A lesson take from a collaborative scheme of work. The lesson focuses on the quite excellent Born A Crime by Trevor Noah. The focus is developing an initial understanding of South Africa, then Trevor Noah himself, before focusing in on the context surrounding the story itself. After, the focus switches to analysing the structural choices made in the extract. Additionally, I’ve included a useful little follow up lesson where the focus ins to build a piece of creative writing that follows a specific structural path.

A series of lessons and resources designed for a top set year 8 class. The extracts are a mixture of fiction and non-fiction. The focus was to take a group of year 8 students who are used to using the PEE structure and get them to write a concept focused response. I’ve included the model responses we built as a class, as well as the model response the students were provided.

Two powerpoints, both showing the same thing, but one is designed to be used on a mobile phone (portrait, no animations etc.). The powerpoint can be used one of two ways. Either it can be used as part of a talking mock exam (where the students talk through a strategy before attempting each task, followed by marking and reflective targets) or as part of getting the students to evaluate their own efforts with a view to setting individual targets. Model material is included as well as the source itself (along with the appropriate mark scheme). The only thing this doesn’t “mark” is the AO5 element of Question 5. But everything else is there.

Taught as part of a two teacher approach to a top set year 9 class. I focused on developing creative writing skills, with a particular emphasis on the structural components, whilst my partner teacher focused on the more traditional literature style approach. The Woman In Black was used as the stimulus for all elements of this unit and the climax is a GCSE English Language Paper 1 style task (not included in this pack as it is part of my school’s assessment pack). Overall, I found this unit to be really useful in challenging students to think about their creative writing in more than just a reactionary way. The nature of the structure focused questions align with my belief that it is always better to teach the Language Paper 1 Q3 question in the form of a structure-focused creative writing commentary at KS3 level. Hopefully this will provide you with a useful starting point for your own creative writing journey.

A powerpoint lesson designed to be taught either AFTER a class has sat AQA English Language Specimen Paper 4, or to be used WHILST a class is sitting the same paper in the form of a mock exam where feedback is given immediately. In this powerpoint, I refer directly to the model material provided by AQA and provide some feedback that can be given to the students. The idea with the feedback is that the person marking (teacher or student) writes down the letter/number and, when the marked work is returned, the owner of the response can either write the target down in full or highlight it in a printed version.

I had such a lot of sun creating this unit! In an effort to get students to reflect back on previous work, this unit is set in the same universe as a previous unit called “Escape from Kraznir”, but a point 30 years or so later. Over the course of the unit, the students will write various parts of a story from a variety of perspectives, in a number of tenses and using a range of different forms (all with the AQA English Language P1 Q5 and P2 Q5 in mind). They’ll create characters and be encouraged to focus on exploring the relationships between these characters. Additionally, part of the scheme encourages the students to creatively explore issues surrounding discrimination. This is a big story, with an emphasis on developing creative stamina. There is a real focus on students justifying their structural choices. This is, in part, a way to prepare the students for AQA English Language P1 Q3 - before the students can comfortably identify and comment on structural choices in the work of other writers, they can develop their ability to do so with their OWN creative writing here. I’ve incorporated a huge amount of different supporting extracts - not all of which need necessarily be used to progress - and I’ve had a lot of fun creating my own example of how to do it (it’s entirely derivative, but as I encourage students to take inspiration from a variety of sources, it bothers me not). I include all of the extracts here and was able to find each and every one online for free. Additionally, there is a homework booklet too. Finally, I embed a number of sound effects from a website called Zapsplat. Here’s a link to their site should you wish to use any of the samples: https://www.zapsplat.com/ It would be great to get some feedback for this - so let me know what you think! PS - if you’re interested in the original unit of work, here’s the link: https://www.tes.com/teaching-resource/ks3-escape-from-kraznir-creative-writing-pack-my-version-11741179

A PowerPoint designed to be used after students have sat the Section A of the AQA English Language Paper 1 for June 2019. It wouldn’t take much altering to be used as a mock exam itself. The slides are set up to show the model answers from the mark scheme so that students can peer/self assess and give actions and feedback.

A deconstruction of the English Language Paper 1 examination that uses Brighton Rock as a source. I’ve lifted the model material from the mark schemes and there’s FAR related targets included. Essentially, this is a lesson that can be taught either AFTER the students have sat the exam and you want them to peer/self assess, or you could change it so that that they answer a question and then mark their efforts. The Section B element is a bit of an experiment - peer marking creative writing is always a challenge. So I’ve given the students a series of yes/not/some related questions. The idea is that they “tick” the level next to the answer on a copy of the AO5 and AO6 mark schemes. Using that, they should be better able to work out where the creative writing fits. My peer marked creative writing has got much more accurate as a result of this.

