A generic ‘Drama’ word search for use as a filler or consolidation of key terms. Words: ACTOR AUDIENCE BACKSTAGE COMEDY COSTUME DIRECTOR LIGHTS MUSICAL PROPS SCENARY SHAKESPEARE STAGE TEXT THEATRE TRAGEDY WNGS

This worksheet was designed to give injured students or students not participating in the practical lesson something to focus on, by analysing students in the practical lesson. It looks at: Warm up Skills Dance features Evaluation

To display in your dance space, feel free to amend. Enjoy!

This resource has been created for teachers of Drama who still need to provide tasks for students that might be self-isolating at home. It provides 15 individual tasks and 3 extension tasks all based around the play DNA by Dennis Kelly. It can also be used by students as a series of revision tasks. Feel free to use how you like.

This booklet is designed to help rehearse and evaluate within Year 7, 8 & 9 Drama. It has space to put the title of the topic at the top of each page and has notes pages and useful drama terminology. It can also be used for revision of a topic or a homework booklet. Please review if you like it. Enjoy!

This worksheet can be used as a stand alone written lesson for students studying ‘The Demon Headmaster’ or as part of our full scheme of work. Enjoy!

This resource introduces students of the ‘Brechtian’ technique and also includes exercises. Brecht’s plays had a strong political social function in seeking to promote a Marxists analysis of society. His purpose was not simply to show the world as it was but to change it into a better world for workers and other oppressed groups. Early in his career he wrote a series of plays called Lehrstucke or ‘learning plays’. The Lehrstucke offered very clear and unambiguous lessons to the audience and are an example of didactic theatre. The social function of didactic theatre is clearly educational, often political, rather than for amusement or entertainment.

This resource can be used as an introduction to Stanislavski and includes exercises that can be used in class. Stanislavski believed that the reproduction of life on stage is, for actors, both a challenge and a responsibility toward the people who come to see it. Simplicity and scenic truth became important principles, and the Stanislavski system emerged as a vigorous weapon against overacting, clichés, and mannerisms. With the System’s terminology – super-objective, logic of actions, given circumstances, communion, subtext, images, tempo-rhythm, and so on – a common language has been created.

This worksheet can be used as a stand alone set of questions or alongside the full scheme of work on Masked Theatre. It has generic questions which could be used as a quiz or assessment after studying masked work.

This worksheet is for students at home self-isolating who need to be working from home. There are a selection of 12 tasks based on different learning styles: written, oral and visual in relation to both directing and performing and 3 extension activities. Recommended for Year 8 / 7th Grade / age 12-13 Fully editable- Feel free to use it as you wish.

This worksheet is for students at home self-isolating who need to be working from home. There are a selection of 12 tasks based on different learning styles: written, oral and visual in relation to both directing and performing and 3 extension activities. Recommended for Year 9 / 8th Grade / age 13-14 Fully editable- Feel free to use it as you wish.

This free worksheet can be used for thinking about analysing live theatre or students own work. It encourages students to think about: Verbal code Symbolic code Narrative Tension Natrualism / Non-naturalism Hope you enjoy!

This worksheet is for students at home self-isolating who need to be working from home. There are a selection of 15 tasks based on different learning styles: written, oral and visual in relation to both directing and performing. Recommended for Year 7. Feel free to use it as you wish.

This KS4 booklet was created as a revision pack for the new written exam for AQA GCSE Drama. Section B concentrates on ‘Blood Brothers’. This 10 page booklet covers sections A,B & C. Enjoy!

This booklet was created as a revision pack for the new written exam for Pearson Edexcel GCSE Drama, KS4. Section A concentrates on ‘DNA by Dennis Kelly’. This 20 page booklet covers sections A & B with sample exam questions and uses the new 2020 exam suggested timings. Enjoy!

This 24 page booklet is designed to support your students in either their devised or final scripted exam and is to be used in the workshop phase at KS4 Each week a task is set for your students to complete, this can be done to help improve character, log what has been achieved in lesson and help constructing their piece for their practical exam. Included: Page 3 – Calendar and Diary Page 4 – Example of diary entry Pages 5&6 – Research and planning Pages 7&8 – Character development – Role on the wall Pages 9&10 – Character development – Hot seating Pages 11 - 14 - Stanislavski, Given Circumstances Pages 15 – 17 – The Audience Pages 18 – 20 – Technical & design Pages 21-23 - Internal dramatic dialogue Page 24 – Notes on further improvement & development

This online full unit of work created for online or classroom based learning includes a 25 page / 6 lesson PowerPoint, which introduces students to: Short story writing Writing a script Set Design 3D Set Design Costume Monologue Teachers can use the students work to build up a picture of progress and tracking from the start of the new school year in Year 7 KS3.

Inspired by professional dance works, Petrushka, River dance and Walt Disney’s Fantasia. The unit makes cross-curricular links with music and history taking on a social and cultural theme and setting. The unit focuses developing an awareness of social/folk dance in a cultural context. Technical skills Introduction to folk dance technique using a Russian theme. Development of characterisation. Transference of their technical skills to typical Russian dance structures. Expressive skills Pupils will be asked to play contrasting roles, taking on a variety of roles depicting characters at the social setting of a fairground, as in Petrushka. Use of focus and facial expression to assist in the telling of a narrative and to support the mood of the dance. Choreographic skills pupils will reflect the structure of the dance work and the narrative. Pupils will use a variety of group sizes and relationships, with some opportunity solo, duet and trio work. Appreciation skills Pupils are provided with the opportunity to interpret and analyse the professional performance, they will discuss the social and cultural influences surrounding the event gaining a greater awareness of the influences of folk dance throughout Europe. The work will also introduce students to a basic knowledge and understanding of the development and changes in Ballet in the early 20th Century. Diaghilev’s Ballets Russes etc.

This scheme of work is designed to introduce students to using a variety of historical texts and facts as stimuli for drama, as well as considering the consequences of actions. At the end of the unit, students perform a whole class improvisation enacting a court trial. Links to GCSE Drama and cross-curricular links with History, Geography, English and PSHE. The scheme encourages students to analyse character through exploratory methods, such as monologue, improvisation and tableau to successfully present a character analysed in the historical story of a shipwreck. Each lesson in this 6 lesson plan also includes a full breakdown of practical exercises and activities and links to the true story of the mignonette as their stimulus, to aid students learning. Enjoy!

This presentation analysis power, culture and gender in Indian Kathak Dance and would be suitable for anyone studying dance at GCSE / A Level. It explores: Kathak - which dates back to the twelfth century and the North Indian invasion of the Moghuls. How until that point, Natya had dominated and had been a very important part of religious ritual. How it is a fusion of Arabic and Hindu and became popular as a form of entertainment. And how Bharata Natyam is a religious convention passed down from Father to Son. (Southern India) Included is also a video links.