This 25-slide resource explores Percy Shelley’s iconic poem, ‘Ozymandias’. Students are encouraged to think critically about the function and purpose of statues, making way for discussions about myth-making and deification. They then learn about Shelley’s life and work, before delving into the context behind why he wrote the poem following the British Museum’s landmark acquisition. The resource explores ideas about the speakers and use of frame narrative, the poem’s heavy use of irony, and tensions between art and the artist. Form, structure, and language are analysed, and lists of key themes and vocabulary are provided to equip students with sophisticated tools for analysing the poem. Questions and discussion points are provided throughout the resource. ‘Quick-fire’ questions are given at the end, followed by an essay question. This resource can be used as a lesson or revision resource. It is ideal for ambitious GCSE or KS3 classes. Both a PDF and PowerPoint version of the resource are included.

This 40-slide lesson explores the context and background of Shakespeare’s ‘King Lear’. Designed as both an introduction to the play and a revision resource for students to use when recapping the play’s context, this is a comprehensive and detailed exploration of Shakespeare’s sources and influences, as well as the play’s key themes, ideas and critical debates. Students are also equipped with important and precise vocabulary for analysing the play with sophistication. Among other key ideas, students are introduced to elements of tragedy, Jacobean ideas of kingship, Shakespearean staging and stagecraft, Christianity vs. Paganism, and the play’s preoccupation with absurdity and meaninglessness. The anonymous ‘King Leir’ is referenced along with other points about the play’s textual history, and contemporary debates around succession and the unification of Britain are discussed in detail. Images from various productions of ‘King Lear’ are included for discussion, and questions for students are included throughout the resource. The file is included here both as a PDF and PowerPoint. The latter file will not retain precise font choices and formatting.

Perfect for stretch and challenge, this 24-slide lesson considers how Priestley was influenced by various theories of time when writing ‘An Inspector Calls’. The ideas of P.D. Ouspensky and J.W. Dunne are explored here, as well as questions about the nature of the Inspector’s curious relationship with time and how the significance of time is emphasised throughout the play. Stephen Daldry’s 1992 production of the play is considered in view of time theories, and the play’s key characters and stagecraft are analysed in terms of their relationship with time. Frequent questions and discussion points are included for students, and the lesson ends with an extended essay question on Priestley’s use of time. The resource is included in two versions here: as a PDF with saved fonts and formatting, and the original PowerPoint file so that the resource can be edited.

This 20-slide lesson explores Fleur Adcock’s poem, ‘The Telephone Call’. Starter activities probe students to think about their attitude to the lottery and its anthropological implications. We then learn about the life and work of Fleur Adcock before reading the poem. Students are prompted to think about the two juxtaposing characters in the poem before delving into Adcock’s use of language, imagery, form, structure and rhyme. The significance of the poem’s 1980s context is also considered. Key themes and sophisticated vocabulary are listed to enable students to conduct precise analysis. We also ask what the poem’s true message may be, posing a variety of interpretations. This resource is ideal for those studying the poem as part of Cambridge IGCSE’s ‘Songs of Ourselves’, but is useful for anyone looking at the poem. Two versions of the lesson are attached: one is a PDF to save the best aesthetics and formatting; the other is a standard PowerPoint where fonts and formatting may be lost but can easily be edited.

This 23-slide lesson explores W.H. Auden’s ‘Funeral Blues’. The lesson begins with questions for students about the poem’s title and information about the poem’s history (including how it’s now so famous from ‘Four Weddings and a Funeral’). Students then read the poem (a glossary of key terms is provided) and discuss their first impressions. The poem is summarised and explained generally before the lesson moves into detailed questions about the poem: its speaker, its tone, its language, its imagery, its ending, and its message. Notes are given about the poem’s key tensions, as well as form, structure and rhyme. Key themes are listed, and there is a list of sophisticated vocabulary to allow students to conduct precise and high-level analysis. There is an image-based task for students to match pictures to the poem. There are questions provided throughout, including comprehension and though-provoking questions at the end. An example of an essay question (particularly relevant to the Cambridge IGCSE) is also included. PowerPoint is attached as a PDF and in its original format. The PDF is recommended if you wish to retain the fonts, layout, and design.

