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Miss Howell

Average Rating3.58
(based on 44 reviews)

A range of high-quality, engaging and heavily-differentiated resources catered to secure the learning of all. Easily accessible for all learners with SPLD, dyslexia and a range of barriers to learning. All lessons provide challenge for the most able, whilst additionally providing support, sentences starters and exemplar material for those in need of support.

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A range of high-quality, engaging and heavily-differentiated resources catered to secure the learning of all. Easily accessible for all learners with SPLD, dyslexia and a range of barriers to learning. All lessons provide challenge for the most able, whilst additionally providing support, sentences starters and exemplar material for those in need of support.
Language Paper 1: Question 3 Structure (JAWS)
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Language Paper 1: Question 3 Structure (JAWS)

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A full lesson focusing on analysing structure and writing-up a model response. Using a Jaws video to encourage students to pick up on focus and shifts using a storyboard. Students then will read and annotate a Jaws extract an complete a timed questions. Follows I DO, WE DO, YOU DO format. Includes: Powerpoint Exam style question and extract High quality model responses Structured sentence frames Guided reading questions A Please note: resources are printable from PPT itself.
Unseen Poetry Comparison: Holocaust Poetry
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Unseen Poetry Comparison: Holocaust Poetry

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Two lessons on comparing two unseen poems Including: Poetic techniques match-up Top-tips for poetry success Guided annotations to the poem 'Vultures' with questions Guided annotations to the poem 'Postcard 4' with questions A comparative table with colour-coordinated PETE paragraphs and example paragraphs Self/teacher assessment Assessment Objective checklist featuring WWW and EBI.
The Tempest: Act 1, Scene 2 Ariel and Prospero's Relationship
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The Tempest: Act 1, Scene 2 Ariel and Prospero's Relationship

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Hook: Exploring what three wishes students would have if they were given by a fairy. Starter: Re-capping questions verbally/ watching Act1, Scene 3 Development:Comprehension questions/ analysis (challenge) questions on the conversation between Prospero and Ariel Main: Students will analyse Ariel’s language in his fight to freedom and Prospero’s responses-exploring the theme of power Plenary: Students are to write a paragraph exploring why Ariel does/ does not deserve power
Power and Conflict Poetry Revision: Identity Poems (Tissue/ Emigree/ Checking)
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Power and Conflict Poetry Revision: Identity Poems (Tissue/ Emigree/ Checking)

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Focused on key revision skills. Students are to recall quotations based on images. Students are to answer recall questions to aid revisions/ fill-the-gaps of key quotations with missing words. Students are to use the retained information applying the skills in analytical paragraphs/ exploding quotations. Includes challenges. A great, quick way to revise and teach students specific revision skills.
Romeo and Juliet Revision: Themes and Essay Plans
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Romeo and Juliet Revision: Themes and Essay Plans

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An all inclusive lesson (could be turned into 2 hours) with clear thematic essay plans. Students are to complete the ‘analysis’ and relate to context. Starter: Key context and vocabulary Main: Completing/ uplevelling PEARL essay plans Plenary: Answering questions on worksheets
Romeo and Juliet: Act 1, Scene 5 Romeo Exploding Quotatio
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Romeo and Juliet: Act 1, Scene 5 Romeo Exploding Quotatio

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Match-up Activity: Exploring language techniques employed in the scene: from similes to juxtaposition. Starter: Re-cap of the scene. Development: Guided reading analysis of the scene Main: Exploding quotation including guided anlysis and model responses (according to Assessment Objectives- AQA) Differenation: Guided questions relating to each quotation to be put on support station. ‘Challenges’ embedded throughout.
Prince Escalus Speech: How is Conflict presented in the play
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Prince Escalus Speech: How is Conflict presented in the play

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Starter: Exploring social and historical context and analysing Lord Capulet’s reaction to the servants’ brawling in Act 1, Scene 1. Development: Guided annotations (differentiated key questions to analyse the characterisation of Escalus). Main: Essay plan exploring conflict in th play so far Plenary: Exploring the character of Romeo and his Petrarchan ways. Includes sentence starters, model paragraphs. Aimed at Middle-High ability (4-6)
Introduction to Power and Conflict poetry/ poetic devices: speed dating
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Introduction to Power and Conflict poetry/ poetic devices: speed dating

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A speed dating lesson focusing on some ambitious poetic techniques. Used to engage pupils in devices before we begin to analyse conflict and power. Pupils are each given a poetic device. They become 'experts' in that specific devices and have to explain their technique to the rest of the class during 'speed dating.' In return, their fellow 'expert' will explain their poetic technique. Pupils will fill their answers in on a 'speed-dating' sheet. They will put these skills to use at the end of the lesson by annotating a stanza from 'The Charge of the Light Brigade.' Easily differentiated by challenging more able with adept devices etc. Alternatively, the cards would look nice as part of a dislay.
Unseen Poetry: An Irish Airman Forsees His Death
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Unseen Poetry: An Irish Airman Forsees His Death

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An engaging lesson looking at Yeats' 'An Irish Airman Forsees His Death." Focuses on some AO3 context and uses guided questions for analysis. Additionally, includes step-by-step guide to responding to an unseen question with a WAGOLL (model) and sentences starters. My Y10 found it very engaging and were interested to learn about a bit or Irish history.
Romeo and Juliet: Act 2, Scene 5
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Romeo and Juliet: Act 2, Scene 5

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This lesson explores the presentation of Juliet in this scene through prompt questions. Additionally, it explores her character and transformation throughout the play. Using visual hexagons, students will explore her throughout the play through a number of ambitious adjectives. Plenary: Students will explore the language transformation from Act 1/2 to Act 5