Help students to score high marks in the hugely significant 40-mark persuasive writing question of AQA’s English Language Paper 2 (Section B). This top-band exemplar response (responding to the statement: ‘Superheroes are bad role models for children.’) always engages students with its relevance, reasoning and relatability. Layered with an abundance of lingustic techniques, sophisticated vocabulary, advanced punctuation, and coherent structure, this exemplar response is perfect for showing students how to impress examiners in this challenging part of the exam.

11 specially designed posters on linguistic techniques designed to aid students’ learning of key vocabulary. Each poster uses an example to explain each technique. Perfect for your classroom or corridor displays! Features: Simile Metaphor Personification Alliteration Rule of Three Hyperbole Repetition Onomatopoeia Rhetorical Question Imperative Oxymoron

This top-band essay analyses how Shakespeare presents Macbeth and Banquo’s attitudes to the supernatural, based on the (infamous) AQA exam question from 2018. Many students found this question challenging when it appeared in the summer of 2018. This essay is perfect (for HA pupils, in particular) to see how to structure a sophisticated and perceptive essay. The extract and exam question are included on the first page.

This top-band essay on Priestley’s presentation of Sheila in ‘An Inspector Calls’ is an excellent exemplar for students. At the end of the essay is a highlighting key for students to unpick the essay’s techniques and structure, allowing for detailed discussion of the exemplar in class. This resource is particularly useful for challenging HA pupils to reach the top bands.

This lesson includes three resources designed to teach Tatamkhulu Afrika’s harrowing apartheid poem ‘Nothing’s Changed’. Included is a PowerPoint with some background on Afrika’s life and Apartheid, and questions on the poem; a copy of the poem with contextual notes (as per Section A of the AQA exam); and a top-band exemplar response to a Section A question. This final resource is a detailed and sophisticated essay analysing Afrika’s poem. These resources are perfect for those studying POLITICAL AND SOCIAL PROTEST WRITING at A level with AQA, but could be adapted to teach the poem in a broader context.

This resource contains detailed and academically challenging PowerPoints for all five acts of Shakespeare’s ‘Twelfth Night’. Each PowerPoint goes through an act scene-by-scene, analysing language, theme, character and context, combining scholarly notes from a range of sources. These PowerPoints work well when accompanying the reading of the text in class. Students find them useful for revision of the play too. These five PowerPoints have the potential to cover several weeks of lessons. These resources are aimed at A level students (particularly those studying comedy as a genre), but could be used for the study of the play with any high attaining group.

A top-grade essay analysing aspects of comedy in Act I Scene I of Shakespeare’s ‘Twelfth Night’. This resource is aimed at those studying the Aspects of Comedy paper for AQA English Literature at A level.

Based on AQA’s English Literature exam, this resource features an example question and TOP-BAND essay on violence and crime in Stevenson’s ‘Jekyll and Hyde’. Perfect for HA pupils studying the text at GCSE.

This is a thorough and comprehensive 30-slide lesson on Robert Browning’s poem ‘Porphyria’s Lover’, which is studied as part of AQA’s GCSE Literature anthology on ‘Love & Relationships’. This lesson unpicks key themes of obsession, possessiveness, delusion, control and violence with close analysis of language, form and structure. Students are also encouraged to consider Browning’s use of the dramatic monologue form and how the poem’s gender dynamics might act as a mode of satirising masculinity. Also included are many small questions, tasks and discussion points for students, as well as a ‘mock’ essay question in which students must compare ‘Porphyria’s Lover’ to another poem, just like in the real AQA exam. The lesson is aimed at GCSE students but could be adapted for KS3. PowerPoint saved as PDF.

This 47-slide lesson explores Charlotte Mew’s poem, ‘The Farmer’s Bride’. The poem is studied as part of AQA’s ‘Love & Relationships’ anthology. This lesson explains Mew’s life and context against the backdrop of the Suffragette movement, before exploring the poem’s language, themes, imagery, structure, and form in comprehensive detail. Questions, discussion points and tasks for students are included throughout. Extended essay questions are set at the end of the lesson, and an exemplar essay introduction is provided for one of the questions. PowerPoint saved as PDF.

This 40-slide lesson is a thorough and comprehensive study of Daljit Nagra’s poem, ‘Singh Song!’, included in AQA’s GCSE English Literature ‘Love and Relationships’ poetry anthology. The lesson unpicks key themes of excitement, passion, rebellion, identity, duty, romance, and infatuation. Also included are small questions for students and a ‘mock’ essay question in which students must compare ‘Singh Song!’ to another poem, just like in the real AQA exam. PowerPoint is saved as PDF.