This 43-slide lesson explores the character of Malvolio in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, the lesson analyses one of Shakespeare’s most famous and complex characters, beginning with an overview of his key lines, attributes, and role in the plot. This then leads to analysis of Malvolio’s name, key vocabulary that we might use to describe him, and how his ‘gulling’ threatens the comic spirit of the play. Important historical and theatrical context is explored alongside Malvolio’s character, and we look at how Shakespeare uses him to satirise Puritanism. Using Elizabethan debates surrounding acting and its influence, we think about how Malvolio functions as a metatheatrical symbol of anti-theatricality. Interesting viewpoints from a range of critics, directors, and actors are discussed. Crucially, we also explore how Malvolio’s character relates to the key themes of the play and is central to the comedy of ‘Twelfth Night’. We look at how Malvolio interacts with other characters in the play, the vivid imagery used in his gulling, and how his famous ending might be interpreted from a range of critical lenses. The Carnivalesque atmosphere of the play is analysed in light of Malvolio’s character. Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Malvolio’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

This 36-slide lesson explores the character of Feste in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, the lesson analyses one of Shakespeare’s most complex comic characters, beginning with an overview of his key lines, attributes, and role in the plot. This then leads to analysis of Feste’s name, key vocabulary that we might use to describe him, and how his role as a jester grants him special privileges and licence. Important historical and theatrical context is explored alongside Feste’s character, and we look at the development of Shakespeare’s ‘Fools’ across his plays. Feste’s relationship with music and song is analysed, as well as his engagement with the play’s fascination with disguise when he becomes ‘Sir Topas’. Interesting viewpoints from a range of critics, directors, and actors are discussed. Crucially, we also explore how Feste’s character relates to the key themes of the play and is central to the comedy of ‘Twelfth Night’. We look at how Feste interacts with other characters in the play, such as Malvolio, and compare him to Viola in his liminal and transgressive state. The Carnivalesque atmosphere of the play is analysed in light of Feste’s character. Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Feste’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

This 38-slide lesson explores the character of Olivia in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, the lesson analyses one of Shakespeare’s most complex female characters, beginning with an overview of her key lines, attributes, and role in the plot. This then leads to analysis of her name, key vocabulary that we might use to describe her, and how there may be more than meets the eye to Olivia’s excessive mourning. Important historical and theatrical context is explored alongside Olivia’s character, and we consider the debates around how subversive and ‘proto-Feminist’ Shakespeare’s presentation of Olivia really is. Interesting viewpoints from a range of critics, directors, and actors are discussed. Crucially, we also explore how Olivia’s character relates to the key themes of the play and is central to the comedy of ‘Twelfth Night’. We look at how Olivia interacts with other characters in the play and debate modern interpretations of whether homoeroticism is integral to her character. Her connection to Queen Elizabeth I is considered, and the Carnivalesque atmosphere of the play is analysed in light of Olivia’s character. Questions, discussion points, and essay questions are featured throughout. Two exemplar paragraphs are included, too. Students are encouraged to consider Olivia’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

This bundle of resources is a comprehensive, detailed, and academic exploration of all scenes from Shakespeare’s ‘Othello’ to provide the ideal companion for studying the play. Five presentations are included - one for each of the play’s five acts. Each presentation introduces the setting and context for each of the play’s scenes, before providing step-by-step supportive notes for the scenes. These notes not only explain what is happening as the scene progresses, but key dialogue, images, and stage directions are deconstructed with academic scrutiny. Questions are also posed for students at regular intervals to encourage a thematic and holistic understanding of the play. These resources can be used to support class readings of the texts, or made accessible to students at home to facilitate their understanding of each scene. In addition, students have found them extremely useful as revision resources to review in their own time. Act 1 Notes - 54 slides Act 2 Notes - 42 slides Act 3 Notes - 50 slides Act 4 Notes - 40 slides Act 5 Notes - 38 slides These resources are ideal for GCSE or A level study of ‘Othello’. 224 slides in total. PowerPoints saved as PDFs.