A series of lessons designed to make sure students have a clear understanding of the “basics” and the “developed” skills and techniques required for EACH of the possible text types they could meet in Section B of the English Language Paper 2 exam. Because my lot were taught A Christmas Carol (and I was trying to kill two birds with one stone by revising this at the same time…), the tasks are all focused on writing within the world of Scrooge. To that end, they may require some editing on the part of the user - hence the reduced price.

A simple power-point designed to be used either AFTER a class has sat the AQA English Language Paper 2 Specimen Paper 2, or as part of a walking-mock style lesson where the students mark their work immediately afterwards. It’s cheap because I’ve essentially deposited the contents of the mark criteria on to the power point in such a way that the students can use it it to peer or self-assess. The resource JUST contains the power point.

A thoroughly enjoyable unit of work. Built around a work booklet and designed for that awkward half-term at the end of the year where you don’t want to give out new exercise books. The workbook contains a copy of The Norwood Builder, comprehension questions and vocabulary list, as well as a variety of activities that focus (primarily) upon creative writing skills with some language and structure based tasks. The lessons are designed to be used with the workbook. NOTE: I may upload a slightly different workbook in the future, but I will leave the original on here.

A lesson designed to be taught AFTER the class has sat a mock exam. However, with very little modifcation this can become a walking-talking mock exam, or a peer/self assessment based lesson. The powerpoint contains model material and an indicator as to the quality of the model material. My class found this lesson to be very useful. Additionally, the insert is available for free should you wish to download it for yourself. I include the link below: https://linwood.bournemouth.sch.uk/summerwood/files/2017/12/8700_1-INS-EnglishLanguage-G-6Jun17-AM.pdf

The lessons are designed to tie in specifically with the Scholastic Classics version of the text OR the Collins Classroom Classics version, but it wouldn’t take too much to use this with any version to be honest. Visually, the powerpoints are designed to be eye-catching. Each one is loaded with links to videos, layered with animations and suitably spooky xmas music. The lessons are ordered via number for your convenience. There is a specific focus on each of the GCSE Assessment Focuses, starting with AO3 (It makes sense, to me at least, to contextualise the story prior to reading it). The stave lessons each contain definitions of the archaic words (though there is a definite backing off with this the further in you get: as the students get more familiar with the language, they’ll need less prompting with decoding it), as well as a particular focus on key quotations. There are comprehension questions layered throughout, and the first THREE of the stave lessons have an ending task that links to a type of question found in AQA English Language Paper 1 Section A - my class had previously focused on this unit and it made sense to me to keep these skills “hot” so to speak. The AO specific lessons tie in with the Assessment Objectives for the English Literature course. The AO1 and AO2 lessons assume that the students have read the entire text. Finally, the theme lessons build towards the students sitting a GCSE Literature style assessment. I have sourced a lot of ideas from the following pdf file - I wouldn’t feel comfortable trying to pass these ideas off as my own; I include the link so that any person might have the benefit of this resource without having to pay for mine: http://drbacchus.com/files/christmas_carol/glossary.pdf There’s about 30+ hours worth of teaching materials in here; enjoy!

This is my attempt to engage and develop my Year 12s academic voices in their Paris Anthology related essay responses. The main issue my class had seemed to focus upon when and where to start. What I do is show them how they can place a particular emphasis on one of several potential areas of focus initially. I show them how they could use Mode, Audience, Purpose, each of Grice’s Maxims and each of the different levels of language as a starting point for an analytical response. The attached word document appears to be an “essay”.It isn’t. It’s the collected starting points placed in one document so that the students can focus more on the “how you do it” instead of trying to copy down the best bits. It worked reasonably well and is suited for a class with similar needs. Hope you find this useful.

Designed to be taught in support of a Year 9 class doing a GCSE-style task on Of Mice and Men. These powerpoints make good activities as part of a lesson, or they can be printed off as individual worksheets. The worksheet element contains a RAG rating system and some generic targets, suited for peer or self assessment.

This uses a format I’ve used elsewhere. The lessons are designed to support the teaching of conflict poetry from WW1. The goal is that the students sharpen their reading skills and get a boost in their English lessons where the poet is the subject of focus.

SPAG lessons can get a little flat at times. These are the worksheets I’ve designed to use with my own SPAG group. It is designed to be taught in tandem with a Dystopian Fiction SoW that ends with a reading assessment. Specifically, these lessons focus on an extract taken from Michael Grant’s “Gone” - all extracts taken from the first chapter. The aim is to develop an increased understanding of each text through the asking of more and more complex questions. The tasks can be sat as part of a lesson (I reckon they’ll take most groups between 10-30 minutes depending on the groups setting), or make ideal homework and/or extension tasks. At the moment, the resources are set up to be taught to lower set year 7 students. But, it won’t be too hard to change the tasks to more suitable ones for any set. UPDATE: I’ve included some versions that are more suited to be printed out. They have some basic RAG feedback grids on the back with some generic targets.