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Fundamental Music

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Fundamental music resources to help your pupils become even better musicians. Exemplar material can be found at our You Tube channel - search @FundamentallyMusical

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Fundamental music resources to help your pupils become even better musicians. Exemplar material can be found at our You Tube channel - search @FundamentallyMusical
Fundamental Ear Training - Revision of parts 1 - 4
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Fundamental Ear Training - Revision of parts 1 - 4

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Fundamental Ear Training - Revision of parts 1 - 4 Rhythmic Dictation questions using a Crotchet, Quavers, Quaver beamed to two Semiquavers, and a Quaver Rest with a Single Quaver. In this first revision pack of this progressive series, you will find a set of ten exam style questions where pupils have to dictate the rhythm of what they can hear being played. In this part 5 of Fundamental Ear Training, every question is based on the note of middle C on the treble clef. Each question will start with one bar of crotchet clicks that sets the tempo for each question. The task for your pupils is to add stems, beams, flags and noteheads so each of the answers is a completed one bar of rhythm that reflects what they are listening to; your pupils will hear each question twice.
Fundamental Ear Training - Revision of parts 5 - 8
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Fundamental Ear Training - Revision of parts 5 - 8

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Fundamental Ear Training - Revision of parts 5 - 8 Rhythmic Dictation questions using a Crotchet, Quavers, Quaver beamed to two Semiquavers, Two Semiquavers beamed to a Quaver, Quaver Rest with a Single Quaver, Dotted Quaver with a Semiquaver, and a Crotchet Rest. In this second revision pack of this progressive series, you will find a set of ten exam style questions where pupils have to dictate the rhythm of what they can hear being played. In this second revision pack, every question is based on the note of middle C on the treble clef. Each question will start with one bar of crotchet clicks that sets the tempo for each question. The task for your pupils is to add stems, beams, flags, dots and noteheads so that each of the answers is a completed one bar of rhythm that reflects what they are listening to; your pupils will hear each question twice.
Fundamental Ear Training #2 - Updated
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Fundamental Ear Training #2 - Updated

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Fundamental Ear Training #2 Rhythmic Dictation questions using Crotchets, Quavers and the Quaver Rest. *** Updated with four levels of differentiated question sheets for pupils*** In the second part of this progressive series, you will find a set of ten exam style questions where pupils have to dictate the rhythm of what they can hear being played. In this part 2 of Fundamental Ear Training, every question is based on the note of middle C on the treble clef. Each question will start with one bar of crotchet clicks that sets the tempo for each question. The task for your pupils is to add stems, beams and flags where necessary to the provided note heads so each of the answers is a completed one bar of rhythm that reflects what they are listening to; your pupils will hear each question twice.
Fundamental  Ear Training #1 - Updated
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Fundamental Ear Training #1 - Updated

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Fundamental Ear Training #1 Rhythmic Dictation questions using Crotchets and Quavers. *** Updated with four levels of differentiated question sheets for pupils*** In the first part of this progressive series, you will find a set of ten exam style questions where pupils have to dictate the rhythm of what they can hear being played. In this part 1 of Fundamental Ear Training, every question is based on the note of middle C on the treble clef. Each question will start with one bar of crotchet clicks that sets the tempo for each question. The task for your pupils is to add stems and beams where necessary to the provided note heads so each of your answers is a completed one bar of rhythm that reflects what they are listening to; your pupils will hear each question twice.
Fundamental Ear Training #5
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Fundamental Ear Training #5

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Fundamental Ear Training #5 Rhythmic Dictation questions using a Crotchet, Quavers, and a Crotchet Rest. In the fifth part of this progressive series, you will find a set of ten exam style questions where pupils have to dictate the rhythm of what they can hear being played. In this part 5 of Fundamental Ear Training, every question is based on the note of middle C on the treble clef. Each question will start with one bar of crotchet clicks that sets the tempo for each question. The task for your pupils is to add stems, beams and crotchet rests where necessary to the provided note heads so each of the answers is a completed one bar of rhythm that reflects what they are listening to; your pupils will hear each question twice.
Fundamental Ear Training #6
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Fundamental Ear Training #6