This 22-slide lesson provides a comprehensive contextual introduction to Daphne du Maurier’s ‘Rebecca’. Students learn about du Maurier’s life and work before delving into important questions about genre - particularly common conventions of the Gothic and how du Maurier’s novel can be situated in the literary tradition of the Bluebeard legend. The significance of ‘Jane Eyre’ as a literary antecedent is also discussed. We think about overlaps between Gothic and romance genres, and explore the significance of the novel’s famous settings - both Manderley and Monte Carlo. Students learn about the decline of the aristocracy in the 1930s and how the novel can be read as a response to the changing social landscape of this period. We also think about how the novel’s famous rivalries between women should perhaps be reframed from a modern Feminist perspective, raising questions about who the novel’s real ‘villains’ are. The novel’s key themes are explored, and key vocabulary is introduced to facilitate sophisticated analysis of the text. The two major film adaptations are also discussed. The lesson ends by considering the novel’s famous opening sentence, with students conducting close analysis of how it creates a powerful beginning to the story. PowerPoint saved as PDF.

This 20-slide lesson explores how props and stagecraft are used in Oscar Wilde’s ‘The Importance of Being Earnest’. Important theatrical context is discussed in order to analyse how Wilde’s play relates to ideas of farce, melodrama, and Naturalism in the late 19th century. Students are encouraged to reflect upon the various props used in the play and their symbolic significance. Costumes, entrances, exits, asides, off-stage characters, and dramatic irony are also considered. PowerPoint saved as PDF.

This 30-slide lesson provides a comprehensive contextual introduction to Shakespeare’s ‘Romeo and Juliet’. Posing questions to students about young love, marriage, passion, and stereotypes, the lesson introduces key themes and ideas related to Shakespeare’s iconic tale of doomed romance. The genre of tragedy is considered, as are typical elements of romance. We look at Shakespeare’s life and work, and examine a series of posters for ‘Romeo and Juliet’ to see how the play is commonly presented in the cultural imagination. Important historical and theatrical context is explained, and key terminology is introduced to allow students to produce sophisticated analysis. Questions and discussion points are featured throughout, and there is a research task at the end of the lesson. Also included is a series of films inspired by ‘Romeo and Juliet’ to facilitate conversations around the play’s cultural impact. PowerPoint saved as PDF. Also included is a ‘Romeo and Juliet’ word-search.

This 30-slide lesson explores the character of Sir Toby Belch in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, this lesson analyses one of Shakespeare’s most iconic and riotous characters, beginning with an overview of Sir Toby’s key lines, attributes, and role in the plot. We consider Sir Toby’s role as a quintessential comic creation: his Falstaffian parallels, his festive spirit, and his role as the ‘Lord of Misrule’. Important historical and theatrical context is explored alongside Sir Toby’s character. We consider how self-aware Sir Toby is, thinking about his relationship with the audience and how he relates to Shakespeare’s stagecraft. Crucially, Sir Toby’s function as a comic character (and how he relates to other characters, including Malvolio, Sir Andrew, and Maria) is discussed. We scrutinise Sir Toby’s role in view of the Carnivalesque atmosphere of the play. Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Sir Toby’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

This 34-slide lesson explores the character of Viola in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, the lesson analyses one of Shakespeare’s most complex heroines, beginning with an overview of her key lines, attributes, and role in the plot. This then leads to analysis of her name, key vocabulary that we might use to describe her, and how her role as a cross-dressing protagonists compares to other Shakespearean comedies. Important historical and theatrical context is explored alongside Viola’s character, and we consider the debates around just how ‘proto-Feminist’ Shakespeare’s presentation of Viola really is. Interesting viewpoints from a range of critics, directors, and actors are discussed. Crucially, we also explore how Viola’s character catalyses other key events in the play and is central to the comedy of ‘Twelfth Night’. We look at how Viola interacts with other characters in the play and debate modern interpretations of whether homoeroticism is integral to her character. The role of twins in other Shakespearean plays is considered, and the Carnivalesque atmosphere of the play is analysed in light of Viola’s character. Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Viola’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

This 35-slide lesson explores the role of women in Shakespeare’s ‘Othello’. Perfect for high-attaining students, this lesson analyses how female characters are presented in the tragedy, exploring the roles of Desdemona, Emilia, Bianca and others in light of the play’s themes and Jacobean context. We consider how various female characters are presented in the play, thinking about how female transgression and disobedience threatens the patriarchal authority of the male characters, and the tragedy that ensues. Fidelity, cuckoldry, and duplicity are explored, as are the roles of key props, such as the handkerchief. Directorial choices and how these might impact our interpretations of female characters are discussed. Misogynistic language and masculine violence is also debated, while the private and public personalities of characters are deconstructed. Students are equipped with ambitious vocabulary to facilitate sophisticated analysis of Shakespeare’s characters. Questions and discussion points are included throughout for students. We consider Shakespeare’s messages and intentions, and students are provided with fascinating critical opinions from academics on the female characters of the play. This is an ideal resource for revising this key element of the play. PowerPoint saved as PDF.

