This is a lesson introducing students to the idea of the narrative hook, in other words how to write a killer first line or so to 'hook' the reader in. I put this lesson together for a year 9 scheme of work which referred to the AQA English Language marking criteria (A05+6) but the success criteria can be adapted beyond a level 3 so that it's more demanding for a year 10/11 class. The lesson starts with asking students what a narrative hook is and then to brainstorm in pairs different approaches that can be used to draw readers into a story. There are 3 'taster' first lines to show on the board where students can note questions that they have to illustrate the point. Then there is a handout of quotes which they can match to hooks in trios/groups/pairs and discuss. These can be lined up on their desks or pasted straight in. Of course, the 'answers' are provided on a separate teacher copy and the powerpoint itself (a few debatable ones are thrown in the exercise to encourage students to justify choices). Students are then given 2 scenarios to write about (gothic/horror genre based) demonstrating the use of a chosen narrative hook. A chance to self/peer assess follows to end the lesson where there is a success criteria box to refer to.

Attached are 3 quote banks that are either 1 side of A4 or 2. All quotes are from across the novel. As a form of revision of the novel you could ask students to stick them across a double page in their exercise book and ask them to annotate them explaining what they show about those characters. They focus on Dr Jekyll, Mr Utterson and Mr Hyde only. They also contain word boxes which define any archaic language that would be useful for EAL students particularly. On some of these there are challenging questions which students can consider in groups or pairs.

This is a lesson on a poem which explores the consequences of the American attacks on Vietnam during the war. It features in the Edexcel anthology of Literature exam poems. It's particularly useful to compare to 'Kamikaze' by Beatrice Garland (AQA) or 'War Photographer by Carole Satyamurti (see my lesson on this in my shop). The lesson begins by asking students to comment on Vietnamese cultures based on images presented on the slide. There is then a slide which introduces them to the Vietnam war and then Denise Levertov as a poet. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of peaceful and violent imagery, as well as some more challenging devices. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Students are then asked to think about structure and there is a slide which refers to the use of anaphora, alliteration and the overall effect of the poem's layout. The lesson ends with a chance for students to write independent essay paragraphs with Edexcel's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - A copy of the poem with a word bank - A handout of glossary style word banks which students can stick into their anthologies - PEA style writing frames which can be cut out to support weaker students in their essay writing - Links to online videos/readings (see 'Notes' under slides). - A separate powerpoint with 2 suggested homework activities linked to this poem. If you like this resource, please review it!

This is a lesson on a poem about a Japanese pilot during the Second World War who failed in a Kamikaze mission. It features in AQA's anthology of Literature exam poems. It explores the themes of isolation in war and shame which can be linked to other poems taught within a unit. It's particularly useful to compare to 'Remains' by Simon Armitage and 'War Photographer' by Carol Ann Duffy (see my lesson on that in my shop). The lesson begins by asking students to consider what Kamikaze is and why those Japanese pilots would be an effective focus for a poem. There is then a slide which introduces them to Beatrice Garland as a poet. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of metaphors, simile and emotions, as well as some more challenging features. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Students are then asked to think about structure and there is a slide which introduces them to sestets, sibilance and line length. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - The poem with a word bank on it - A handout of glossary style word banks which students can stick into their anthologies - A set of PEA style writing frames for weaker students to use (cut into strips to stick in books) - Links to online videos/readings (see 'Notes' under slides).

Attached is a powerpoint introducing students the scene where Macbeth meets the 3 witches. It provides some contextual information which refers back to Lesson 1 in this series on witchcraft and offers questions for students to think about in groups / pairs. It ends by asking students to annotate 2 poignant quotes said by Macbeth and Banquo and consider their meaning. Students are to use a continuum to track their thoughts on the witches so far. All lessons in this series include: - Links to online videos (see 'notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of scenes or a selection of quotes from scenes studied - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the scene - References to the AQA English Literature mark scheme for Paper 1, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.

