My third lesson. This is designed to be a lesson where I as the teacher give less and the students give more of their own ideas - the group is reluctant to communicate. As a result, it is less "idea heavy" and far more task focused - you'll get a lot of markable material out of this.

So my school got a-hold of some exams for purposes of our year 11s sitting mock exams. This is the lesson I am using to teach the little so-and-sos what went wrong and how to fix it. For this lesson to have relevance, you will needed to have had your students sit the actual exam. Saying that, you could probably get away with photocopying the extract and running it as a walking-talking mock (say that's not a bad idea...). This lesson is simple: it goes through each question in order and identifies some general common errors made in the students' answers, some paraphrased student responses are included as discussion points (just a quick one, when I say that the response comes from an answer that got X amount of marks, I am awarding that mark to a complete answers, not the section I have chosen to show) and finally some specific areas of focus. You have enough for about 4-5 lessons here, depending on how much you focus on the larger questions. Enjoy.

Two powerpoints (both alike in dignity…); the larger of the two covers the deconstruction of an English Language Paper 2 Section A mock exam - we go through common mistakes, areas of concern and identify how to improve on what we’ve done. I’ve provided the sources too, so you could use this as the basis of a Section A walking-talking mock; the smaller powerpoint covers speech writing, an area my lot particularly struggled with. Happy hunting…

I designed this for the old AQA specification. Now that the spec is obsolete, some of you might be thinking of turning those stacks and stacks of anthologies into resources for KS3 classes (we certainly are for year 9). As a result, you may find this booklet useful. The booklet is essentially a copy of the entire anthology where on the left hand side of a double page spread you have the text, and on the right hand side you have space for notes. Each story is ended with generic questions and has TWO exam questions for revision purposes. Perfect for planning lessons when you are taking an extended period of time off. Happy reading.

Does exactly what it says. This spreadsheet will create one random comparative question for and will generate a new one every time you double-click a cell and press enter. A word of caution in that you cannot retrieve the old question. But, this is very useful for revision and or cover lessons. I’ve left room for you to add in your own question stems and you can manipulate the poetry lists too. I’ve left some instructions on the relevant tab. Hope you find this useful.

First things first, let me just say that the mind that created the Escape from Kraznir SoW was not mine - wish it was though… You are not buying the SoW (though I do include it as part of the pack so you have a frame of reference), that is available freely elsewhere. What you are buying is the 7 lessons that I created from this SoW and taught to my students. Let me say this - I have never had such a reaction creatively. My gast was well and truly flabbered as to their engagement and the effort they put in. I’ve created a single power point that contains all of the other lessons too - just for those who like continuity. NOTE: I used some of the sound effects from Warcraft 2, but I couldn’t put this up here (Blizzard may have something to say about that). However, you can use your own sound effects and music as and where you see fit (I liked using the Death of Optimus Prime Music from the Transformers Movie (not the Bay versions, the original cartoon version with Unicron) over the top of the farewell aspect in Lesson 2). This is a lot of fun. I promise. Seriously… PS: If you enjoyed this scheme of work, you might be interested in the follow up unit: https://www.tes.com/teaching-resource/ks3-fantasy-creative-writing-the-return-to-kraznir-12373343

A bank of lessons and extracts that introduce Key Stage 3 to a variety of different 19th Century Literature texts. Designed with a top set year 8 class in mind. Draws heavily from the AQA material - look at this as either a time-saver or a starting point. ADDITION: These lessons are intentionally “light” in terms of their content - the main aim of this unit was to get the students to read the extracts and to ask questions about them. As a result, the lessons I’ve built contain gaps that allow me to react to the needs of the kids. If your intention is to purchase these lessons, please recognise that you will need to fill these gaps yourself. The lessons were only ever intended as a starting point.

Need a quick lesson? Look no further. A whole lesson based around Roger McGough's "The Lake" - I know it can be found online elsewhere, but I include it here for convenience's sake. Perfect for when you need to fill that irritating cover lesson with something meaningful.

To make effective use of this scheme I suggest you have a copy of the most recent RSC version of As You Like It (It is quite marvelous…) else a lot of the images I use will make little sense. There are five “lessons” that each last around the two hour mark. Each of the assessments is available, so the whole package is a self-contained unit of work. We had a lot of fun with this unit, and I inter-spaced the learning with periods where the class would act out elements of the play. You don’t necessarily need a copy of the play to teach this unit either.

