A wide-ranging lesson which introduces the sonnet form through creative writing and comprehension questions about Barrett Browning’s use of it. I really liked the well-known resource ‘What’s a sonnet miss?’ (a poem about how sonnets are written), but found it too inaccurate. So, I have written and included my own sonnet about sonnets called ‘What’s a sonnet sir?’. Also included are comprehension questions which focus students on language and context, as well as a simple outline for an essay on the topic of the poet’s presentation of love. I found this an engaging and accessible way to introduce the Eduqas GCSE poetry anthology to my year 9 students. However, the lesson would work for any syllabus with Sonnet 43 on it.

A full lesson centred around an extract from Suzanne Collins’s The Hunger Games with activities designed to get students to analyse how the author creates a sense of setting using a backstory and proper nouns. Students then have the opportunity to create their own backstory for a dystopia they have imagined. The resource was created as the fourth installment in a scheme of work, but could be used for a one-off lesson too. It is aimed at high-ability students in Year 7 but would work well for students in years 5, 6 or 8 dependent upon ability.

Intended as the fifth in a creative writing scheme of work on dystopian writing. However, this lesson will work independently. The resource is centred around an extract from Do Androids Dream of Electric Sheep? by Philip K Dick as an example of how students could write a persuasive advert for their own automaton - either humanoid or animal. I have included an additional starter activity as the material may take more than one lesson to cover. The resource was designed for high ability year 7 students, but could work for students in years 5, 6 or 8, dependent upon ability.

A lesson which focuses on the language Keats uses to present the three figures (Love, Ambition and Poesy), as well as drawing connections and distinctions between this poem and the other great odes. There is little discussion of context here, save for the initial clarification of the epigraph as my students’ knowledge of Keats’s life is already strong.

A simple, highly-visual introduction to adjectives with a range of explanations and tasks for students to complete. There is also information and tasks on adjectival phrases and postmodification. The resource would make a good introductory lesson to this word class for primary age students (perhaps years 4, 5, 6) or early secondary age students who need a reminder (year 7).

A lesson designed for the extract from 127 Hours: Between a Rock and a Hard Place by Aron Ralston from the Edexcel IGCSE anthology for English Language specification A. The lesson includes two starter activities, a pair of engaging embedded YouTube videos relating to the text, a simple task for annotating the text, an example question 4 from a past-paper with an exemplar response, and a writing frame utilising the PETAL acronym to support students in writing an exam-style response for question 4. This lesson was used with a year 9 class approaching their GCSE years and could easily be used or adapted for use with years 10 and 11 for initial teaching of the text.

Up to two lessons’ worth of content on Wilfred Owen’s poem Exposure. This was created and delivered to a middle-ability Year 8 class and provides a number of engaging activities including: Storyboarding Descriptive writing Language analysis (focusing on the presentation of nature, not war) Diary entry imaginative writing AI generated imagery has been used in this lesson, making it very visually pleasing.

A full lesson designed to lead students through the extract from Adichie’s TED talk ‘The Danger of a Single Story’ found in the Edexcel IGCSE Literature and Language anthology. The lesson is recommended for students in years 10 and 11. The resource includes a choice of two starter activities, a linked video of the original TED talk (check the notes section for recommended times to watch with your class), a group discussion activity with prompt cards, a table with key quotations and devices for students to complete with analysis, and a PETAL writing frame to support students in writing an exam-style response.

A full lesson designed to guide students through the poem ‘Prayer Before Birth’ by Louis MacNeice, which is found in the Edexcel IGCSE Literature specification. The lesson is aimed at students in years 10 and 11. The resource is visually attractive and includes: a choice of starter activity; summary and background on the poem; an embedded YouTube video of a reading of the poem; 7 slides with key lines from the poem and guided questions to help students analyse the poem (these could be used for group work or guided analysis); a short summary of the features of form and structure; an additional task directing students to examine the theme of nature vs industrialisation.

