This 21-slide lesson explores John Keats’ poem, ‘La Belle Dame sans Merci’. Students begin by exploring popular depictions of Medieval culture, particularly gender dynamics and attitudes towards heroism in storytelling. Stereotypes surrounding knights and damsels are discussed, and we unpick the concept of ‘chivalry’ from both a Medieval and modern context. We talk about the life of John Keats before reading the poem. The ballad’s language, imagery, rhythm, and structure are discussed. Students are taught ambitious vocabulary to describe each of the characters, and we think about how Keats is subverting stereotypes regarding Medieval attitudes to gender within the poem. The notion of the ‘femme fatale’ is explored, and students are encouraged to conduct close linguistic analysis through a table of key quotations from the poem. Questions, discussion points, and tasks are included for students throughout. The lesson ends with a creative task (which could be set as homework or covered in a following lesson). A copy of the poem is included in this resource. This lesson is ideal for KS3 students, but could easily be used for GCSE students exploring poetry too. PowerPoint and Word Doc saved as PDFs.

This 18-slide stand-alone lesson explores the question: ‘Does spelling matter?’. Students are prompted to think about why spelling is so important, and the lesson demonstrates some humorous examples of how incorrect spelling might lead to some dangerous misunderstandings! We think about some tricky homophones, including effect/affect and practice/practise, and devise some methods for remembering which spelling applies to certain contexts. Students are asked to correct the spellings of various sentences and passages to consolidate their understanding. There is an opportunity for peer and self-assessment at the end of the lesson. Also included is a homophones worksheet for students to complete either in class or as a homework activity. This lesson is ideal for upper KS2 and for KS3 pupils. PowerPoint and Word Doc saved as PDFs.

This 14-slide lesson offers students an introduction to the ballad form of poetry. Students explore the history behind the ballad form, focusing on its sensationalist subject matter and significant use of rhyme and rhythm. We discuss how appreciating the oral nature of performed ballads is vital to understanding the rhythm and sound of the poems, and we think about which subjects commonly recur in popular ballads. A starter activity encourages students to consider rhyme and the aural nature of words. Students learn how the ballad form developed into the ‘Lyrical Ballads’ of Wordsworth and Coleridge, popularising the form that we now recognise as poetic ballads. The rise of modern ‘power ballads’ in pop music is also noted. An example of a ballad (by Wordsworth) is given for students to deconstruct its rhythm and rhyme scheme. Students then have a go at writing their own ballad. Another example - this time an original ballad (by yours truly) - is provided to help students with their own ballads. Questions and discussion points are included for students. This lesson is ideal for those studying the ballad form or poetry in general in KS3. PowerPoint is saved as PDF.

This 30-slide lesson explores William Blake’s poem, ‘The School Boy’. Students are prompted to consider the poem’s themes, images, structure, rhythm, and key ideas. We think about Blake’s identification with radical politics and his widespread condemnation of institutionalised authority. School in the poem is read as a metaphor for the conformity and control that undoubtedly contradict Blake’s Romantic vision of the child as a free individual. Contextual links are made to Rousseau and John Locke, as well as children’s literature in the 18th century. The poem’s language (and imagery) is deconstructed in detail. We consider how this poem connects to other poems in the ‘Experience’ collection. Questions, discussion points, and tasks are included for students. The lesson ends with a larger essay question too. Perfect for those studying Blake’s ‘Songs’ as part of AQA’s Political and Social Protest course, this lessons encourages students to look beyond this poem’s surface-level simplicity and form conceptual links to other poems in the collection. PowerPoint saved as PDF.

This 22-slide lesson explores Simon Armitage’s poem, ‘I Am Very Bothered’. The lesson encourages students to analyse Armitage’s poem as a subversion of typical love poetry, thinking about its ironic use of the sonnet form and the speaker’s distorted sense of romantic imagery. The poem’s language, structure, and form is considered. Questions, discussion points, and tasks are included for students. An extended essay question (including an exemplar introduction and analytical paragraph) is featured at the end of the lesson. A copy of the poem is also included. This lesson is ideal for Key Stage 3 or GCSE analysis. PowerPoint saved as PDF.

