This lessons asks students to plan how they could write convincingly in role, using persuasive techniques to develop their ideas whilst referring to their knowledge of the play Macbeth. The lesson is good writing practice for AQA English Language Paper 2, section B and of course the Literature Paper 1. Students would need to know the whole play in order to complete this task. The lesson starts by asking students to list persuasive devices (I have used the DAFOREST acrostic here but you could change to which ever you use). They are then asked, initially in pairs, to plan for the following task: Imagine you are Lady Macbeth. You have been put on trial for the involvement in King Duncan’s murder. You must convince the judge that you were not responsible for the murder… It was all your husband’s fault! There is a slide which suggests some ideas and a planning sheet to help them articulate their ideas using the devices discussed previously. This could be taught across two lessons (1 to plan and 1 to write it). There is an opportunity to either peer or self assess the plan or the written argument at the end of the lesson which refers to the exam's success criteria.

Attached is a powerpoint introducing students the scene where Macbeth meets the 3 witches. It provides some contextual information which refers back to Lesson 1 in this series on witchcraft and offers questions for students to think about in groups / pairs. It ends by asking students to annotate 2 poignant quotes said by Macbeth and Banquo and consider their meaning. Students are to use a continuum to track their thoughts on the witches so far. All lessons in this series include: - Links to online videos (see 'notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of scenes or a selection of quotes from scenes studied - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the scene - References to the AQA English Literature mark scheme for Paper 1, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.

In this lesson students are asked to explain how Macbeth and Lady Macbeth’s roles have reversed in the story judging by their language. The lesson starts by asking students to identify the differences between them as people, referring to what they have previously learned. Students are then asked to read the scene where Macbeth admits to his torturous guilt (a link is provided to Ian McKellan and Judi Dench's performance). They are then to colour code where they find particular patterns in the imagery Macbeth uses and then invited to compare his use of language to his wife's previous use within her soliloquy near the start of the play. The lesson ends with an opportunity to respond independently by writing an essay paragraph. All lessons in this series include: - Links to online videos (see 'notes' under the powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of scenes or a selection of quotes from scenes studied - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the scene - References to the AQA English Literature mark scheme for Paper 1, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.

Attached is a bundle of extracts that have been adapted from the original text which are more suitable for weaker GCSE English Literature classes and/or EAL students. In some cases I have taken out words, replaced them or omitted chunks of text so that they are more manageable, whilst aiming to keep the writer's original intention. In every document there is a simple essay question which students can focus on when reading the extract. I've found them useful to annotate in lessons and then ask students to respond using structured essay paragraphs. All extracts have a word box which defines archaic words. These would be useful for studying for any exam board and the question can be adapted to refer to the rest of the storyline. There are 14 extracts as follows: - How does Stevenson introduce Hyde as a villain?, Ch 1 - How does Stevenson make this scene tense?, Ch 2 (x 2 versions) - How does Stevenson show that Mr Utterson is worried about Hyde? Ch 2 - What type of atmosphere does Stevenson create in this extract? Ch 4 - How does Stevenson make Carew's murder dramatic? Ch 4 - How does Stevenson present Dr Jekyll as an isolated and desperate character? Ch 5 - Incident at the window, Ch 7 -How does Stevenson show Poole's fear of his master? Ch 8 - What do these quotes suggest could have happened to Jekyll? Ch 8 (list of single quotes, not extract) - How does Dr Lanyon feel about Hyde here? Ch 9 - How does Stevenson present the theme of addiction? Ch 9 - How does Jekyll feel about killing Mr Carew? Ch 10 - Jekyll wakes up as Hyde, how does Stevenson make this dramatic? Ch 10 - How does Stevenson make this a dramatic ending to the novel? Ch 10

This lesson asks students to analyse what Mrs Birling’s dialogue shows about her as a character and consider how the audience is meant to react. The lesson starts by asking students to consider what what role she plays and how she develops as a character. There is a 'challenge task' also provided which asks them to think about how a modern audience responds to her. There is a list of quotes from across the play attached as a handout which students can think about in pairs and they can then be annotated on the board by students/the teacher. Students are then asked to list the positive and negative aspects of her character and what she does across the play. There are some suggestions which follow this. The lesson ends with a chance for students to write independent essay paragraphs with the AQA English Literature GCSE success criteria which can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills.

