A simple spreadsheet that allows you to keep track of your online lessons. My school uses classcharts as its medium in setting online learning - but you can easily change the headings of the columns to reflect whatever software you use.

Designed for EBD children. Dyslexic friendly. These resources work well with showing extracts from “The Pianist”. A selection of worksheets that establishes and develops knowledge of the Jews, Hitler and the Holocaust.

OK, taught this for the first time to a bottom set year 9 class and they all got Band 3s and above for this (save one or two) so I'm calling it a success. I claim no credit for the speeches, I&'m just putting them on here for you to use. I found that it was necessary to make the students aware about politics and political terms BEFORE launching into spoken language study. The last resource is a useful revision booklet which I use throughout KS4 as a HW booklet. Hope it is useful for you.

Targeted specifically at Year 7 students who have read 'The Black Harvest' but works well as a starting point for creative writing. I use this at the end of a term when i have time left but have started to run out of material in my current topic.

A selection of worksheets aimed at EBD children. Dyslexic friendly. These are resources used to teach children about the initial conquest of North America by the English settlers and their impact on the locals. Good starter activities.

These are worksheets i used in an EBD's ASDAN lessons. The worksheets are geared around the 2008/09 ASDAN worksheet but can easily be changed to meet current ASDAN and COPE standards.

The worksheets allow a GCSE Prose essay to be built up. They focus on the Introducation, components of the essay specific to answering the essay question AND the conclusion. There are suggested starter sentences. All resources are Dyslexic friendly (Comic Sans Font). Suitable for lower ability year 10 classes, or classes with reliance upon the TA's and outside class learning. The resources refer directly to the Lord of the Flies book. I have used the Faber and Faber Educational Edition (ISBN:0571056865).

A collection of resources designed to support the teaching of Macbeth at GCSE level. The lessons assume that the class will be “acting” out the play, using the summary as a stimulus for the acting out element. I interspersed this acting with numerous directions to read the text aloud; overall, the students enjoyed this combination of normal language and Shakespearean. It has always been my way to establish an initial understanding of a Shakespearean text before trying to wade through the language. Hopefully, this will prove a useful starting point.

As part of my quest to engage students with the 15 Power and Conflict poems, I’ve come up with these Battle Cards. Essentially, the idea is to promote AO1 and AO2 related discussions that get the students to recall what they know about the poems they have been taught without having the actual poem in front of them. The students “score” each of the poem against a number of POWER and CONFLICT related areas. This is recorded on an A5 sized BATTLE CARD where they can draw supporting images(good for recall) and identify methods, key quotations and themes. The idea is for students to battle one another and use the cards as the stimulus point for the discussion. Whoever is best able to justify the score they have given for their card wins the round. I’ve included a blank card along with 15 poem specific cards (each of these has a supporting back ground image, but is the same as the blank card in all other respects).

A series of lessons designed to make sure students have a clear understanding of the “basics” and the “developed” skills and techniques required for EACH of the possible text types they could meet in Section B of the English Language Paper 2 exam. Because my lot were taught A Christmas Carol (and I was trying to kill two birds with one stone by revising this at the same time…), the tasks are all focused on writing within the world of Scrooge. To that end, they may require some editing on the part of the user - hence the reduced price.

I’ve used the opening chapter of the novel as the basis for an AQA Language Paper 1 mock exam. I’ve created an Answer paper too.

Similar to a lesson I posted on A Christmas Carol. After a bit of a warm-up, the crux of the lesson is focused on establishing concepts then explicitly showing students HOW to identify methods - again, some still confuse quotations and methods - before pointing them at an exam question. UPDATE: I repeated this lesson a few weeks later with a different extract, but backing off a notch in terms of explicitly identifying methods.

An easy to use spreadsheet where you build a bank of true or false statements (tab 3) which will then create a randomly generated worksheet of ten true or false statements (tab 1). Additionally, an answer sheet will be generated too (tab 2) allowing for the resource to be used in a whole class setting. All you need to do is populate the spreadsheet with true/false statements and then identify which statements are true, and which are false. Instructions are built into the spreadsheet itself.

