This 26 page resource is perfect for A Level Film Studies students studying ‘Captain Fantastic’. It breaks the film into all of its scenes and sections. Each page has boxes for notes on Spectatorship, Ideology and the Elements of Film, making it very useful for answering exam questions later. You can share it with your students electronically so they can fill in the boxes on computers, or just print it off and given them hard copies. It makes revision really manageable.

This resource is best used electronically so the students can type lengthy answers in the boxes provided. It asks them to think about several often contardictory ideas about how the film has been structured and then use evidence from the film to support each one. It is a really useful revision resource.

The scene where Combo bursts in to Gadget’s house with Banjo is a really pivotal one. This resource breaks it down into small chunks and asks the students to consider how Meadows uses the elements of film in each chunk. There are some refelctive, longer-answer questions at the end about the scene as a whole. It’s best given electronically so the boxes can expand to accommodate lengthy answers.

I find that studying a film full of political ideas and views is easier if the students have grappled with these ideas first a bit themselves. This resource contains many statements about a wide range of political views expressed or shown in the film. I print it onto card, cut them up and then get the students to sort the cards into three piles: statments they agree with; staments they disagree with; and ones they are undecided about. The cards can then be used to provoke discussion and debate.

This is for students who know the whole film well, but who need to carefully prepare a few key scenes for the exam. This resource focuses on the Specialist Study Area of Narrative, and takes students through the structure of the sequence and the 5 elements of film. There is an essay title at the end, and some prompts to help them tackle it. There is nothing on Ideology in this resource as I tend to teach that separately. It’s an electronic resource with boxes that expand as students type in them, but you could easily enlarge the boxes yourself, print it off and get them to write in it by hand.

Because Edexcel have not been too great about creating SAMs for the new IGCSE Language spec I decided to have a go myself. This one is a Paper 1 which closely follows the foramt of the SAMs. The unseen text is one from the old spec, and the Anthology Text is Between a Rock and a Hard place. There are two writing questions, too, and the whole thing looks just like a real paper.

The mark schemes provided by the board are great, but they tend to be very specific to the questions in the SAMs and past papers. So I could issue a highlighted mark scheme to all my stdents, whatever the title I set, I pared the Eduqas schemes down to the bare bones. In other words, where an Eduqas Global Film scheme will mention the specific elements of film idenitified in the question, mine does not. I find that using these schemes makes the students very familiar with the recurring key words and phrases, and helps them target their responses more relevantly. I have also included a box at the bottom for you two write comments and targets, as well as the mark.

This is the full extract for the Edexcel IGCSE Language specification with boxes at various points for the students to write in. The boxes contain questions, prompts and ideas to help focus their notes on language and structure. I find them very useful in the classromm, espcially with lower ability pupils. They would also work really well for pupils forced to learn at home because of Covid outbreaks, for example.

This is a 7 page booklet which: outlines the two choices available (short film or screenplay with storyboard) explains the four production briefs explains how to pitch the idea to the class/teacher It also describes in detail the steps they need to take, having had their pitch ‘greenlit’ to ensure their planning, and preparation are as good as possible beofre filming/writing their film. I have also included the list of films for the Short Film Study, which they need to refrence in the written evaluation at the end of the process.

Because Edexcel have not been too great about creating SAMs for the new IGCSE Language spec I decided to have a go myself. This one is a Paper 1 Reading section which closely follows the foramt of the SAMs. The unseen text is one from the old spec, and the Anthology Text is The Explorer’s Daughter.

This novel by Attica Locke is new on the Edexcel A Level Lit course in the Prose Unit. There’s very little out there yet to support students’ learning as they read, so I have developed an analysis sheet to accompany each chapter. Depending on the importance of each chapter, each sheet has all or some of the following: A space for the students to write a brief synopsis of the events of the chapter; 1 - 8 short answer questions to develop their understanding of the plot and characters; A space to record anything interesting or important they found about the language, form and structure; A space to record any relevant contextual information which aids understanding of the chapter. Some of the sheets also contain a Deep Dive question, which requires them to write a 500 word response to a character or theme based question. Each sheet has fields for the students can type directly into.

This booklet takes a deep dive into the text. I created it for middle-ability GCSE students, but it would work well with sparky Year 9s, too. It’s organised by chapter (with an extension unit on Chapter 3) and looks closely at language and structure as well as plot and characterisation. Each chapter has a range of guided activities, plus plenty of room for students to make notes. As it’s a word doc, students could access it electronically, and fill in the boxes using a computer if they like. At 40 pages long, it’s ideal for someone preparing to write about it in an exam (such as Edexcel IGCSE Lit), or as a classroom resource for students reading it at KS3. All the page numbers in the booklet refer to the hardback Longman edition, but you could easily change these if you’re using a different one.

Each of these 5 sheets deals with one or two main characters in Much Ado About Nothing. They cover Beatrice, Benedick, Hero, Claudio and the Dons. The table form makes them easy to revise from. Each sheet lists the key characteristics plus a little explanation and then brief, important quotations. There are also boxes containing information about context, language and stagecraft. They work well as essay plans for character questions. They can be laminated and used as placemats on pupils’ desks, or put on walls as a display.

The resource guides students through the film. It allows them to keep track of how Eva’s past, present and memories of ‘Thursday’ are depicted. There is some production info and a section at the back about the non-linear structure and imrpotance of memories. It is very useful when first watching the film and when revising it.

This two-sided resource (which is best photocopied as an A3 sheet) looks closely at Szifron’s ‘Wild Tales’ short, ‘Little Bomb’. It focuses on the few minutes covering the planting of the bomb and the media/social media reaction to it. One side of the resource requires them to make detailed notes on the continuity editing in the bombing scene. The other side is for making detailed notes on the montage editing in the reaction scenes. Editing can be a tricky thing to write about in the Global Film question, but this helps to get the detail they need.

A great pre-viewing activity for ‘This is England’ is to watch Don Letts’ doc on Skinheads on YouTube. This resource promts them to watch carefully and then make notes on how Skinhead culture emerged and evolved. I set it as a homework before studying the film.

This 23 page booklet breaks the film down into all its scenes and sections. Each page has room for notes on how the three linear narratives are interwoven, plus non-diegetic sound and they symbolic use of red. It has proved a very good way for students to keep track of this tricky film, and is a very useful revision resource once completed.

This 35 page booklet helps students make detailed notes on the 5 elements of film in two of the shorts from ‘Wild Tales’ It helps them organise their notes while watching the film, and is a great revision resource once completed.

There are two sheets here. One contains a passage which has been set out correctly, but all the punctuation is missing. The second is correctly punctuated, but the layout is wrong. Pupils rewrite the passages correctly.

This is a great way for A Level Film students to keep track of the structure of This is England. It’s a largely linear film, but it is divided in half when Combo draws a spit-line on the floor, dividing the skinheads. The first page has all the scenes in two columns, reflecting this split. Students should use coloured pens to colour scnes on each side of the divide which ‘mirror’ each other, such as the two montage scenes, or the scenes when Shaun’s image is transformed, first by Woody and Lol, and later by Combo. On the second sheet, they record in detail how these paired or mirrored scenes are similar and different.