I designed this spreadsheet to track a bunch of the elements I needed to keep an eye on within the Head of Year role. Remember, hide the columns you don’t need and write comments to keep a fuller track of details. A watered-down version of each area is available to see on the top sheet. Also, you can add/modify the menus The areas are as follows: CONTACT TRACKER: Designed to keep track of meetings and phone calls from class room teacher all the way up to governors. TARGET TRACKER: Similar to contact tracker but it allows for you to track a set of targets. I’d log the target in a comment and then enter a new target should I need to do so. OUTSIDE AGENCIES TRACKER: The original reason I set the spreadsheet up. Allows for you to see who has interactions with an agency (e.g. Early Help) and track your contact with them. BULLYING/INCIDENT TRACKER: Accounts for identification of incident, investigation and follow up. You can then log the action. TOILET/TIME OUT PASS TRACKER: Allows for you to monitor when a pass was set up and keep a check of how frequent it is used. You’ll need to copy some of the sections to expand. Not a spreadsheet for the faint hearted, but you’ll only ever need THIS spreadsheet.

A spreadsheet designed to track the academic progress of up to 30 A-Level drama students (you can do more, but you’d have to UNHIDE every hidden columns in order to make sure that the new cells work). I have included the 2018 and 2019 grade boundaries (as published by AQA), and left both the room and the capacity for the spreadsheet to be updated with 2020 and 2021 grade boundaries. The spreadsheet will tell you how many marks each student needs to achieve their target grade for each component of the course. The “Machine” calculates this on a section by section basis for each of the components. Additionally, there is room for up to 10 attempts for each of these components. The spreadsheet will then show you the BEST, AVERAGE and LAST marks each student achieved. Hopefully, this will make it easier for drama teachers to keep track of where their students are. NOTE: I’ve designed this with the best intentions, but if there is a “bug” or an improvement that you feel would be beneficial after purchase, then leave a note in the comments section and I will attend to it quick sharpish.

A variation on a selection of lessons that I sell elsewhere. Here, the center piece is a 26 page printable workbook that runs in tandem with the power-point lessons - ideal for a Summer Term 2 unit of work where you are reluctant to give the students a new work book, and working on paper is problematic. The text is Anil (from the old Sunlight on the Grass Anthology) and there is about 12 lessons worth of material here.

A unit of work I put together whilst working inside a secondary school's behavioural unit. The idea was that these lessons would develop the students ability to apply a vocabulary to emotions that they may struggle to recognise, feel, express or talk about in themselves and others. By helping them with this vocabulary, the theory was that they would be better able to reintegrate into the school environment and stay there. It had mixed results, some students showed improvements, others less so. Either way, someone out there will hopefully find this useful. The materials cover the following topics: Feeling Afraid Feeling Angry Feeling Ashamed Feeling Bored Feeling Happy Feeling Helpless Feeling Lonely Feeling Loved Feeling Sad Each "feeling" has an associated wordsearch and accompanying answer sheet. Most of these also have a whole lesson attached to them - there are some anomalies. You'll need a copy of the AQA Sunlight on the Grass anthology story "Compass and Torch" too. Some feedback would be useful folks. I've moved away from this type of work but would like to return to it - be nice to know if my ideas have worked elsewhere.

3 Lessons taken from the old(er) version of the AQA English Language specification (the one where S&L counted towards the grades). I know it counts for nothing now, but it still needs to be done. These three lessons prepare a class to give a presentation OR take part in a discussion about a selected item they would save from the imaginatively named Room 202. Enjoy.

Four lessons that focus on improving your students abilities surrounding discussion and listening - somewhat lost art forms. Numerous discussion topics at group and whole class level.

Dyslexic friendly resource aimed at EBD children. An initial foray into the problems occurring in Northern Ireland.

I pulled together a lot of thinking from a lot of different websites and have shaped it into these lessons. Not all of the content is mine.

I am vexed (greatly vexed) at the generally poor quality of creative writing with students these days - they do tend to have a lot of their thinking done for them. Sadly, it seems to be something that is leeched out of them by a combination of an aggressive curriculum and teenage priorities. So, this is my answer - DUNGEONS and DRAGONS (Or D6 Dungeons and Dragons as I am now calling it). Simply put, it's a very simplified version of the original Dungeon's and Dragons - you need only a D6 (One dice), pens, paper and this power point to play. Try it out - I had some huge success with year 8, 9 and 11 classes instead of playing DVDs in the build up to the Christmas Break - it would work just as well for Easter, Summer and stand alone lessons where you have an awkward space to fill. Use this lesson when you are trying to answer this question - how can I teach kids to be more creative? There is some initial effort required on your part though - you will have to be the Dungeon Master in the example - but once you've got past this part, I am willing to bet you could leave the room and the kids won't have noticed. Additionally, I will be creating a series of themed "mission packs" for Christmas, Easter and Summer - you'll have to buy these (they take a while to make), but the start point is yours for free!!! LINK to Christmas Mission Pack - THE CASTLE OF TERROR! https://www.tes.com/teaching-resource/d6-dungeons-and-dragons-christmas-mission-pack-the-castle-of-terror-11462671