In this lesson students are asked to explore how a writer can write in vivid detail and create tension. It would ideal to use as part of a KS3 unit on autobiography. The lesson starts by asking students to write down what they know about Jessica Ennis. Other suggested starter tasks include listing synonyms for the word ‘victorious’. There is a slide with explains who Ennis is and why she is famous as well as a link to an online video narrated by her. There’s also a list of synonyms that they may wish to use later in the lesson. There is a group task for students to do after reading the extract from her autobiography where they are given 4 questions on the board and a challenge task. All questions are linked to the GCSE reading skills AO1, 2, 3 where they have to think about language, structure and the readers’ reactions. Students are then asked to colour code where in the article Jessica uses particular devices in order to create tension (emotive words, feelings, senses, metaphors). The extract has been pasted on some slides with the devices already shaded in for you so it’s quick and easy to go through with the class. There is some space around the text if you want to annotate it. The plenary asks students to write a paragraph describing their own victorious sporting achievement in an interesting way, using the key descriptive skills. There is a slide to set up a peer assessment. This lesson, as my other lessons do, includes: Starter tasks which introduce the main idea of the lesson Handouts of extracts/text Differentiated tasks Opportunities for pair and group talk within activities (‘Talk for Writing’)

This lesson asks students to analyse what Mrs Birling’s dialogue shows about her as a character and consider how the audience is meant to react. The lesson starts by asking students to consider what what role she plays and how she develops as a character. There is a 'challenge task' also provided which asks them to think about how a modern audience responds to her. There is a list of quotes from across the play attached as a handout which students can think about in pairs and they can then be annotated on the board by students/the teacher. Students are then asked to list the positive and negative aspects of her character and what she does across the play. There are some suggestions which follow this. The lesson ends with a chance for students to write independent essay paragraphs with the AQA English Literature GCSE success criteria which can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills.

In this lesson students are asked to explore how Roald Dahl describes his childhood in chapter 3 of his autobiography, Boy. It would ideal to use as part of a KS3 unit. The lesson starts by asking students to discuss Dahl’s villains and what they have in common. There is a challenge task which asks students to think about the complexities of what a villain is. Students are then to read the last couple of pages of chapter 3 (extract attached here) about Mrs Pratchett who owned a sweet shop. Students are then asked to discuss a list of questions on the board within a group about the extract. All questions are linked to the GCSE reading skills AO1, 2, 3 where they have to think about language, structure and the readers’ reactions. The plenary asks students to write an essay paragraph about Mrs Pratchett, using the SQUID structure provided. There is a slide which demonstrates how students can peer assess each other’s writing. This lesson, as my other Literature lessons do, includes: Starter tasks which introduce the main idea of the lesson Handouts of extracts/text Differentiated tasks (a separate document is attached with GCSE style Language paper 1 style questions) Opportunities for pair and group talk within activities (‘Talk for Writing’)

In this lesson students are asked to peer assess an extract from an essay and set themselves their own target based on their scrutiny of success criteria provided. After this, they are asked to identify and explain how Lady Macbeth uses language to persuade Macbeth to kill Duncan. Attached is a printable grid listing persuasive devices where students can annotate suitable quotes from the text. On these slides are essay prompts where students can then write up their findings, aiming to act on the target they set at the start of the lesson. All lessons in this series include: - Links to online videos (see 'Notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of scenes or a selection of quotes from scenes studied - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the scene - References to the AQA English Literature mark scheme for Paper 1, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.

In this lesson students are asked to explore what a reader expects from a villain and explain how one is portrayed in an extract (AO2, 3 + 4) I put this lesson together for a year 9 scheme of work which referred to the AQA English Language marking criteria but the success criteria can be adapted beyond a level 3 so that it's more demanding for a year 10/11 class. Students are asked to consider what a villain is and what conventions they usually follow with the gothic horror genre. As a challenge task they can consider whether they're always so complicated. After the starter, the class can can feedback and a list of 5 main features can be collated on the next slide. Next there is a slide which introduces Count Dracula which states some basic facts about him referring to the original novel by Bram Stoker and a link to a video clip. Next students can stick the attached extract into their books which describes Dracula's appearance and in pairs they could highlight key quotes and annotate it with their ideas. On this sheet there is a word box which defines any archaic language. The lesson ends with a chance for students to write independent essay paragraphs with the AQA English Language GCSE success criteria which can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills.