This 15-slide lesson offers students an introduction to the Gothic genre of literature. The lesson explores the origins of the genre, including the etymological root of the term, early Gothic works of literature, classic Gothic conventions, and how the genre is also featured in architecture and film. A variety of Gothic images are presented to students for discussion, and key Gothic elements - including the meaning and philosophical power of fear - are unpicked. Questions, discussion points, and tasks are included for students in this very visual lesson. This lesson is ideal for KS3 students or older pupils who are studying the genre. PowerPoint saved as PDF.

This 10-slide lesson activity allows students to explore how the Birling family (and Gerald) each wronged Eva Smith. Looking at the play through the lens of the ‘Seven Deadly Sins’ according to Catholic doctrine, we can see which sins each character commits, which may help us to determine which character - if any - is the most responsible for the death of Eva Smith. The lesson includes a table-based activity and questions for students to consider. These activities always lead to fascinating discussions and intellectual debates about the play. This is a particularly useful reflective activity or introduction to a deeper discussion of the play. PowerPoint saved as PDF.

This 21-slide lesson introduces students to the key context of Alan Bennett’s ‘The History Boys’. The lesson provides an introduction to Bennett’s career, Oxbridge, Thatcherism and New Labour, as well as the key themes and ideas of the play. Students consider what makes a good teacher, and learn critical vocabulary linked to the play. The role and significance of ‘history’ is also debated, while New Labour’s focus on ‘spin’ is explained in view of its relevance to the play. Theatre reviews of notable productions of ‘The History Boys’ are also included for discussion. Questions, discussion points, and tasks are featured throughout for students. This resource is ideal for those studying the play at GCSE or A level. PowerPoint saved as pdf.

This 30-slide lesson offers a contextual introduction to Mildred D. Taylor’s novel, ‘Roll of Thunder, Hear My Cry’. This lesson explores the historical background to the novel, covering the American Civil War, the Reconstruction era, the Great Depression, and Jim Crow Laws. The tragically widespread power of racism is noted, including the prevalence of the Ku Klux Klan and how segregation was legally enforced. Students also consider Mildred D. Taylor’s own upbringing and how this came to influence her writing. Quotations from Taylor herself can be analysed with students. We also explain the American Dream and its significance to the novel’s setting. The novel’s title, key themes, and narrative are also deconstructed, including reference to African American ‘spirituals’ and the importance of the novel being narrated by a child. Students consider the novel as a coming-of-age story. Key vocabulary linked to the novel is also presented for students to define and understand. Questions, discussion points, and tasks are included throughout. Students reflect on whether we have a duty to challenge injustice in our communities and debate how influential adult influence can be on children. This comprehensive lesson is ideal for students ages 11+. The themes of racism do of course mean that some content is fairly mature. PowerPoint saved as PDF.

This 28-slide lesson explores the themes of duality and double-lives in Oscar Wilde’s ‘The Importance of Being Earnest’. The lesson encourages students to think about the numerous binaries and dualities throughout Wilde’s play, and how these relate to the idea of ‘earnestness’ that the play satirises. Sophisticated vocabulary is provided to help students with their analysis. Students are presented with important literary and historical context, including Wilde’s own ‘Picture of Dorian Gray’ and Stevenson’s ‘Jekyll and Hyde’, plus examples of real-life late-Victorian scandals which fed into and fuelled fin de siecle interests in the duality of man. We also explore dualities in Wilde’s own life. The lesson considers how deception plays into the play’s key themes, and explores Wilde’s literary preoccupation with ‘masks’. Key quotations from the play (linked to duality or double-lives) are considered throughout the lesson, and each of the key characters are dissected. Discussion points and questions are featured throughout. This lesson is ideal for A-level (age 16+) study of the text. PowerPoint saved as PDF.

