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Frank's Shop

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I taught English for 35 years; ran three English departments;am an A level and GCSE examiner; wrote the teacher and student support materials for OCR English Literature A level and have had books published by OUP and CUP.

I taught English for 35 years; ran three English departments;am an A level and GCSE examiner; wrote the teacher and student support materials for OCR English Literature A level and have had books published by OUP and CUP.
COMMA SPLICING and how to avoid it: full stops and commas
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COMMA SPLICING and how to avoid it: full stops and commas

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Comma splicing - using a comma instead of a full stop - drives GCSE English examiners crazy. This resource explains how to avoid comma splicing, as well as the correct use of commas and full stops. It contains simple exercises for students. Successfully used in classrooms!
LITERARY TERMS and how to use them
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LITERARY TERMS and how to use them

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An easy-to-remember guide to LITERARY TERMS for GCSE and A level. Features a 3 word mnemonic which allows students to remember the terms and use them properly. Successfully used by my students for over twenty years for A level and GCSE English Literature and GCSE English Language. Helps students gain marks for the correct use of technical terms.
A level notes on NOTES ON A SCANDAL
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A level notes on NOTES ON A SCANDAL

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1500 words of A level notes on Heller’s great novel, by a senior A level examiner and a former Head of English. Themes, viewpoint, dramatic irony, unreliable narrator, reader’s experience, characterisation all covered. This resource can be given straight to students or used to teach from.
Why does Shakespeare use poetry in "Romeo and Juliet"?
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Why does Shakespeare use poetry in "Romeo and Juliet"?

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This resource answers students’ question, “Why does Shakespeare write in poetry? It’s not realistic.” It enables students to understand verse, prose, iambic pentameter, rhyming couplets within and at the ends of scenes. Excellent material for “How does Shakespeare write?”, context questions and historical context.
Romeo and Juliet's first meeting - help with context and language
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Romeo and Juliet's first meeting - help with context and language

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The lovers’ first meeting is packed with difficult Christian concepts and witty language. R&J’s lines are carefully broken down for students and explained. There is also a bonus exercise in the style of the WJEC context question. A very helpful resource for students who struggle with Shakespeare’s language and the Christian context of the play. Different ways of playing the scene are also explained.
ESOL - In the cafe
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ESOL - In the cafe

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Basic transactional English - how to order food in a cafe. Used successfully with adult Ukrainian refugee students.
British and American English Vocab & Spelling
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British and American English Vocab & Spelling

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Explains the main differences between British and American spelling and vocabulary. Useful for English Language A level, AS level, GCSE and TEFL students, especially those confused by the differences between American and British English! Successfully used with EAL Chinese students in Cambridge, who said they found it very useful, interesting and helpful.
Difference between VERSE and PROSE
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Difference between VERSE and PROSE

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This resource clearly explains, for A level and GCSE Literature students, the difference between verse and prose in Shakespeare: differences in form; why Shakespeare uses verse and prose at different times; iambic pentameter.
MACBETH the plot in diagram form
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MACBETH the plot in diagram form

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Presents the plot of MACBETH as a diagram, so students can understand the play before they start to read it. Go over it with your students and TEFL students to help them to understand the plot before they start to study the play. Successfully used with over 100 students, including Chinese nationals learning English.
THE FLEA line by line analysis + qs
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THE FLEA line by line analysis + qs

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Line by line explanation/close analysis of THE FLEA by John Donne. For lower to high grade A level candidates. Includes questions and historical background. Successfully used with students, who found it very useful.
Quick guide DESCRIPTIVE WRITING for GCSE/KS3
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Quick guide DESCRIPTIVE WRITING for GCSE/KS3

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A quick and easy diagram for how to do descriptive writing for GCSE: point of view, personification, atmosphere, microscopic focus, mood and emotion, sensuous imagery. Use this resource to discuss different ways of creative writing with your students and to remind them of how they might include different forms of creative writing for GCSE and KS3. Successfully used with over 1000 students!
THE TEMPEST - a diagram of the plot
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THE TEMPEST - a diagram of the plot

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A diagram of THE TEMPEST’s plot, to introduce students to the play before they start studying it. Teacher goes over the story with students; students could then write out the plot as a written exercise. Successfully used with over 100 students, who find it very helpful to have the basic story of the play explained to them before they study it.
REVISION and CONTEXT for AN INSPECTOR CALLS
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REVISION and CONTEXT for AN INSPECTOR CALLS

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Everything your students will need to revise AN INSPECTOR CALLS for GCSE English Literature: how to write about context; family units; gender roles; the Conservative Party of the period; the Labour Party of the period; revision and exam technique; how to write about style (to answer the question, “How does Priestley do X Y and Z in the play?”). 8 pages, 2400 word resource.
Detailed notes GERALD, AN INSPECTOR CALLS
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Detailed notes GERALD, AN INSPECTOR CALLS

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This resource is both a sequence of lessons and detailed notes for your students. 5 pages, 1731 words. The notes go through Gerald’s every appearance in “An Inspector Calls”; characterisation, theme, context, Gerald’s relationships with other characters are all covered, as is essay technique on the play at GCSE. Page references are to the Heinemann edition.
Detailed notes ERIC: AN INSPECTOR CALLS
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Detailed notes ERIC: AN INSPECTOR CALLS

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All the notes your students will need on the character of ERIC and his function in the play “An Inspector Calls”. 7 pages of notes, 2928 words take your students through Eric’s every scene in the play. Notes on characterisation, them, interaction with other characters, context, essay technique on the character and the play. This is a sequence of lessons as well as a resource: just go through the notes with your students. Page references are to the Heinemann edition.
Complete notes MR BIRLING/INSPECTOR CALLS
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Complete notes MR BIRLING/INSPECTOR CALLS

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Detailed and complete notes on Mr Birling in “An Inspector Calls”, from his first to his last appearance in the play. 6 pages, 2699 words. This is both a set of lesson plans and a set of notes for your students: use the notes to take your students through Birling’s appearance and role in the play. Covers: theme, context, relationship with other characters, how to answer an essay on Birling, key quotations. Everything your students need to know about Birling.