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Humble English Teacher hoping to cut down on teachers' workload by providing high quality resources (from primary to secondary - mostly English but some other subjects too). Please share and review if you like what you see here.

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Humble English Teacher hoping to cut down on teachers' workload by providing high quality resources (from primary to secondary - mostly English but some other subjects too). Please share and review if you like what you see here.
Othello: Context
MrGradgrindMrGradgrind

Othello: Context

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This 27-slide lesson explores the context of Shakespeare’s ‘Othello’. In the lesson, students learn about Shakespeare and his sources for the play; why the Venetian setting is significant; some background to the Venetian-Ottoman conflicts; and the various historical connotations of the term ‘Moor’. We look at various images from ‘Othello’ - posters and stills from notable productions - to consider what the play might be about. The play’s genre as a tragedy is discussed, as are its key themes and the crucial recurring image of ‘jealousy’. Important (and high-level) vocabulary is also outlined. Questions, tasks, and discussion points are included for students. A research task/homework is featured at the end of the lesson. This lesson is an ideal introduction for GCSE or A level study of the text. PowerPoint saved as PDF.
An Inspector Calls: Seven Deadly Sins
MrGradgrindMrGradgrind

An Inspector Calls: Seven Deadly Sins

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This 10-slide lesson activity allows students to explore how the Birling family (and Gerald) each wronged Eva Smith. Looking at the play through the lens of the ‘Seven Deadly Sins’ according to Catholic doctrine, we can see which sins each character commits, which may help us to determine which character - if any - is the most responsible for the death of Eva Smith. The lesson includes a table-based activity and questions for students to consider. These activities always lead to fascinating discussions and intellectual debates about the play. This is a particularly useful reflective activity or introduction to a deeper discussion of the play. PowerPoint saved as PDF.
The History Boys: Context
MrGradgrindMrGradgrind

The History Boys: Context

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This 21-slide lesson introduces students to the key context of Alan Bennett’s ‘The History Boys’. The lesson provides an introduction to Bennett’s career, Oxbridge, Thatcherism and New Labour, as well as the key themes and ideas of the play. Students consider what makes a good teacher, and learn critical vocabulary linked to the play. The role and significance of ‘history’ is also debated, while New Labour’s focus on ‘spin’ is explained in view of its relevance to the play. Theatre reviews of notable productions of ‘The History Boys’ are also included for discussion. Questions, discussion points, and tasks are featured throughout for students. This resource is ideal for those studying the play at GCSE or A level. PowerPoint saved as pdf.
The Importance of Being Earnest: Duality & Double Lives
MrGradgrindMrGradgrind

The Importance of Being Earnest: Duality & Double Lives

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This 28-slide lesson explores the themes of duality and double-lives in Oscar Wilde’s ‘The Importance of Being Earnest’. The lesson encourages students to think about the numerous binaries and dualities throughout Wilde’s play, and how these relate to the idea of ‘earnestness’ that the play satirises. Sophisticated vocabulary is provided to help students with their analysis. Students are presented with important literary and historical context, including Wilde’s own ‘Picture of Dorian Gray’ and Stevenson’s ‘Jekyll and Hyde’, plus examples of real-life late-Victorian scandals which fed into and fuelled fin de siecle interests in the duality of man. We also explore dualities in Wilde’s own life. The lesson considers how deception plays into the play’s key themes, and explores Wilde’s literary preoccupation with ‘masks’. Key quotations from the play (linked to duality or double-lives) are considered throughout the lesson, and each of the key characters are dissected. Discussion points and questions are featured throughout. This lesson is ideal for A-level (age 16+) study of the text. PowerPoint saved as PDF.
Macbeth: Supernatural Essay (Top Band)
MrGradgrindMrGradgrind

Macbeth: Supernatural Essay (Top Band)

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This top-band essay analyses how Shakespeare presents Macbeth and Banquo’s attitudes to the supernatural, based on the (infamous) AQA exam question from 2018. Many students found this question challenging when it appeared in the summer of 2018. This essay is perfect (for HA pupils, in particular) to see how to structure a sophisticated and perceptive essay. The extract and exam question are included on the first page.
An Inspector Calls: Sheila Essay (Top Band)
MrGradgrindMrGradgrind

An Inspector Calls: Sheila Essay (Top Band)

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This top-band essay on Priestley’s presentation of Sheila in ‘An Inspector Calls’ is an excellent exemplar for students. At the end of the essay is a highlighting key for students to unpick the essay’s techniques and structure, allowing for detailed discussion of the exemplar in class. This resource is particularly useful for challenging HA pupils to reach the top bands.
Twelfth Night: Complete Notes Acts 1-5
MrGradgrindMrGradgrind

Twelfth Night: Complete Notes Acts 1-5

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This resource contains detailed and academically challenging PowerPoints for all five acts of Shakespeare’s ‘Twelfth Night’. Each PowerPoint goes through an act scene-by-scene, analysing language, theme, character and context, combining scholarly notes from a range of sources. These PowerPoints work well when accompanying the reading of the text in class. Students find them useful for revision of the play too. These five PowerPoints have the potential to cover several weeks of lessons. These resources are aimed at A level students (particularly those studying comedy as a genre), but could be used for the study of the play with any high attaining group.
The Importance of Being Earnest: Lady Bracknell
MrGradgrindMrGradgrind

The Importance of Being Earnest: Lady Bracknell

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This 24-slide lesson explores the character of Lady Bracknell from Oscar Wilde’s ‘The Importance of Being Earnest’. Wilde’s presentation of Lady Bracknell is thoroughly deconstructed, with students asked to consider her theatrical heritage via Greek stock characters and the Comedy of Manners. We debate to what extent Lady Bracknell can be called the play’s ‘antagonist’, and how Wilde uses her to catalyse key events or provide comical obstacles in the play. Wilde’s structural use of Lady Bracknell is analysed, and important quotations from her and relating to her are dissected. We think about what we can learn from the stage directions about Lady Bracknell, and discuss how Wilde uses the offstage character of Lord Bracknell to inform Lady Bracknell’s character. We consider Lady Bracknell in the context of the ‘New Woman’ and students are provided with key vocabulary that might be used to analyse Lady Bracknell. Modern theatrical interpretations (including gender inversions) of Lady Bracknell are discussed. Students are also encouraged to think critically about how Lady Bracknell interacts with props and how Wilde positions her at the end of the play. Questions and discussion points are provided for students throughout the lesson. An exam-style essay question is featured at the end. Exemplar sentences and sentence openers are provided for students to enable sophisticated analysis, including purposeful introductions to extended essays. This lesson is ideal for high-level analysis of Lady Bracknell. PowerPoint saved as PDF.
King Lear: Context
MrGradgrindMrGradgrind

King Lear: Context

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This 40-slide lesson explores the context and background of Shakespeare’s ‘King Lear’. Designed as both an introduction to the play and a revision resource for students to use when recapping the play’s context, this is a comprehensive and detailed exploration of Shakespeare’s sources and influences, as well as the play’s key themes, ideas and critical debates. Students are also equipped with important and precise vocabulary for analysing the play with sophistication. Among other key ideas, students are introduced to elements of tragedy, Jacobean ideas of kingship, Shakespearean staging and stagecraft, Christianity vs. Paganism, and the play’s preoccupation with absurdity and meaninglessness. The anonymous ‘King Leir’ is referenced along with other points about the play’s textual history, and contemporary debates around succession and the unification of Britain are discussed in detail. Images from various productions of ‘King Lear’ are included for discussion, and questions for students are included throughout the resource. The file is included here both as a PDF and PowerPoint. The latter file will not retain precise font choices and formatting.