PowerPoints on all 10 chapters of Robert Louis Stevenson’s ‘Strange Case of Dr. Jekyll and Mr. Hyde’. These can be used in conjunction with reading the text as a class or for revision purposes. Each PowerPoint contains key quotes, themes, ideas, and questions/activities for students. These PowerPoints will produce at least 10 lessons. Perfect for studying the novella at GCSE.

This resource contains four well-known recent speeches by famous women (Angelina Jolie, Emma Watson, Michelle Obama and Theresa May) which are excellent for linguistic and rhetorical analysis. This is a useful exercise for pupils studying persuasive writing and effective rhetoric. Not only do these speeches allow students to analyse how famous orators have used language, but they also inspire and teach how pupils can use language in their own persuasive writing too. Each speech is transcribed here and some contain designated space for analysis and answers to questions based on common GCSE exam tasks. This resource bundle is ideal for those studying English Language at GCSE, but is equally useful for KS3 language analysis or any other unit on rhetorical or persuasive writing.

Top band essay analysing how Priestley explores the ‘generation gap’ in ‘An Inspector Calls’. Perfect for high-attaining students studying the play at GCSE. Includes a key for reading and highlighting the essay with your class.

These two lessons are perfect for analysing William Blake’s two ‘Chimney Sweeper’ poems from the 'Songs of Innocence and ‘Experience’. Both lessons contain detailed explorations of language, context, themes and ideas, especially in relation to Blake as a protest writer. Each stanza is deconstructed individually, and questions/tasks are included for students, including comparative and extended essay questions. These lessons are ideal for those A level students who are analysing Blake’s poetry as part of the AQA Political and Social Protest Paper, but easily adaptable for other exam boards too. The lesson on the ‘Chimney Sweeper’ of ‘Innocence’ is 36 slides in length. The lesson on the ‘Chimney Sweeper’ of ‘Experience’ is 26 slides in length. Two PowerPoints (saved as PDF) included.

PowerPoints for teaching all 15 of AQA’s GCSE Love and Relationships Poetry cluster. Presentations include key themes, ideas and questions for students. Designed to supplement your teaching of the poems. 15 PowerPoints included. All designed by Mr_Gradgrind.

This resource includes a top-band exemplar piece of creative writing about the touching relationship between an old man and a dog. As per Section B of AQA’s English Language Paper 1 (worth 40 marks), this creative writing is a response to an image, which is also included here in a PowerPoint. Students could read, annotate, and discuss this response either before or after trying to produce a story of their own from the image. The creative writing exemplar could equally be used as a model to other GCSE pupils not studying the AQA syllabus.

This is a top-band exemplar essay on how Dickens presents Scrooge as an outsider in ‘A Christmas Carol’. Based on a genuine AQA Literature past paper, this essay is perfect for HA pupils to see how to structure a sophisticated and perceptive essay. The extract and exam question are included on the first page.

A booklet featuring 25 poems for students to practise analysing ‘unseen poetry’ for the AQA GCSE Literature exam. Each poem is accompanied by a question emulating the style of AQA’s exam questions. Some poems are coupled together to allow comparative essays, as per the final question of the exam. Poets include Armitage, Blake, Heaney, Larkin, Plath, Sassoon and Whitman.

This is a top-band exemplar essay analysing how marriage is presented in ‘The Farmer’s Bride’ by Charlotte Mew and ‘Singh Song!’ by Daljit Nagra. These poems are studied as part of AQA’s ‘Love & Relationships’ cluster at GCSE and this question and answer reflects the question style of the exam. Exam question paper is also included.

This top-band descriptive writing exemplar is a perfect model for those studying AQA GCSE English Language. Based on Question 1B, where students must complete a 40-mark piece of creative writing, this exemplar on a dark forest and a mysterious man is ideal for teaching structure, narrative, language, vocabulary, punctuation, and much more.