This lesson looks at the context of Emmeline Pankhurst’s speech in Connecticut, 1913, which aimed to persuade the audience to support women’s suffrage. Focuses are on militaristic language, as well as other rhetorical devices and a plenary task comparing her speech for women’s rights with that of Emma Watson.
Both speeches are included with this resource.
2 X LESSONS
Students will look at Victorian society and the rise in crime rates that triggered the rise of the police force. They are then introduced to Jack the Ripper and encouraged to think how the context of the time actually enabled Jack the Ripper to commit his crimes so successfully / why the police were unable to catch him. Plenary tasks asks why detective fiction may have been popular at this time.
Students look at the history of detective fiction, beginning with Poe / Murders at the Rue de Morgue. A focus on the character of the detective and detective conventions, testing knowledge by applying knowledge of conventions to extracts from The Sherlock Holmes Tale ‘The Adventure of the Sussex Vampire.’ Then, students look at images of Holmes study (Sherlock Holmes museum) and deduce ideas about his character. Lesson ends with fun observational skills competition where students spot the hidden animals in the pictures.
This is intended for KS3 English lessons looking at Victorian context in preparation for English Literature at GCSE. This resource is a minimum of 2 lessons. Includes extracts from Lowood school (Jane Eyre) followed by a kahoot quiz, an extract from Dickens’ Nicholas Nickleby with a cloze exercise to describe the dilapidated school room, followed by an inference exercise on the boys of Dotheboys Hall. Drama task to finish capturing Mr Brocklehurts’s reaction to a curly haired, red-headed pupil at his school.
This complete lesson takes students step by step through a range of descriptive writing techniques, such as alliteration, simile and adverbs. Images of Worzel Gummidge (human scarecrow) are used to enable students to identify and then use descriptive writing techniques. The final task is to describe the White Witch of Narnia, using a range of images and including a set of given success criteria. Useful for KS3 or 4 for descriptive writing skills.
Aimed at low to mid ability KS4, this extract to whole question about poverty, takes students through an exam question. First, students will look at the extract part of the question. Secondly, the whole novel will be covered. Includes a brief example response and an annotated copy of the extract.
Two lessons focusing on Q2 and Q4 of AQA English Language Paper 2 (one lesson each) using Rory Stewart’s Afghanistan travel extract and an extract from Dorothy Wordsworth’s Grasmere Journals.
This resource is made up of 3 extracts which all describe three famous detectives - Sherlock Holmes, Mma Ramotswe from the No.1 Ladies Detective Agency and Poirot. These extracts are perfect for students to use their inference skills to work out the characters of these detectives. They could use this as a springboard for creating their own fictional detectives.
This resource contains reading and writing activities based on three extracts from Narnia and one from Jamaica Inn. The final activity is not extract based but requires students to imagine what the firey world of Muspelheim (Norse Mythology) might have looked like before considering how they might describe it. I have included differentiated versions too which include edited and shorter versions of the extract and slightly easier task requirements. Easy to adapt and print off.
2 x Macbeth exam questions, looking at Lady Macbeth being controlling just after Duncan's murder and Macduff's loyalty towards King Duncan. Includes sample answer for the first question. Pupils could plan out / answer the second exam question.
Please note: an error has been noted for a slide within MWTL ppt. Now been rectified.
THREE LESSONS plus resources
Assumes students have cold read The Man with the Twisted Lip first. Copy of story included.
Use template to plot out the story using Freytag’s Pyramid. Idea of exposition will be returned to in the lesson. Read 'Opium in Victorian Britain article to learn about the influence of opium at this time. Look at an extract towards the start of the story to analyse how atmosphere is created, particularly with the idea of the opium den setting in mind, followed by a more detailed second extract. Plenary asks students to discuss the effectiveness of the exposition, in the context of Victorian England.
Students given an outline of two scenarios and they should use inference skills to deduce what they think is happening. Tasks then given on an example crime scene with initial tasks. Then, students should apply this understanding to sketching out the crime scene in The Man with the Twisted Lip, using the facts from the story.
Students use inference skills to deduce ideas about Holmes’ character from a given extract. Given a quiz on a set of detective conventions and then asked to match the conventions to the plot of Man with the Twisted Lip. Plenary asks them to think of any modern detective films / stories that also match this pattern.
This two lesson resource gives students an example of a story, for which they can discuss what the candidate has done well and what could be improved. Following this they can use the mark scheme included (from the new spec AQA) to award a level / mark.
Using this knowledge of what makes a good narrative, the remaining slides give some prompts and advice about how to go about planning and writing a narrative. Planning sheet and suggested titles is included for students to plan according to what they have learned. The actual story could be written by way of extension.
Ppt showing a clip of the chocolate room, in the first film version, collage of chocolate room related pictures to help students write a description of the room using a set of given techniques. Then, the same story is used to look at onomatopoeia. Students look at a given extract from the story and identify the onomatopoeia, also considering the effect of it. Final task is to use onomatopoeia to describe a tsunami. 1-2 lessons.
This is the first four lessons aimed at Y7 or 8 for working in pairs or groups to create their own theme park. Lessons 1 and 2 include some engaging activities to consider the idea of themes and look at examples of existing theme parks. They watch clips, name rides and create 3 rides for a blank dinosaur theme park. Lessons 3 and 4 are geared towards them creating their own theme park map after looking at Chessington World of Adventures’ example and answering some questions to illustrate the importance of a clear and informative park map.
A short unit covering Reading, Writing and Speaking and Listening. Could be used as a whole class unit of work, or small literacy group. Mixed ability but could be differentiated up or down. Extracts (all provided) from Robinson Crusoe, Life of Pi, Lord of the Flies. Real life survivor account analysed for descriptive writing techniques. Students invent their own survivor scenario and write diary entries and descriptions based on the example extracts and trailers shown in lessons. Opportunity to create class island map and use as stimulus for writing. Some lessons may take slightly longer than an hour so I estimate this unit is between 4 and 6 hours of lessons, depending on the pace.
This lesson is a general introduction into the artists and poets of the Romantic movement. Starts with a look at paintings by Turner and Constable, then moving onto 6 key Romantic poets - Wordsworth, Shelley, Coleridge, Keats, Byron and Blake. Ends with task to illustrate final stanza of Frost at Midnight to focus on presentation of Nature by Coleridge.
With step by step instructions, students will create a job role and character for themselves within a Victorian town of the class's own creation. This aims to further understanding of the working Victorians of the time and to be clear about the differences between the rich and poor. This can be taken further to develop characters and roles, and also used to facilitate descriptive or narrative writing.