Guidance questions for Mendelssohn's Symphony No. 4 (Italian). Movements 1-4.

Worksheets designed to give a focus on Haydn's use of Harmony & Tonality across the first two movements of his Symphony No. 104.

A range of analysis questions closely related to the score.

An A3 worksheet, set out in a table. Good revision tool or a summary of topic exercise. Allows students to compare the aspects of the 1st movements of both Haydn's Symphony No. 104 and Mendelssohn's Symphony No. 4. A useful scaffold for an essay.

A comprehensive analysis of Jazz Music from 1910-1950 in a 272 slide powerpoint for the AQA specification. Includes information on key jazz musicians and styles with an analysis of a range of selected jazz tracks from each decade.

A selection of 94 cards, each with a piece of jazz terminology or information relating to a range of material from the characteristic traits of five different jazz genres. Covering the following styles/Artists: New Orleans & Louis Armstrong (1920s), Swing/Big Band & Count Basie & Duke Ellington (1930s), Bebop & Charlie Parker (1940s), Cubop & Dizzy Gillespie (1940s) and the origins of Cool Jazz & Miles Davis (1949).

A pack of flashcards, covering a range of different aspects of the following British Popular Music tracks: 1. The Beatles - I Want To Hold Your Hand 2. The Beatles - Being for the Benefit of Mr. Kite 3. Rolling Stones - Satisfaction 4. Pink Floyd - Another Brick in the Wall (Part 2) 5. Sex Pistols - God Save the Queen 6. Opportunities - Pet Shop Boys 7. Ghost Town - The Specials 8. Blur - Country House 9. Oasis - Roll With It 10. Arctic Monkeys - I Bet That You Look Good on the Dancefloor 11. Dido - Thank You 12. Ed Sheeran - You Need Me I Don't Need You

1. Four pages of condensed notes on the important features of all four movements of this symphony. A useful revision tool. 2. Revision sheet on the 20th century musical language used by Shostakovich.

A video resource that talks through a method of working out any type of interval in music.

An activity with teacher notes that guides learners to analyse the similarities & differences in musical features between the different versions of Section 1 material (1a, 1b, 1c) and Section 2 material (2a, 2b, 2c) throughout the movement.

A detailed companion to Criteria 1 (P1, M1, D1) for Level 3 BTEC Performing Arts, Unit 101: Singing Techniques & Performance.

Classroom poster with background information on Sally Beamish (composer of Opus California).

Classroom poster with background information on Thomas Adès (composer of Asyla).

A resource pack for the delivery of Level 3 BTEC Music - Unit 39 The Sound & Music Industry.

Classroom poster with keywords needed in the study of the "Into the 21st Century" topic (Eduqas).

A resource pack for the delivery of Level 3 BTEC Music - Unit 38 The Music Freelance World.

A sample of a working Scheme of Work for Eduqas AS & A’level Music (September-December term only).

A resource that uses the documentary “Hitsville: The Making of Motown”. Set of research questions for students to answer whilst watching the documentary. Answers for teachers also provided. Good as an introduction to Motown Soul and generally how the Music Industry works too. Takes around 3-4 hours minimum as a mini-project: 2-3 hours to watch and make notes, 1-2 hours as a class discussion. Could be used for BTEC Music (Unit 30 Pop Music in Practise) or A’level Music.

x4 mini-projects that could be used for A’level Music or BTEC Music. 50s Rock ‘n’ Roll 60s Psychedelic Rock Motown Strand - 60s Soul, 70s Funk & Disco (including Stax) 70s Punk Rock