This 28-slide lesson introduces the background and context of Shakespeare’s ‘A Midsummer Night’s Dream’. We begin with a series of posters, asking students to ‘judge a book by its cover’ and guess what the play might be about based on the images. We then dissect the play’s title, thinking about dreams, midsummer, and madness. Students are introduced to Shakespeare’s life and work before delving into the genre of comedy and its recurring features. Life in Shakespeare’s England - particularly for women - is discussed. We read and watch a summary of the play before considering the significance of the play’s setting. In addition, students explore some famous paintings inspired by the play in order to further discuss what the play might be about. Key themes and ideas about love and transformation are explored. Students are then given some ambitious vocabulary to define, using a dictionary (online or otherwise). Common attributes of Shakespeare’s stagecraft are explained, while images from the play onstage and on film are presented. The lesson ends with a research task inspired by Shakespeare’s theatre. This lesson is ideal for students aged 11-14. PowerPoint saved as PDF.

This 20-slide lesson offers a comprehensive introduction to print journalism. In this lesson, students reflect on the trustworthiness of the news and their engagement with it. They learn what ‘journalism’ means and explore its different written forms, thinking about how it has adapted and evolved in the modern world. Students learn how to write journalistically, thinking about style, layout, and form. We consider the role of the ‘front page’ and analyse some examples, learning about the specialised vocabulary for describing different aspects of front pages. Students learn about the main printed newspapers of the UK - noting differences between broadsheet and tabloid - and we reflect on the angles, agendas, and demographics to which each newspaper is adhering. Students are also encouraged to reflect on their engagement with international news, and we ask important questions about what makes us ‘interested’ in a journalistic story. We also ask whether there is a place for printed journalism in the modern world, and if we are experiencing the ‘death of print’. The lesson ends with a research task for students to look up and define key journalistic terms. This is an ideal lesson for introducing students aged 10+ to print journalism. PowerPoint saved as PDF.

This 20-slide lesson explores Dennis Scott’s poem, ‘Marrysong’. Students are encouraged to consider the concept of marriage - both literally and symbolically. Scott’s life and work is introduced and then we delve into the poem itself. The lesson pays close attention to Scott’s use of language, imagery, form, structure, and rhythm. Scott’s use of extended metaphor and cartographic imagery is analysed. The poem’s key themes and ideas are deconstructed, with ambitious vocabulary provided to equip students for sophisticated analysis. Students are also prompted to reflect on the poem’s tone and overall message. At the end of the lesson is an exam-style question on the poem. PowerPoint saved as PDF.

This 22-slide lesson explores Mervyn Morris’ poem, ‘Little Boy Crying’. The lesson explores Morris’ life and work before asking key questions related to parenthood, children, and perspective. The poem’s language, form, structure, and imagery are deconstructed, with close analysis of Morris’ methods. We consider the poem’s key themes and ideas - including masculinity and violence - and think about how Morris’ choice of narrative tone and style informs the poetic vision. Ambitious vocabulary is included to aid students with sophisticated analysis. We also consider philosophical questions raised by the poem. An exam-style essay question is featured at the end of the lesson. PowerPoint saved as PDF.

This 17-slide lesson explores Stevie Smith’s poem, ‘Not Waving But Drowning’. Students are asked challenging but important questions about how conscious we are of the feelings of those around us - our family, friends, and even neighbours, colleagues, and acquaintances. We discuss the nature of Smith’s poetry - her recurring themes, styles, and subject matter - before reading her famous poem. We think about how the poem might be read as an allegory, reflecting on important ideas surrounding mental health and compassion. The language, imagery, structure, and rhyme of the poem are then deconstructed in detail. Students explore the poem’s key themes, and ambitious vocabulary is introduced to facilitate sophisticated analysis. At the end of the poem, an exam-style question is included. Please note: this poem (and lesson) explores some mature themes regarding mental health. PowerPoint saved as PDF.