Attached is a bundle of resources which will help explore the character of Crooks in the novel 'Of Mice and Men'. The first 3 documents offer quotes which either describe Crooks or are part of his dialogue from across the whole novel. The last 2 documents focus on his role particularly in chapter 4 of the story where he attempts to undermine Lennie and becomes interested in the 'dream ranch' discussed by Candy and Lennie. Students can use the quote sheets to annotate their thoughts about him and to make links using coloured pens (the 'quote explosion' looks great on a display). There is a A3 essay plan sheet where students have plenty of room to plan their ideas for each paragraph - an ideal homework activity.

This lesson asks students to identify useful quotes about Eric and explain what they show about him and the world in which he lives. The lesson starts by asking students to consider what sins he committed in the play and what he symbolizes as a 'challenge' task. There are suggested answers to these questions which could be discussed as a class. 2 extracts from the play follow this which students can think about in pairs and they can then be annotated on the board by students/the teacher. Students are then asked to list the positive and negative aspects of his character and what he does across the play. There are some suggestions which follow this. Also attached is a list of quotes from across the whole play which illustrate a range of ideas about Eric (either what he says or what others say about him). Students can annotate these in their books or they can be blown up to A3 size to write on. The lesson ends with a chance for students to write independent essay paragraphs with the AQA English Literature GCSE success criteria which can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills.

Attached are two lessons which guide students in planning and performing a role play based sketch which explores the themes within the play 'An Inspector Calls' by J.B Priestley. Since students have the option of studying this for their English Literature GCSE it's often a good idea to ask them to rehearse or perform a Speaking and Listening assessment based on it as it's got a range of ideas to discuss. Lesson 1: Students are asked to consider which skills they need to work well within a group and generally in terms of being a good listener and public speaker. Suggestions are listed on the next slide and they are introduced to AQA's mark scheme (Pass, Merit, Distinction). They then have the choice of 3 scenarios based on characters and moments within the play. Some of these are hypothetical situations which may not have happened but are plausible and provide good scope for emotional conflict - these might be best explored by a stronger group which you could select. Attached is a planning sheet with logical steps on how to approach them. There is a chance to rehearse and peer assess notes. Lesson 2: Students are asked to check their notes and add any last ones before performing. Attached is a peer assessment tick sheet which is also useful for teachers to use and log grades whilst the class watches. At the end of the performances students are asked to consider the best performances and justify why as well as noting down their final judgement of their own performance linking it to the success criteria.

This is a lesson on a poem about the First World War which features in Edexcel and AQA's anthology of Literature exam poems. The poem, if you don't know it, describes the hopelessness of war and misery whilst living as a soldier in the trenches. It is a conflict poem which explores the themes of violence and fear in war which can be linked to other poems taught within a unit. It's particularly useful to compare to 'Bayonet Charge' by Ted Hughes and 'Remains' by Simon Armitage. The lesson begins by asking students to list what they know or can guess about the poet and the conditions in the trenches. There is then a slide which introduces them to Owen and gives a short list of important facts to consider. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of metaphors, simile and personification. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board. Students are then asked to think about structure and there is a slide which introduces them to tercets, para-rhyme and explains the rhyme scheme. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - A handout of glossary style word banks which students can stick into their anthologies - Essay PEA styles sentence starters writing frames for weaker students. - Links to online videos/readings (see 'Notes' under slides).

In this lesson students are asked to explore how Roald Dahl describes his childhood in chapter 5 and 6 of his autobiography, Boy. It would ideal to use as part of a KS3 unit. The lesson starts by asking students to discuss how tension can be created in fiction within a pair. There is a challenge task which asks students to think about how pace can also contribute. There are some slides which reveal some ideas that they could have thought about in terms of language and structure (a useful introduction to GCSE skills). Students are then to read chapter 5 and 6 which describe the fall-out Dahl and his friends suffered after the ‘Great Mouse Plot’ involving Mrs Pratchett! Students are then to stick the attached sheet into their books which has quotes from this anecdote which demonstrate the tension that Dahl creates. Students are to annotate these in pairs and consider how he uses language and structural devices to do so. These tasks are linked to the GCSE reading skills AO1, 2, 3. The plenary asks students to plot the moments of tension onto a line style graph. There is a template for this attached. This lesson, as my other Literature lessons do, includes: Starter tasks which introduce the main idea of the lesson Handouts of quotes/extracts/text Differentiated tasks Opportunities for pair and group talk within activities (‘Talk for Writing’)

