copy here: https://archive.org/stream/JamesBondBooks/OHMS_0020#page/n7/mode/2up and here (also on PowerPoint): https://books.google.co.uk/books?id=MkH504QgSKsC&pg=PA1&source=kp_read_button&redir_ese=y However, as with all things internet, sources disappear from time-to-time. Purchasing a cheap paperback copy of OHMSS might be an idea… Best wishes, Englbee