A series of 2 lessons which use ostinati from Bach’s Toccata in D minor as a stimulus for a popular arrangement of this piece (original music also provided). GarageBand or a similar programme is required or performances can be created live. All parts and composition tasks are differentiated and audio files and suggested listening are also provided. PowerPoints for the lessons are available with differentiated and push your thinking tasks.

A 12 page help guide for GCSE music students to guide then through composing a theme and variation piece. This focusses on how to develop the melody, texture, rhythm, metre and harmony. Musical examples are given for each musical development method.

A resource to support students aiming for high marks on question 9 of the Edexcel GCSE Music examination. There are 10 points per set work which students can revise from which aim to either link to the genre, link to characteristic features of the piece/genre or explain WHY the composer chose a certain aspect. This has been used with a cohort of students for revision and half of the cohort achieved 9 or above /12 on the essay question.

Up to 7 lessons worth of material to encourage practical musicianship. Differentiated resources for different instruments in order to create an ensemble performance of Don’t Stop Believing. There are at least 3 tasks for each instrument and the music is also annotated with note names or without. There is also a Sibelius 6 file which can be adapted to suit other instrumentation. The wow word sheet has 3 levels of differentiation and introduces students to musical language by describing the musical features of the song - this works well as a starter and provides a suitable worksheet for students to revise from for an end of unit listening test.

A resource which compares the set work of Wicked to 2 other pieces in preparation for the essay question (question 9). The scores for the unfamiliar pieces are attached. The links to audio are on the pp along with ideas and plans for each of the 2 questions. This could take 2 lessons (along with writing the essays) or be the preparation for an assessment or homework. There is differentiated success criteria which shows students how to access higher bands.

A series of 3 lessons which use the elements from Wagner’s Ride of the Valkyries and other film music motifs that he has inspires as a stimulus for a composition task (original music also provided). All instrumental parts and composition tasks are differentiated. PowerPoints for the lessons are available with differentiated and push your thinking tasks.

3-5 lessons which revise the Beethoven set work-Sonata in C minor. Lesson 1 focuses on the key features of the movement and categorises the musical elements into the main features of the piece e.g. piano and sonata form. The lessons is differentiated with success criteria and has answers included. This also focuses on the main musical elements and how you would describe them in an essay. This would take more than 1 hour long lesson. Lesson 2-3 focuses on the extended answer for Question 9 in the exam by picking out the main features for all the musical elements and trying to explain them to ensure AO4 is achieved in the answer. Lesson 3 also focuses on wider listening and uses 3 example piece from different time periods (sheet music provided). There is also a document with a summary of the Beethoven movement on just over 2 sides of A4 with the main features students need to know for the exam (this is in prose). There are 20 differentiated questions where answers can be found in the text. Ideal for revision lesson, homework or a cover lesson. Answer are provided.

2-3 lessons focused on unfamiliar listening of the Baroque and Classical genres and focus on key terminology in the questions (Qu 8 on the exam). All pp is differentiated with success criteria. 4 questions - 1 with a score and extension questions for target grade 8/9 students. 1x question includes a short score and becomes the focus for an essay question comparing to Beethoven. PP includes answers and breaks them down into AO3 and 4 possibly answers to encourage top mark essay writing skills and content.

A complete analysis of Section A from Bach’s Badinerie set work from Eduqas GCSE Music. This is at least 3 full lessons with differentiated tasks and worksheets which ensures students annotate their scores correctly. There is also a summary lesson to test their learning at the end of the analysis and performance. Performance parts that have been used are readily available by the examination board.

Differentiated resources which aid students in developing the harmony of an original idea. This was originally used over 3 lessons with a sixth form class but could also be used with GCSE students. Students must firstly define harmonic development methods (definitions provided). They must then identify how this looks by using musical examples. The gold task then asks students to apply at least one method to their own composition. All worksheets are in word so they can be further adapted in order to differentiate for your students.

A document with a summary of the Samba Em Preludio set work on less than 2 sides of A4 with the main features students need to know for the exam (this is in prose). There are 17 differentiated questions where answers can be found in the text. Lower grade questions ask students to recall musical facts. Higher grade questions require students to analyse and evaluate the musical facts in order to answer questions on context as well (in preparation for AO4 on the essay). Ideal for revision lesson, homework or a cover lesson. Answers are provided.

Revision poster for students based on the stage and screen set works for the Edexcel Music GCSE: Wicked ‘Defying Gravity’ and Star Wars. Each poster summarises the key features of melody, instrumentation, structure, texture, harmony/tonality and rhythm and tempo. As well as key features there are also links to context and bar numbers with evidence. These are ideal for students to use for revision.

Revision poster for students based on the instrumental set works for the Edexcel Music GCSE: Bach Concerto Grosso and Beethoven piano sonata. Each poster summarises the key features of melody, instrumentation, structure, texture, harmony/tonality and rhythm and tempo. As well as key features there are also links to context and bar numbers with evidence. These are ideal for students to use for revision.

Revision poster for students based on the vocal set works for the Edexcel Music GCSE: Queen ‘Killer Queen’ and Purcell. Each poster summarises the key features of melody, instrumentation, structure, texture, harmony/tonality and rhythm and tempo. As well as key features there are also links to context and bar numbers with evidence. These are ideal for students to use for revision.

Revision poster for students based on the fusion set works for the Edexcel Music GCSE: Afro Celt and Samba em Preludio. Each poster summarises the key features of melody, instrumentation, structure, texture, harmony/tonality and rhythm and tempo. As well as key features there are also links to context and bar numbers with evidence. These are ideal for students to use for revision.

Differentiated resources which aid students in developing the melody of an original idea. This was originally used over 3 lessons with a sixth form class but could also be used with GCSE students. Students must firstly define melodic development methods (definitions provided). They must then identify how this looks by using musical examples. The gold task then asks students to apply at least one method to their own composition. All worksheets are in word so they can be further adapted in order to differentiate for your students.

Radar assessment grids which have been tried and tested for key stage 3 music lessons. Each radar links to a set scheme of work (which can be found within the resources for HMBEnglishresources1984). The statements are linked to a 1-9 grade and the original ideas have also been added so you can adapt any of the statements to suit your schemes of learning. The radars can be used in conjunction with the follow schemes of work. https://www.tes.com/teaching-resource/classical-music-ks3-scheme-of-work-11455998 https://www.tes.com/teaching-resource/key-stage-3-film-music-scheme-of-work-11459117 https://www.tes.com/teaching-resource/pop-music-stand-by-me-differentiated-scheme-of-work-and-instrumental-parts-11425325 https://www.tes.com/teaching-resource/gcse-music-pop-music-composition-11743886 https://www.tes.com/teaching-resource/world-music-scheme-of-work-11743958 https://www.tes.com/teaching-resource/blues-music-scheme-of-work-11743949 https://www.tes.com/teaching-resource/key-stage-3-film-music-scheme-of-work-and-resources-performing-composing-arranging-and-listening-11459123