This is a thorough and comprehensive 30-slide lesson on Owen Sheers’ poem ‘Winter Swans’, which is studied as part of AQA’s GCSE Literature anthology on ‘Love & Relationships’. This PowerPoint unpicks key themes of romantic love, separation and reconciliation with close analysis of language, form and structure. Also included are questions/tasks for students and a ‘mock’ essay question in which students must compare ‘Winter Swans’ to another poem, just like in the real AQA exam. Also included is a table for students to complete on the poem to help compartmentalise their notes. PowerPoint saved as PDF.

This 24-slide lesson explores the character of Lady Bracknell from Oscar Wilde’s ‘The Importance of Being Earnest’. Wilde’s presentation of Lady Bracknell is thoroughly deconstructed, with students asked to consider her theatrical heritage via Greek stock characters and the Comedy of Manners. We debate to what extent Lady Bracknell can be called the play’s ‘antagonist’, and how Wilde uses her to catalyse key events or provide comical obstacles in the play. Wilde’s structural use of Lady Bracknell is analysed, and important quotations from her and relating to her are dissected. We think about what we can learn from the stage directions about Lady Bracknell, and discuss how Wilde uses the offstage character of Lord Bracknell to inform Lady Bracknell’s character. We consider Lady Bracknell in the context of the ‘New Woman’ and students are provided with key vocabulary that might be used to analyse Lady Bracknell. Modern theatrical interpretations (including gender inversions) of Lady Bracknell are discussed. Students are also encouraged to think critically about how Lady Bracknell interacts with props and how Wilde positions her at the end of the play. Questions and discussion points are provided for students throughout the lesson. An exam-style essay question is featured at the end. Exemplar sentences and sentence openers are provided for students to enable sophisticated analysis, including purposeful introductions to extended essays. This lesson is ideal for high-level analysis of Lady Bracknell. PowerPoint saved as PDF.

This 20-slide lesson explores Carol Ann Duffy’s poem, ‘War Photographer’. The lesson begins by considering the role of news and news media, before discussing our relationship with news coverage. Students are encouraged to think critically about how they interact with various news platforms and whether the globalisation of news coverage has lessened or deepened our understanding of the world. Duffy’s life and work is considered, including her friendship with prominent photojournalists. Students look at some of the work of notable real-life ‘war photographers’, considering the unique and challenging role of a photojournalist, and the ethics behind it. We read the poem and explore its language, form, structure, and rhythm. Key vocabulary is presented to students to facilitate top-grade analysis, and the poem’s main themes are discussed. A variety of discursive and formal questions are featured for students, and an exam-style essay question is included at the end. Teachers can use various stimuli to discuss the complex questions that Duffy asks about the role of photojournalism. This lesson is ideal for students ages 13+. PowerPoint saved as PDF.

This 20-slide lesson explores Fleur Adcock’s poem, ‘The Telephone Call’. Starter activities probe students to think about their attitude to the lottery and its anthropological implications. We then learn about the life and work of Fleur Adcock before reading the poem. Students are prompted to think about the two juxtaposing characters in the poem before delving into Adcock’s use of language, imagery, form, structure and rhyme. The significance of the poem’s 1980s context is also considered. Key themes and sophisticated vocabulary are listed to enable students to conduct precise analysis. We also ask what the poem’s true message may be, posing a variety of interpretations. This resource is ideal for those studying the poem as part of Cambridge IGCSE’s ‘Songs of Ourselves’, but is useful for anyone looking at the poem. Two versions of the lesson are attached: one is a PDF to save the best aesthetics and formatting; the other is a standard PowerPoint where fonts and formatting may be lost but can easily be edited.

This 23-slide lesson explores the character function of Jacob Marley in ‘A Christmas Carol’. Paying close attention to Dickens’s language, imagery, themes and context, this thorough presentation considers how Marley’s Ghost is used to convey the author’s message and how the character functions as a catalyst for Scrooge’s metaphorphosis. Questions, tasks, and discussion points are included for pupils. An extended essay question is included at the end. This lesson is ideal for those studying the text for GCSE, but could be easily adapted to suit KS3 pupils. PowerPoint saved as PDF.

This 40-slide lesson explores the context and background of Shakespeare’s ‘King Lear’. Designed as both an introduction to the play and a revision resource for students to use when recapping the play’s context, this is a comprehensive and detailed exploration of Shakespeare’s sources and influences, as well as the play’s key themes, ideas and critical debates. Students are also equipped with important and precise vocabulary for analysing the play with sophistication. Among other key ideas, students are introduced to elements of tragedy, Jacobean ideas of kingship, Shakespearean staging and stagecraft, Christianity vs. Paganism, and the play’s preoccupation with absurdity and meaninglessness. The anonymous ‘King Leir’ is referenced along with other points about the play’s textual history, and contemporary debates around succession and the unification of Britain are discussed in detail. Images from various productions of ‘King Lear’ are included for discussion, and questions for students are included throughout the resource. The file is included here both as a PDF and PowerPoint. The latter file will not retain precise font choices and formatting.