Attached is a lesson where students are asked to identify how a writer has structured a text and comment on how that interests a reader (AO2, 3, 4). It uses an extract from 'Spies' by Michael Frayn. To start, students are asked to define the word 'structure' when we apply it to texts and as a 'challenge task' to list all the forms of structural devices that they are aware of. Slides follow with suggestions and a brief explanation of the AOs that they are assessed on by AQA in the English Language Paper 1. Students are then presented with the exam style question which in pairs they can identify the key words and suggest what the examiner is really looking for. The extract is attached with a word box and planning tasks which, after reading, students can tackle alone or with others. Other useful planning tasks follow such as colour coding structural devices and breaking down the story down into 4 stages. The lesson ends with a chance for students to write structured paragraphs in response to the question and there are sentence starters in the form of PEA attached to help. The lesson ends with a chance to self assess, referring to the success criteria for a grade 5. There is also a suggested homework task asking for student to research spies during the war and an accompanying video. This lesson, as my others, includes 'Talk for Writing' activities, pair and group tasks and differentiated tasks.

In this lesson students are asked to analyse and explain how a writer constructs an effective story opening (AO2 + 4). I put this lesson together for a year 9 scheme of work which referred to the AQA English Language marking criteria but the success criteria can be adapted beyond a level 3 so that it's more demanding for a year 10/11 class. Students are asked to consider what a narrator and a narrative voice is and then how many ways a story can be told. There are a series of slides which explain 1st, 2nd and 3rd person narrative including any complicated options within those. Attached is an thriller / horror style extract they can then stick in and in pairs they can decide which narrative it uses. The next step is to consider how the writer interests the reader generally and students are asked to colour code the following devices: emotive vocab, similes, metaphors and effective punctuation. As an extension there are question boxes around the extract asking students further questions which in some cases refer to structure and how the story is developed. The answers for this activity are revealed in the next few slides when students can feedback their ideas to the rest of the class. The lesson ends with a chance for students to write independent essay paragraphs with the AQA English Language GCSE success criteria which can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills.

In this lesson students are asked to explore how Macbeth is portrayed as a tyrant by his enemies. The lesson starts by presenting students with a list of traditional kingly qualities and asking them to rank how Macbeth has met these so far in the play. Students are then asked to read the scene where Malcolm tests Macduff so that he may have confidence in him as an ally against Macbeth. In groups they are to then consider key questions about the effect of Macduff learning of his family's assassination on stage and how this will then effect the plot moving forward. The lesson ends with an opportunity to respond independently by writing an essay paragraph. All lessons in this series include: - Links to online videos (see 'notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of scenes or a selection of quotes from scenes studied - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the scene - References to the AQA English Literature mark scheme for Paper 1, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.

This is an English lesson on the poem ‘Prayer Before Birth’ by Louis Macneice.The speaker of the poem is an unborn child asking for assistance in a cruel world which it will soon be born into. It discusses the themes of cruelty, injustice and freedom which can be linked to other poems taught within a unit. The lesson begins by asking students to decide what advice they would give to a younger sibling about life, based on their own life experiences. This can then open an interesting class discussion. Students are then introduced to the ‘WPSLOMP’ method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of positive and negative imagery as well as some more challenging features such as simile, metaphor and repetition. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Three slides follow this which have pulled individual quotes from the first three stanzas which the class can brainstorm one at a time. The lesson ends with a chance for students to write independent essay paragraphs with an adaptable success criteria but this can be adapted for your course. Here I have used SQUID (Statement, Quote, Infer, Device/Develop which is similar to PEA). There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are ‘Talk for Writing’ activities and Challenge tasks for more able students. Attached is: -A powerpoint with the lesson clearly outlined An alternative word search style starter using images to allow student to guess the meanings of harder words -The poem with a word bank on it (2 can be printed to an A4 page or 1 to a page) -Link to online videos (see ‘Notes’ under slides). -An extension task: write a poem giving advice to another about life, using this poem as inspiration. All images are from Openclipart.org.

This lesson asks students to explore the character of Lady Macbeth across the play by commenting on the significance of quotes (A01,2, 3). It refers to the success criteria of the AQA English Literature GCSE but can be adapted for your course. The lesson starts by asking students to summarise her as a character using adjectives and then to respond to images portraying her actions in key scenes. They are then to narrow down her appearances into 5 'top' moments in order to remind them of the wider picture. Slides reminding them of these follow. Attached is a 'quote explosion' sheet of quotes that she says or that others say about her. Students can stick these across a page in their exercise book and annotate what they show about her as a character and pick out any imagery (symbolism, metaphor, antithesis, apostrophe etc). It could also be blown up to A3 size (great for displays!) A copy of this is on a slide in the Powerpoint for the teacher / students to also annotate on the board when the class gathers their ideas together. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Please see my other lessons on Lady Macbeth which explain her role within key scenes in more detail - one of which has an exemplar essay which students can annotate to improve their performance in the exam.

