EDUQAS/WJEC English A-Level Unseen Prose 1918-1939 practice papers with supporting extracts A range of topics including: race; gender; war; class; politics; queer sexuality; colonialism; monarchy. D. H. Lawrence; Evelyn Waugh; Katherine Mansfield; Zora Neale Hurston; Ford Madox Ford; E. M. Forster; Virginia Woolf. These practice papers come with supporting extracts - critical quotations which must be invoked in the response.

Two worksheets which can be set for remote learning to practise analysing and writing speeches

A set of worksheets on War Poetry. Pupils can complete the work remotely.

Four lessons which can be done independently, designed for remote learning. Takes pupils from traditional attitudes to war in Byron through to propaganda in WW1, then WW1 anti-war poetry. There’s also a selection of non-fiction accounts of experience of war which pupils analyse.

The worksheet has general advice regarding P2B with some guidance on reading the question and the types of questions which might be asked. Pupils then write two plans for a question “The Last Train Home” and then develop their favoured idea. There’s then a PPT with examples to improve grammar but pupils can also rewrite the examples to develop interest and ambition.

Included in this bundle are some model answers which can be used for discussion - how would you improve them? What do they do well? Model answer to the Jeremy Clarkson P1 Q3 Model answer to the Xmas P2 (included) Model answer to Q2 on the John Buchan/Hound of the Baskervilles P2 A different model answer to Q2 on the John Buchan and model answer to Q3 - Hound of the Baskervilles Model answer to Q4 on the Tammy P1 Model answer to Q4 on the Obama-Douglass paper Paper 2 Xmas - Dickens and Wind in the Willows Be advised this is just my approach to these questions (although pupils have been successful using these structures & methods) and they can be used as a basis for refinement. Enjoy!

This SoW goes with the “Jane Eyre Consolidation Pack” (separate resource) and tracks the first fourteen chapters of the novel.

A consolidation booklet for pupils to use as they study the novel to aggregate quotations, think about themes, track characters, and think critically about the novel.

Seven whole-text plans with one blank plan for pupils to complete themselves for revision. Includes evidence, analysis, dramatic effects and “magic points of magic” (i.e. targeted contextual information to add edge to a conclusion.)

This is an ambitious but detailed two year course for the OCR English Language GCSE, teaching around 1 lesson a week for 2 years. It contains a PPT with all the lesson plans and resources (Around 45-50 lessons) and lots of worksheets, activities, texts and resources for the course. It's ambitious but could be further scaffolded and differentiated for all learners. (Some copyrighted material is omitted but can be found online or in books).

The beginning of a unit of work on Paradise Lost - around the first five or six lessons are planned. Also included is a Consolidation booklet, dividing the poem into sections, with themes and quotations banks - all blank for pupils to fill in as they go. There's also a useful section on Milton's biography with key quotations from his other works, critical quotations, and quotations from the rest of the poem in the teachers' version of the pack.

The start of a SoW on Macbeth for teaching at GCSE-level, with some resources appropriate for A-Level. Lessons 1-5 only... still a work in progress...

Waiting for Godot quiz and answers

Waiting for Godot and the Theatre of Cruelty

The Lottery - Shirley Jackson lesson

Introductions and main paragraphs, working on analysis in The Tempest

Wordsworth sonnets worksheet - The world is too much... it is a beauteous evening... suprized by joy

Looking at form and the organic, spotaneous process of composing poetry in Romanticism, looking at Keats, Austen and Wordsworth, with critics

Model answer to the task "Write a speech as a new headmaster addressing the teachers at your new school."

Critical quotations for Austen's Persuasion