This is a lesson on an extract from a longer poem about a young man who steals a boat and becomes afraid of the sight of a mountain in the distance which makes him return to land. It features in AQA and Edexcel's anthology of Literature exam poems. It explores the themes of isolation and fear which can be linked to other poems taught within a unit. It's particularly useful to compare to 'Remains' by Simon Armitage and 'Storm on the Island' by Seamus Heaney. The lesson begins by asking students to consider their emotional reaction to images connected to the poem and predict which themes could be explored in it. There is then a slide which introduces them to William Wordsworth as a poet. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of metaphors, simile and references to nature, as well as some more challenging features. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Students are then asked to think about structure and there is a slide which introduces them to blank verses, sibilance and contrast. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - The poem with a word bank on it - A handout of glossary style word banks which students can stick into their anthologies - A set of PEA style writing frames for weaker students to use (cut into strips to stick in books) - Links to online videos/readings (see 'Notes' under slides).

This is a lesson on a poem which explores the consequences of the American attacks on Vietnam during the war. It features in the Edexcel anthology of Literature exam poems. It's particularly useful to compare to 'Kamikaze' by Beatrice Garland (AQA) or 'War Photographer by Carole Satyamurti (see my lesson on this in my shop). The lesson begins by asking students to comment on Vietnamese cultures based on images presented on the slide. There is then a slide which introduces them to the Vietnam war and then Denise Levertov as a poet. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of peaceful and violent imagery, as well as some more challenging devices. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Students are then asked to think about structure and there is a slide which refers to the use of anaphora, alliteration and the overall effect of the poem's layout. The lesson ends with a chance for students to write independent essay paragraphs with Edexcel's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - A copy of the poem with a word bank - A handout of glossary style word banks which students can stick into their anthologies - PEA style writing frames which can be cut out to support weaker students in their essay writing - Links to online videos/readings (see 'Notes' under slides). - A separate powerpoint with 2 suggested homework activities linked to this poem. If you like this resource, please review it!

In this lesson students are asked to identify key moments from 'Lord of the Flies' and comment on how the writer explores the theme of violence throughout the story (A01, 3). The lesson starts by asking students what violence is and list all the relevant moments from the book that they remember. A slide follows with suggested ideas to discuss. Student can then in groups consider the list of quotes from across the novel on the A3 sheet attached. They can stick them in their books, annotate and highlight them and then the teacher can annotate them on the board where the class can feedback their ideas. Since there are a lot of quotes on this sheet, student may want to allocate a section to each member of the group in order to get through it all. Students are encouraged to think about the following questions: - What is Golding’s message to the reader? - What is he trying to tell us about what is happening to the boys? - The novel was published in 1954. How might these quotes link to people’s attitudes towards the world after WWII? - Some people think that the island is like a violent character itself. Do you agree? Why is this effective? Students are then asked to write essay paragraphs independently using provided sentence starters which come in 3 formats: a 'layers of meaning' approach, PEA or the 'reading ladder'. An opportunity to self or peer assess their essay writing follows this. The success criteria provided refers to the Edexcel English Literature course but can be adapted to suit your course. This lesson, as my other Literature lessons do, includes: - Links to online videos/websites (see 'notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Handouts of quotes / extracts from the text - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the text

This is a lesson on a poem about a Japanese pilot during the Second World War who failed in a Kamikaze mission. It features in AQA's anthology of Literature exam poems. It explores the themes of isolation in war and shame which can be linked to other poems taught within a unit. It's particularly useful to compare to 'Remains' by Simon Armitage and 'War Photographer' by Carol Ann Duffy (see my lesson on that in my shop). The lesson begins by asking students to consider what Kamikaze is and why those Japanese pilots would be an effective focus for a poem. There is then a slide which introduces them to Beatrice Garland as a poet. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of metaphors, simile and emotions, as well as some more challenging features. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Students are then asked to think about structure and there is a slide which introduces them to sestets, sibilance and line length. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - The poem with a word bank on it - A handout of glossary style word banks which students can stick into their anthologies - A set of PEA style writing frames for weaker students to use (cut into strips to stick in books) - Links to online videos/readings (see 'Notes' under slides).