A useful little resource that can be a starter/plenary element in your lessons. The spreadsheet generates ten randomly selected true or false statements from a bank of over 260. Each of the power and conflict poems is covered and there is the scope for you to add in your own or edit the statements that are there. I released this to my year 11s as a revision tool and they found it very useful. Additionally, I have included a blank copy of the spreadsheet so you can create your own ToF statement generator.

I've had a lot of fun teaching these lessons. Essentially, the idea is you spend a lesson exploring a poem and then a creative angle has been drawn from the text to inform the creative writing lesson that follows. Each of the creative writing lessons assumes a two hour window. A simple scheme, but I've found it to be rather effective.

A useful little tool. It allows you to RAGB(red, amber, green, blue) your students understanding/annotations of the 15 Power and Conflict poems in the AQA anthology. Also, it provides you with a poem by poem breakdown of your classes understanding/quality of annotations so you can see where the gaps are all the clearer. The spreadsheet is set up for a class of up to 40, but the coding can easily be altered to allow for a whole year group.

A series of activities that are designed to be taught over time. There is a bit of initial leg-work to do in setting up the spreadsheet and, truth be told, I’ve had more success using this with smaller classes than with larger ones - the volume of specific data generated gets unwieldy with the larger groups. So, I’ve divided punctuation up into three groups - BASIC, MID-RANGE and ADVANCED. The idea is that you teach/go over/re-demonstrate the type a type of punctuation. Then, the students are given ten minutes to write where they focus on using that type of punctuation. Each punctuation type has a points value, and the goal is to “defeat” a possessed teacher by using that type of punctuation. The powerpoint presentations each show a teacher (or a combination of teachers) making their way across the screen over the course of ten minutes. There’s the option of spooky orchestral music too. There are specific work sheets that each student will need - each work sheet contains the points value of each punctuation type and a grid where you can wither self/peer/teacher assess depending on how you want to set the lesson up. As the class progresses, so to does the complexity of the task. Each new level incorporates a new type of punctuation OR (more importantly) a new combination of focuses. For example, level 3 requires students to use BASIC and MID-RANGE punctuation to defeat two teachers. What I found useful was the specific nature of the feedback I got: I could see quite clearly which punctuation types were defeating each student and which punctuation type was an issue for the class as a whole. And, if the class lost (which they did on more than one occasion) then they retried the level the following week. We used this in SPAG lessons in combination with some other elements - it can easily be made into a whole lesson. A useful little tool…

A summer spent playing word games with my kids lead me to this idea. The idea is that the students are supplied with a grid of letters. They use these letters to build words which cause damage to a cartoon monster. The bigger the word, the more damage done to the monster. I’ve made it more and more difficult as the monsters develop - you have to use certain letter types for example. I plan to give each child one grid per week to complete and have their peers mark it. So you are completely aware, I have left all of the grids blank apart from on a few. You will need to fill these in yourself. Also, I have left the challenge component blank too. This will allow you to create challenges that reflect the specific types of spellings you are looking at - double damage awarded for homophones for example. There’s massive scope for differentiation in here too. I’ve included a whole class version of the spelling levels, as well as a photocopy friendly version too. I have long believed that making school a little more like computer games can be helpful - this is my first attempt at exploring Gamer Theory as I have dubbed it. Watch this space for more. Have to figure out how to do something similar with the other components of SPAG and Reading now… ADDITION: I’ve included some completed versions of the pack to give you an idea of what they could look like. Pay attention to the NOTES section of the power points too. These grids have been designed to be used in tandem with the Escape From Kraznir scheme of work. ADDITION: I’ve also added a new powerpoint that works as a whole class exercise. You don’t need the sheets, just paper and the will to go on…

Three slides on a power point that can easily be printed out and handed out as a task. Each slide gets progressively more complex. Each slide contains a choice of two tasks (one descriptive and one relating to the writing of a narrative), a punctuation related challenge, a content challenge and an organisational challenge. Ran it with my year 11s yesterday and they found it very useful. Oh yes! I have intentionally put one spelling/punctuation mistake on each slide with the idea that I award a housepoint to the first student that identified it. You’re welcome!

A few elements of my class really struggled with this concept. So, I’ve broken it down into a step by step guide. The class will each need a copy of the AQA Poetry Anthology for this. It focuses on Follower first and then sets them up for an academic tilt at a comparative response. I’ve had a good response from the elements of the class that initially struggled too.