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Carisse' A-level Music Shop

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Carisse is an experienced teacher of A-level Music and Vocational Music, and is currently Head of Music at a sixth form college in the North West of England. She has examining experience in A-level Music, specifically for coursework and specialises professionally in both performance and music analysis. Carisse has also been a Subject Advisor for Pearson, examining for both the NQF Level 1/2 BTEC Award in Music and the QCF Level 3 BTEC in Music.

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Carisse is an experienced teacher of A-level Music and Vocational Music, and is currently Head of Music at a sixth form college in the North West of England. She has examining experience in A-level Music, specifically for coursework and specialises professionally in both performance and music analysis. Carisse has also been a Subject Advisor for Pearson, examining for both the NQF Level 1/2 BTEC Award in Music and the QCF Level 3 BTEC in Music.
Rock & Pop Music Analysis (Eduqas)
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Rock & Pop Music Analysis (Eduqas)

6 Resources
A selection of resources to aid with the teaching of the Rock & Pop topic on the Eduqas A-level. Resources include a detailed analytical powerpoint on a range of genres, three sample questions in the style of the A-level and some useful worksheets.
A Guide to Rock & Pop Music 1960-1990 (Eduqas)
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A Guide to Rock & Pop Music 1960-1990 (Eduqas)

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This is a starting point for the analysis of the Rock & Pop genres needed to fulfill the requirements of the new Eduqas A-level qualification. This is a 66-slide powerpoint and is by no means a complete guide but can be used as an overview for most genres and in-depth for a few styles and tracks. The styles that are covered within this powerpoint include: 1960s psychedelia, soul, funk, disco, punk, progressive rock, heavy rock/metal, reggae and 1980s electro-pop. The track analyses that are included cover the following artists: The Beatles, The Rolling Stones, The Supremes, Stevie Wonder, Jackie Wilson, Sex Pistols, The Specials, Pink Floyd, Earth Wind & Fire, The Bee Gees, Gloria Gaynor, The Pet Shop Boys, Kate Bush and Motorhead.
Haydn's Symphony No. 104 Movement 1 Score (ANNOTATED)
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Haydn's Symphony No. 104 Movement 1 Score (ANNOTATED)

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Haydn’s Symphony no. 104, movement 1 (Adagio/Allegro) - Annotated Score. Updated resource. Eye-catching with colour-coding for different analytical aspects, including: Harmony & Tonality, Instrumentation, Structure, Texture, Melody & Rhythm, Historical Context.
60s Soul: The Supremes, Smokey Robinson & the Miracles, Marvin Gaye
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60s Soul: The Supremes, Smokey Robinson & the Miracles, Marvin Gaye

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A comprehensive guide to 60s Motown Soul, with specific focus on The Supremes, Smokey Robinson & the Miracles, Marvin Gaye. Track Analyses include: Baby Love & I Hear A Symphony by The Supremes, Tracks of My Tears by Smokey Robinson & The Miracles and I Heard It Through The Grapevine by Marvin Gaye. Analysis focuses on main musical features and characteristics of 60s Motown Soul. All information is included in 1 powerpoint resource.
Eduqas Essays: The Development of the Symphony
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Eduqas Essays: The Development of the Symphony

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A collection of wider context essay notes looking at the Development of the Symphony (1750-1900). Intended for teachers to use to prepare lessons to deliver. Focus is on the wider repertoire, rather than the prescribed set works. Structure & Form Instrumentation/Orchestration Dance Music Harmony & Tonality
Motown Documentary Research Questions & Answers
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Motown Documentary Research Questions & Answers

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A resource that uses the documentary “Hitsville: The Making of Motown”. Set of research questions for students to answer whilst watching the documentary. Answers for teachers also provided. Good as an introduction to Motown Soul and generally how the Music Industry works too. Takes around 3-4 hours minimum as a mini-project: 2-3 hours to watch and make notes, 1-2 hours as a class discussion. Could be used for BTEC Music (Unit 30 Pop Music in Practise) or A’level Music.
Structuring a WCT Music Exam Essay - Eduqas
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Structuring a WCT Music Exam Essay - Eduqas

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Unit 3 - Development of the Symphony 1750-1900 A structured breakdown of how to answer the following past exam question: Discuss how symphonic composers of the Western Classical Tradition have taken different approaches to the use of the orchestra. You must refer to both set works and other relevant symphonies, from both the Classical and Romantic eras.