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Fundamental Ear Training #6 Rhythmic Dictation questions using a Crotchet, Quavers, a Quaver with two Semiquavers, a Quaver Rest with a single Quaver and a Crotchet Rest. In the sixth part of this progressive series, you will find a set of ten exam style questions where pupils have to dictate the rhythm of what they can hear being played. In this part 6 of Fundamental Ear Training, every question is based on the note of middle C on the treble clef. Each question will start with one bar of crotchet clicks that sets the tempo for each question. The task for your pupils is to add stems, beams, flags, crotchet rest and a quaver rest where necessary to the provided note heads so each of the answers is a completed one bar of rhythm that reflects what they are listening to; your pupils will hear each question twice.
Fundamental Ear Training #3 - Updated
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Fundamental Ear Training #3 - Updated

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Fundamental Ear Training #3 *** Updated with four levels of differentiated question sheets for pupils*** Rhythmic Dictation questions using; a) First five questions using a Crotchet and a Quaver beamed to Two Semiquavers. b) Second five questions using a Crotchet, Quavers and a Quaver beamed to Two Semiquavers. In the third part of this progressive series, you will find a set of ten exam style questions where pupils have to dictate the rhythm of what they can hear being played. In this part 3 of Fundamental Ear Training, every question is based on the note of middle C on the treble clef. Each question will start with one bar of crotchet clicks that sets the tempo for each question. The task for your pupils is to add stems and beams where necessary to the provided note heads so each of the answers is a completed one bar of rhythm that reflects what they are listening to; your pupils will hear each question twice.
Fundamental Ear Training #7
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Fundamental Ear Training #7

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Fundamental Ear Training #7 Rhythmic Dictation questions using a Crotchet, Quavers, a Quaver with two Semiquavers, and Two Semiquavers with a Quaver. In the seventh part of this progressive series, you will find a set of ten exam style questions where pupils have to dictate the rhythm of what they can hear being played. In this part 7 of Fundamental Ear Training, every question is based on the note of middle C on the treble clef. Each question will start with one bar of crotchet clicks that sets the tempo for each question. The task for your pupils is to add stems and beams where necessary to the provided note heads so that each of the answers is a completed one bar of rhythm that reflects what they are listening to; your pupils will hear each question twice.
Fundamental Ear Training #8
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Fundamental Ear Training #8

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Fundamental Ear Training #8 Rhythmic Dictation questions using a Crotchet, Quavers, a Quaver with two Semiquavers, Two Semiquavers with a Quaver, and a Dotted Quaver with a single Semiquaver. In the eighth part of this progressive series, you will find a set of ten exam style questions where pupils have to dictate the rhythm of what they can hear being played. In this part 8 of Fundamental Ear Training, every question is based on the note of middle C on the treble clef. Each question will start with one bar of crotchet clicks that sets the tempo for each question. The task for your pupils is to add stems, beams and dots where necessary to the provided note heads so that each of the answers is a completed one bar of rhythm that reflects what they are listening to; your pupils will hear each question twice.
Fundamental Ear Training #4 - Updated
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Fundamental Ear Training #4 - Updated

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Fundamental Ear Training #4 *** Updated with four levels of differentiated question sheets for pupils*** Rhythmic Dictation questions using a Crotchet, Quavers, Quaver beamed to two Semiquavers and a Quaver rest In the fourth part of this progressive series, you will find a set of ten exam style questions where pupils have to dictate the rhythm of what they can hear being played. In this part 4 of Fundamental Ear Training, every question is based on the note of middle C on the treble clef. Each question will start with one bar of crotchet clicks that sets the tempo for each question. The task for your pupils is to add stems, beams, flags and noteheads where necessary so that each of the answers is a completed one bar of rhythm that reflects what they are listening to; your pupils will hear each question twice.