In this lessons students will be able to explain how a poet explores particular contexts within a poem and discuss useful quotes in order to prove their ideas (A01, 2, 3). The poem is part of AQA's anthology of Literature exam poems. The poem, if you don't know it, illustrates Agard's anger at the inadequacy of teaching of black history taught in schools and how certain figures are still unknown by many. It is a conflict poem which explores the themes of prejudice and ignorance which can be linked to other poems taught within a unit. It's particularly useful to compare to 'The Émigrée' by Carol Rumens and 'Tissue' by Imtiaz Dharker. The lesson starts with asking students what context is. The next few slides introduce them to key words relating to colonialism as well as some facts about the British / European occupation of Agard's homeland, Guyana. There are also some facts about the famous black people he lists: Toussaint L’Ouverture, Nanny of the Maroons, Shaka the Zulu, etc. This background information will help them contextualize his feelings which are presented in the poem. In pairs, they're asked to use the WPSLOMP acrostic to annotate the poem and there is a slide with it on to be presented on the board. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - Essay PEA styles sentence starters writing frames for weaker students. - Links to online videos/readings (see 'Notes' under slides).

This is a lesson on a modern poem (published 1957) about the First World War which features in AQA's anthology of Literature exam poems. The poem, if you don't know it, describes a nameless soldier's advance 'over the top' in the trenches. It is a conflict poem which explores the themes of violence and fear in war which can be linked to other poems taught within a unit. It's particular useful to compare to 'Exposure' by Wilfred Owen and 'Remains' by Simon Armitage. The lesson begins by showing students a list of words featured in the poem, asking them to define them and consider associations with them which encourages them to think about the context. There is then a slide which explains what a bayonet is and features a link to a video on 'going over the top'. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which explore peace and violence as well as any imagery. The ideas they pull together for this can then be explored as a class and there are slides which reveal the devices for them to then write about. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - A copy of the poem with a word box - A handout of glossary style word banks which students can stick into their anthologies - Essay PEA styles sentence starters writing frames for weaker students (these refer to a different essay question to the lesson but can be adapted)

In this lesson students are asked to explain how Macbeth’s personality and his use of language has changed since he’s been King . The lesson starts by asking students to consider the security of Macbeth's position and make predictions based on what they know already. Students are then asked to read Macbeth's soliloquy (a link is provided to Patrick Stewart's performance) and consider what his treatment of the assassins shows about him. The lesson ends with an opportunity to respond independently by writing an essay paragraph. All lessons in this series include: - Links to online videos (see 'notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of scenes or a selection of quotes from scenes studied - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the scene - References to the AQA English Literature mark scheme for Paper 1, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.

In this lesson students are asked to explain how Shakespeare uses language in order to explore Macbeth’s state of mind before he kills Duncan. The lesson starts by asking students why Shakespeare's use of 'apostrophe' is an effective dramatic device and leads to asking how Banquo feels about the evening's atmosphere as he roams Macbeth's battlements. Students are then asked to identify quotes in Macbeth soliloquy (a link is provided to Patrick Stewart's performance) where he feels nervous and confused. The lesson ends with an opportunity to respond independently by writing an essay paragraph. All lessons in this series include: - Links to online videos (see 'Notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of scenes or a selection of quotes from scenes studied - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the scene - References to the AQA English Literature mark scheme for Paper 1, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.

In this lesson students are asked to explain how Shakespeare builds tension on stage when we hear of Duncan’s murder. Initially the concept of tension is explored, then students are asked to identify where it is built in pairs. The questions posed in the central group work task centre around Shakespeare's stage craft and how news of his death is revealed to the crowd. Key dramatic devices such as elision and stichomythia are introduced and there is an opportunity for students to respond independently by writing an essay paragraph. All lessons in this series include: - Links to online videos (see 'notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of scenes or a selection of quotes from scenes studied - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the scene - References to the AQA English Literature mark scheme for Paper 1, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.

In this lesson students are asked to explain how events up to the start of Act 4 fit into the structure of the play and create more tension. The lesson starts by showing students Gustav Freytag's structure for a 5 act play and asks them to plot what would go where in the play so far by drawing a diagram in their book. Students are then asked to read the scene where Macbeth revisits the witches to retrieve more information about his position as King and consider how the story could now unfold. There are 2 links to both the McKellen and Fassbender film for this scene. There is an activity designed to help student unpick their fresh predictions and consider the concept of 'equivocation'. The lesson ends with an opportunity for students to explore how dangerous or useful the witches are to Macbeth using a continuum. All lessons in this series include: - Links to online videos (see 'notes' under powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of scenes or a selection of quotes from scenes studied - References to the AQA English Literature mark scheme for Paper 1, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.