A full lesson designed to lead students through the poem Half-Past Two by U. A. Fanthorpe which appears on the Edexcel IGCSE Literature specification. The visually-pleasing resource includes: a choice of starter activity; an ‘exploding’ quotations activity with detailed exemplar; guided language analysis with questions on key lines; a PETAL paragraph writing frame to support students in writing a response to an exam-style question.

A full lesson on the poem Remember by Christina Rossetti, which appears on the Edexcel IGCSE Literature specification. However, the content of the resource is applicable to any course of study at GCSE level which includes this poem. The resource includes: a starter activity where key techniques in the poem are matched to definitions; an embedded YouTube video of a reading of the poem; a short summary of the poem; guided, step-by-step language analysis through key questions; summary of the main features of form and structure; an exemplar response to an exam-style question (students can then have a go at writing a response themselves).

This lesson teaches students how to analyse the language of a poem through a range of activities relating to Counting Tigers by Gillian Clarke. It includes a choice of starter activity, a quotation ‘exploding’ activity, two exemplar responses to an exam-style question on the poem and a writing frame utilising the PETAL acronym to help students write their own response. The lesson is highly visual and there may be enough content to cover more than just one one-hour lesson. I taught this lesson to a low-ability year 9 class, but it could easily be pitched to GCSE students as an unseen poem.

A full lesson on The Eve of St Agnes by John Keats, taking students through key points of plot, context, form and structure, language features and themes. I used this over a two-lesson teaching sequence.

A mini bundle with activities for comparing the following poems from the new Eduqas GCSE specification: Mametz Wood, Dulce et decorum est, Afternoons, Too Autumn and Ozymandias.

A three-lesson scheme of work on John Keats, designed to teach students about the sonnet and ode forms, context and Romantic ideals including the Sublime. The poems covered are: On The Sea, To Autumn and Bright Star.

An introductory lesson aimed at Year 7 students on dystopian writing. The resource could be used with students in 5, 6 or 8 too, dependent upon ability. The lesson begins by deconstructing the etymology of the words ‘utopia’ and ‘dystopia’ and is then made up of a series of tasks on identifying, analysing and using nouns and noun phrases in relation to an extract from The Beach by Alex Garland. At the end of the scheme, students will use their learning to write a part of a dystopian story. Two separate starter activities are included in case you would like to spread the material across two lessons. There should be enough material to do so. Other lessons in the sequence will follow as they are completed.

2-3 lessons worth of content on Significant Cigarettes, an excerpt from Rose Tremain’s 2007 novel The Road Home, which appears in the Edexcel IGCSE Anthology. These lessons were used to help produce the poetry and prose coursework. Students wrote on the theme of ‘identity’ in three texts. There is a wide range of activities, including guided annotation, discussion questions, analysis and practice paragraph writing. The PowerPoint is 15 slides in length, so there should be plenty for you to pick and choose from. The excerpt is not supplied with the lesson.

This resource can be used across 2-3 lessons and leads students through the plot, context, settings, characters and key themes of the poem. I have tried to throw in a few strategies to make the lesson more student-led and less discussion or teacher focused, such as asking students to come up with their own questions about a section of text. The slides also contain my thoughts and ideas where they may be helpful.

A word document booklet, which can be printed or sent to students, containing extracts from six different texts, followed by 8-10 comprehension questions. Each set of questions is followed by a creative writing extension task themed around the extracts. The extracts have been sourced from the following texts: The Wolves of Willoughby Chase by Joan Aiken The Jungle Book by Rudyard Kipling Cider with Rosie by Laurie Lee ‘Supersports High’ - an article from The Times (12.8.2012) Paddy Clarke Ha Ha Ha by Roddy Doyle The Silver Sword by Ian Serraillier The resource may be suitable for students in years 6-8 depending upon their reading ability.

A KS3 scheme of work which covers the first three chapters of Steinbeck's Of Mice and Men. There are a range of activities which cover both reading and writing aspects of the novel. Note that we use ipads at my school so, where they are infrequently mentioned, you could set the task as a homework or else book a computer room. Keep your eyes peeled for lessons on chapters 4 and 5 in the coming weeks.