...also explains anapestic tetrameter! This is a lesson on a poem which describes the Assyrian invasion of Jerusalem and how God intervened to protect the holy land - Byron based this on a biblical account of a real battle. It features in the Edexcel anthology of Literature exam poems. It explores the themes of violence and conflict which can be linked to other poems taught within a unit. It's particularly useful to compare to 'The Charge of the Light Brigade' (see a lesson on this in my shop). The lesson begins by asking students to predict the story behind the poem based on some images. There is then a slide which introduces them to the story of King Sennacherib's attempt to invade Jerusalem and then another which introduces Lord Byron as a poet. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of metaphors, simile and violent imagery, as well as some more challenging devices. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Students are then asked to think about structure and there is a slide which explains the poet's use of anapestic tetrameter, rhyming couplets and end stopping. I have also added a slide which offers historical facts about the Temple of Baal/Bel in Palmyra which was recently destroyed by ISIS. Although it was built a long time after the historical battle and there would have been many temples dedicated to Baal at time, it symbolised the King's culture and its recent destruction mirrors the violence in this poem and people's attitudes to ancient gods. The lesson ends with a chance for students to write independent essay paragraphs with Edexcel's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - A copy of the poem with a word bank - A handout of glossary style word banks which students can stick into their anthologies - A PEA style writing frame for weaker students - Links to online videos/readings (see 'Notes' under slides).

Even covers Iambic Tetrameter and Trimeter! This poem is featured in some GCSE English Literature syllabuses and explores themes such as loss, jealousy and courtly love which allows it to be useful to compare to other poems or texts. Attached is a bundle of resources: - A copy of the poem with a suggested colour code for students to identify key devices - A copy of the poem with annotations and detailed explanations of the poem's structure - (optional) a grid sheet asing how provided quotes reveal a loss of innocence - A powerpoint presentation of the lesson detailed below. The lesson starts by asking students to consider typical themes in poems about love and gives contextual details about Rossetti for a challenge task aimed at higher ability students. In pairs, students are then asked to read the poem and construct a flow chart of what is described and there is an optional task to match imagery to quotes. There is also a colour activity where students are to identify devices and they are welcome to annotate the effect of these since this is on an A3 page. The lesson ends with a chance for students to write essay paragraphs independently using provided sentence starters which come in 3 formats: a 'layers of meaning' approach, PEA or the 'reading ladder'. An opportunity to self assess essay writing follows this. The success criteria provided is very generic for all exam boards/ages and can be adapted to suit your course.

This resource acts as an introduction to etymology: the study of the origin of words and the way in which their meanings have changed throughout history. Attached are 2 table style handout sheets listing root words which originate from either Greek or Latin. They ask students to list words which use them and to investigate what they mean. This would be useful to do in a computer room or using dictionaries in pairs/groups. The powerpoint reveals the answers and of course can be adapted to add more. This would be useful for KS3 literacy classes or within learning support (learning roots of words can help with spellings).

In this lesson students are asked to explain how Shakespeare uses the theme of disorder in order to reflect the Jacobean fear of evil . The lesson starts by asking students to identify how there has been disorder so far in the play and comment on some provided quotes. Students are then asked to read the scene where Ross and the Old Man discuss the chaos within Scotland since Duncan's death and identify and explain key quotes. The lesson ends with an opportunity to respond independently by writing an essay paragraph. All lessons in this series include: - Links to online videos (see 'notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of scenes or a selection of quotes from scenes studied - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the scene - References to the AQA English Literature mark scheme for Paper 1, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.

This lesson asks students to analyse how Macbeth explores his conscience before he decides to murder Duncan. Initially students are asked to imagine and list Macbeth's thoughts and feelings at this stage of the play. After watching a video of Macbeth and Lady Macbeth discussing the crime students are asked to speculate their attitudes before tackling the text in detail. After reading the scene, pertinent questions are posed for groups to consider and then there is an optional task where imagery can be identified and commented on. All lessons in this series include: - Links to online videos (see 'Notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of scenes or a selection of quotes from scenes studied - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the scene - References to the AQA English Literature mark scheme for Paper 1, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.